Aesthetics in ancient poems

Zhang Kejiu's Yellow Man Yuan Yue: "Rise and Fall.

Dreaming of eternal prosperity, poetic eyes are tired of the world. Kong Mu, Wu Gong, Chu Temple West Western jackdaw. A few huts, 10 thousand books, for the old village family. What happened in the mountains? Pine flowers make wine and spring water makes tea. "

Yao sui, a writer of yuan zaju, wrote in "the more the carving is flat"

Lan Ren sent clothes and wrote: "If you want to send clothes, you can't return them. If you don't send clothes, it will be cold. It is difficult for me to send or not to send a room. "

Poetry is a highly concise language art, which should be written into short sentences under the restriction of rhythm and prosody.

Scenery, lyricism, narration and things should all be carefully chosen, and poets must pay attention to "refining the word J", that is, fine tempering and creative collocation when choosing words and making sentences, so that the words used can be concise, subtle, vivid and profound. As the saying goes, "A good writer is rich in Wan Wen, but poor in one word" (Grandma Liu Xie in the Southern Dynasties was still a fledgling girl, and she was not allowed to read it until her hair was combed. "

Li Yu, a dramatist in the Qing Dynasty, said: "Although it is expensive and novel, it must be new and accurate. Appropriateness and accuracy

Don't cross the word' reason'. Ouyang Xiu in the Song Dynasty also believed that "poets are greedy for good sentences, and if they are unreasonable, they are not good at saying them. It is said that Qing Feng, a frontier poet in the Tang Dynasty, once went to Taizhou as an observer in Zhejiang, passing through Hangzhou, and wrote a poem on the wall of the monk's room: "The autumn wind in Jueling is cool, and the crane turns over its wet clothes. Before the village, the moon fell on a river, and the monk opened a bamboo building in Cuiwei. " After writing, he continued on his way. When he passed the Qiantang River, the moon was setting, and the tide of the river receded with the wind, with only half of the river. He thought that he used "the water of a river" to describe the river tide on a moonlit night, which was obviously not in line with the actual situation, so he decided to go to the monk's room to reform poetry after returning from inspection. When I came back from official business to change my poem, I suddenly saw that the word "one" was changed to the word "half" by several strokes. He had to sigh that there were so many talents here that the "half" river was reasonable. The truth of the story is not important. Importantly, it shows that poets must choose words carefully and use them accurately. This accuracy conforms to the common sense of life (artistic imagination and exaggeration conform to the truth of emotion) and the needs of the overall realm of poetry.