What are the constituent materials of China traditional culture?

"The constituent materials of traditional culture"

What are loyalty, filial piety and benevolence? What are faith, courtesy, wisdom and courage? Now we can only see the street signs in Taipei when we look at them. The essay materials of traditional culture want to maintain the anecdote sequence of "monarch, minister, father, son, son", and also cut off our connection with "loyalty, filial piety and benevolence" "Faith, courtesy, wisdom and courage" are at least the common philosophy and basic requirements of all societies, but we have grafted the western values, and its connotation is no longer under the shell of Confucian discourse. The ancients once regarded moral cultivation as life. Children nowadays have many other things to do. Once upon a time, as a scholar, 15 years old had to memorize the four books and five classics, almost all of which were "worshipping classics". Their classical knowledge is enough to make today's doctoral students in ancient literature despair. +09 12+65,438+09. Results Nearly a century has passed, and not many people can answer what the Four Books and Five Classics are. China's ancient pillar ideological system, represented by The Book of Changes, Shangshu, The Book of Songs, The Book of Rites and Zuo Zhuan, is in confusion. Now, Yi Shu has established a modern private school in Beijing, which specializes in teaching the Four Books and Five Classics. What is the spirit of Ren Xia like Ren Xia? It is where the Tao lies, although thousands of people have gone; When the righteous act is done, the daughter will not regret it; In the heart of love, secular etiquette is like dirt; "I am very happy to drink three hundred cups with you; It is "ten steps to kill a person, a thousand miles away." You must brush off your clothes, and you will hide in your reputation. Three cups of vomit, five mountains are light. You will die like a knight, and you will not be ashamed of the British people in the world. "It was Jing Ke, Nie Zheng, Zhuan Xu and Li Bai who saved Wu Zixu's life. Today, however, they all disappear in the wind. They will never walk alone again. Where did it come from? I have never been young and frivolous, and my youth is incomplete. It doesn't matter how many gold novels I read. Every man has the responsibility to the family, the people, the country and the nation, and the intangible social atmosphere ... This is the N mountains on the shoulders of the ancients. Today, we have neither the obligation to contribute to others nor the right to ask for it from others. You can only be responsible for yourself. "The desire of the past is obviously superior to the world" said at the beginning of "University" has become a mirage today. Gu's "every man is responsible for the rise and fall of a country" is more like an empty talk in peacetime, while the composition material is "the composition material of traditional culture" So, we insisted on not growing up, watching Japanese cartoons, listening to twins, playing PUPA or HelloKitty, and wearing wide-leg pants full of pockets. Why not? " ..... Aggressive freedom is rampant, and there is a loss of sense of responsibility everywhere. The children of 10 are exposed to the laissez-faire and infinitely prolonged adolescence of this generation. How do they know what a sense of responsibility is? Poetry Qufu If children in the 1990s started to get in touch with the beauty of classical poetry from Jay Chou's Answer to the Straight, isn't it a little late? There are 42,863 poems of Tang Dynasty, 9990 poems of Song Dynasty/KLOC-0, more than 900 poems of Li Bai and more than 6,000 poems of Lu You, which are just a fraction of China's poems. However, what we have been reciting until we graduated from middle school is just a small feeling that "Xiao He has just exposed its sharp corners" and "the spring breeze in February is like scissors". It is not that classical poetry should be widely used, but that it has retreated and disappeared from our field of vision in a long span, which is the loss of aesthetic ability of this society. A child nourished by rhymes such as "wading for hibiscus", "love wandering in the courtyard" and "drunk watching the sword" may not be so numb and indifferent when he grows up. Now the image of playing chess and drawing is young and promising. Knowing how to make money and spend money is no longer Nalan Rong Ruo's son who is proficient in piano, chess, calligraphy and painting. The value orientation of adults is copied or even strengthened in the next generation. Learning piano (referring to piano instead of guzheng) must be graded. Unless you want to be a national player like Chang Hao, calligraphy and painting is a regular item in the Children's Palace. In order to get extra points when you go to school ... under the pressure of your parents' feather duster and grade examination, that initial elegance. "Because the big pear is broken." Old-fashioned Kong Rong, if he heard the children's answers now, would jump into the coffin with anger. Yes, the traditional moral paradigm is losing. In the 1990s, children were taught that no one can eat unless he works. They have been competing almost since they were sensible. They are born Darwinists. Children in grade three have 40 lessons a week and practice piano for three hours every day. The sixth-grade children do their homework until midnight 12 every day, and the second-grade children have to take part in the math contest, English speech contest and student union election after class ... How can he say: classmate, I don't want the first place, let you have it? No one will thank Kong Rong. However, when the whole society began to agree with the values of industrial civilization, such as "modesty makes people lag behind", the jade-like personality charm once possessed by ancient people in China has disappeared.