How to get good at landscape painting

Shanshui painting is divided into ink landscape and color landscape. Ink landscape is mainly ink as a form of expression; color landscape is generally in the ink is not enough on the basis of light color or heavy color, color landscape, can be divided into light reddish-red landscape and green landscape. There are also colorful landscapes and boneless landscapes. Chinese landscape painting can be said to concentrate on painting techniques of the great technology mature very early, and there is the development of a long time, penmanship, ink, chapter, mood, texture effects and coloring, all integrated in the landscape painting,. So learning landscape painting should start from the basic method, from shallow to deep, from the other, from the surface to the inside. 1, landscape

Dalin landscape

How can I paint a good landscape painting?

Shanshui paintings are divided into two kinds: ink landscape and color landscape.

Ink and wash landscape is mainly ink as a form of expression; color landscape is generally based on the ink and wash is not enough to apply light color or heavy color, color landscape, can be divided into light purple-red landscape and lime green landscape. There are also colorful landscapes and boneless landscapes.

Chinese landscape painting can be said to concentrate on painting techniques of the great technology mature very early, and there is the development of a long time, penmanship, ink, chapter, mood, texture effects and coloring, all integrated in the landscape painting,. So learning landscape painting should start from the basic method, from shallow to deep, from the other, from the surface to the inside.

1, landscape painting techniques. That is, it is a question of brush, ink and color. Landscape painting with a variety of brushes. This is determined by the performance of the brush. It can hook line, point moss, painted surface, can be chapped, can be rubbed, can be dyed; brush can be gathered can be dispersed, ink can be dry can be wet.

2, the use of the brush, there are center and side, smooth and reverse, hidden and exposed, gathered and scattered. There are fast and slow, light and heavy, light and staccato. There are cleverness and clumsiness, rigidity and softness, light and hair, and so on. These traditional brush methods can reflect different artistic effects and different textures.

3. The center stroke is often used to outline objects. For example, the branches and trunks of trees, figures, cars and ships, and various points, such as round points, oblique points, straight points, horizontal points, thirsty points (dry brush points), and clip the leaves are also often used in the center.

4, the side of the front is mostly used for the rock chapping, the trees of the horizontal dye, as well as painting leaves and so on.

5, scattered front mostly used for painting rocks, trees, chafing dots and dyes, the effect of the situation, the effect is quite good.

6, the ink should be thick, light, dry, wet and other levels of change. Thick ink and thick wet and thick dry, light ink and light wet and light dry difference. A pen ink can appear thick and light dry and wet and ink color changes. The old saying "ink is divided into five colors" describes the feeling of using ink in a variety of ways, as if there were colors. Therefore, to master the ink.

7, the ink method of landscape painting, ink splash method, ink accumulation method and broken ink method.

The ink splashing method is to use a broad brush dipped in ink to write in broad strokes, so that the ink and color can produce a variety of changes. Its main point to be an ink while wet can be added appropriately, and pay attention to the careful collection grid, this method is often combined with the broken ink method. A layer of ink in rain landscape and Ma Xia's landscape paintings, especially those with large distant mountains, is also the ink-splash method. The ink accumulation method is relative to the ink splash, is a kind of light to thick, from thin to thick multi-layer ink method, is the first ink dry and then draw the next ink, layer by layer to add, can increase the picture of the pallor of the heavy sense. Broken ink method is to take advantage of the first ink is not dry before adding the second ink. Heavy ink can break the light ink, and light ink can break the heavy ink. It is characterized by the intensity, dryness and wetness breaking each other. Ink color fusion, penetration changes, extremely moist.

9, painting landscape ink with the general law is: painting line painting point with thick ink mostly, chafing sassafras can be used both thick and light, rendering with light ink mostly. Focused ink (dry ink) more as a thick ink auxiliary. Moist at the wet ink, wake up to mention the use of burnt ink. Don't dip the ink too hard, one ink to use it up before the dry brush, the tone can be rich.

10, color: color landscape with light red, green and bone. Green landscape is divided into Jinbi, big green, and small green. Light green landscape: it is in the completion of the hook, chapped, dotted, dyed ink brush landscape on the basis of light ochre to indicate the atmosphere and color of the mountains and trees. However, it must be light, and there are also used in combination with evergreen and grass green, and generally do not use stone green and stone green.

11, boneless landscape: this method does not use ink to hit the outline, directly with the color painting. But with the pen, ink is more difficult, now rare, sometimes in the painting of distant mountains can also try. Beginners are not easy to master.

12, green landscape: green landscape is characterized by the need to reduce the chapping, rendering stone green, stone green before the need to play the background color, the purpose is to play a role in setting off, so that the green is both heavy and distinct. Small green landscape painting method is first ochre base, then another flower green and grass green, and finally on the stone green, stone green.

13, big green landscape only hook and not chapped, generally with ochre and stone cinnabar base, with stone green, stone green to be rendered several times. If the big green landscape on the hook gold, will become a gold and blue landscape.

14, we summarize the traditional painting color method, at the same time, we can draw on the color relationship in Western painting and watercolor painting techniques, in order to achieve the purpose of "innovation".

15, the general method of landscape painting coloring is: first complete the picture, in hook, chapped, rubbing, point of the basis, with different shades of ink dyeing the structure of the stone and the relationship between light and dark. Then color. In addition to the first ink after the color method, can also be dyed with color first after the hook ink, can also, breaking the traditional method of coloring, with a pen dipped directly into the ink, color a generation of a block, so that the ink mingled. However, this method is very difficult.

16, set the color to repeat the big relationship, tone to unity. Rendering color do not adjust the color is very thick or once completed, to be rendered many times in order to be rich. If the rendering is not heavy enough, can be added to the back of the paper dyeing color to set off, this method is called "back dyeing". Rendering directly with the original color dyeing is not much, generally use several colors to blend or add a little ink to use. This frame is harmonized with the rendering of color, white clouds with white powder back-dyeing has its own flavor, the sky with ochre ink back-dyeing shows the depth.

The order of coloring is generally first on the water color, then on the stone color. Stone green is generally expressed on the sunny side, stone green is expressed on the dark side, the two colors can be used in combination, can also cover each other dyeing. However, it should be noted that the color is to supplement the lack of ink, ink is the backbone of the color, so that the ink and color into one, so that the ink and color is the original intention.