Classification of landscape painting

A landscape painting. Landscape painting with mineral azurite and stone green as the main colors. There are big turquoise and small turquoise. The former has more hooks, fewer strokes, strong coloring and strong decoration; The latter is dominated by the light color of ink and wash.

2. ink landscape

It is a pure ink and colorless landscape painting style. According to legend, it began in Tang Dynasty, became in Song Dynasty, flourished in Yuan Dynasty and developed in Ming and Qing Dynasties. Painting pays attention to meaning and vividness, forming a set of expression techniques with ink and wash as the main body.

His brushwork is mainly hook, brush and dot, which is superior to the performance of structure and texture; Its inking method is based on the shade and drying of ink. Mainly splash ink and dry ink, it has the effect of "water faints the ink chapter" and "giving color at the same time", which is better than volume and charm. Theoretically, it is emphasized that there is pen and ink, and the combination of pen and ink can achieve the wonderful state of change.

3. Light crimson landscape (light landscape)

Ginger landscape painting is a kind of landscape painting. On the basis of ink painting, a light-colored landscape painting with ochre as the main tone was laid. Pale crimson landscape painting is characterized by elegance, lightness, lightness and clarity.

4. Small green mountains and rivers

Small green landscape requires thin, transparent and moist colors. When painting, first draw the outline and vein of the mountain with ink lines, then trace the ups and downs of the rocks, dye the roots of the mountain with light ink to separate the concave and convex light and shade, then dye the bright parts of the mountain with light green and cyanine, and then cover and dye them with light green (grass green) and cyanine several times. The color of the stone used should be thin and moist, and it should be used last.

5. Boneless landscape

Boneless landscape refers to the direct depiction of objects with large pieces of ink or color without ink lines.