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The characteristics of the performance art of opera Danjiao essay

Talking about the characteristics of opera Danjiao performance art essay

In all areas of society, when it comes to thesis, we must not be unfamiliar with it, the process of thesis writing is the process of people gaining direct experience. How to write a dissertation to avoid stepping on the mine? The following is my carefully organized talk about opera Danjiao performance art characteristics of the paper, just for reference, I hope it can help you.

Abstract Lv Opera is one of the most representative types of opera in Shandong, which can be used in the way of opera to show the local folklore, folk customs and folklore, in which the Danjiao and other operatic performances have their own unique artistic charm and characteristics. In order to better enhance the performance effect of Danjiao, it is necessary to clarify its performance art characteristics in advance. This paper takes the Danjiao of Lv Opera as the research object, focuses on the characteristics of its performing art, and aims to provide some theoretical references for the relevant opera personnel to learn the knowledge of Danjiao performance.

Keywords opera; Lv Opera; Danjiao; performing art characteristics;

Opera actors are the main body of the performing art of opera, and their interpretive ability and performance ability is an important foundation for the prosperous development of the art of opera. In order to better shape the role image, it is necessary to use appropriate acting techniques to effectively express, especially to pay attention to the character traits of the role to fully understand and grasp the depth of the character to ensure that you can better shape a specific role image. The Dan character is an important role in opera, and needs to be systematized according to the basic expression of the "four functions" and "five methods" and its own artistic characteristics to show its artistic charm.

Overview of Lv Opera

(1) Overview of Lv Opera

Lv Opera is a very regional type of opera in Shandong Province, China, which reached its peak in the 1950s and 1960s, during which it gave birth to many classic plays such as Borrowing the New Year, Xiaoguxian, and Li Erqianqiao (Li Erqianqiao remarried), as well as many famous artists, such as Li Daijiang, Lang Xianfen, and so on, Lang Xianfen and many other famous actors of Lv Opera. Based on its vigorous development and wide influence, Lu Opera has been evaluated as a national intangible cultural heritage. As a kind of regional opera, Lu Opera has such artistic characteristics as beautiful and simple, close to the masses and natural and smooth, which is mainly reflected in the fact that its beautiful and simple singing style is characterized by both quqiang and banqiang, and the tunes are melodious, simple, smooth and flexible, and the corresponding accompanying instruments can be classified into two types of martial arts field and literary field, and some western orchestral instruments are also effectively integrated, which makes the accompanying instruments as a whole show the characteristics of simplicity and elegance. In the process of singing, Lv Opera mainly uses the real voice, and for individual soprano singing, the singing method of combining the real and fake voices will be utilized accordingly, so as to make the final tunes smooth and natural, and at the same time, keep clear in the process of spitting out words, so as to make the whole singing voice beautiful and melodious.

(B) Lv Opera Dan character

Lv Opera Dan can be divided into the old Dan, colorful Dan, flower Dan, Wu Dan, Qingyi, Boudian Dan several types, the specific performance characteristics are as follows: First, the old Dan. She mainly plays the role of middle-aged and old women in the opera, showing her old posture in the performance, and showing her stability and generosity in the process of singing, reading and doing, such as the role of "She Taijun" in "Mu Guiying Hangs Up the Marshal". Secondly, Wudan. It mainly plays the role of a woman who has mastered the skill of martial arts, and should ensure that her body is flexible and agile, such as the role of "Yang Pai Feng" in "Playing Jiao Zan". Third, colorful dan. Mainly plays the role of a woman who likes to make a fuss about right and wrong, vicious, hateful and cunning, and her performance moves and lines are mostly derived from real life, such as the role of "Diao's" in "Xiao Gu Xian". Fourth, the flower girl. Mainly plays the role of enthusiastic, lively, lovely young or teenage women, to ensure that the words are clear, the singing voice is sweet, and the body should be delicate and flexible. Fifth, the Qing Yi, mainly playing adult women, generally attaches great importance to singing, requiring delicate and clear singing, smooth and gentle, such as the role of "Lan Ruilian" in "Jingtai Hui". Sixth, the lady's maiden, mainly playing the poor family of educated young girls or not out of the court of a great lady, singing with the characteristics of the lingering gentle, and pay attention to the form and the use of water-sleeve kung fu.

Two, Lv Opera Danjiao performing arts characteristics

(a) the artistic characteristics of the stage

In the process of Lv Opera Danjiao performance, the stage is one of the most basic way of performing, which is also commonly known as the "walking frame" in the world of opera, that is, the actor needs to use footwork to show the process of performance, the actor is a very important part of the performance. In the process of performance, the actor needs to use the footsteps to show. In order to effectively present the... In order to effectively perform the role of Danjiao, it is necessary to take good steps first to ensure that the character can be performed in a vivid and intuitive way. Danjiao performance process of character shaping is directly embodied in the Danjiao step performance, the specific performance needs to be combined with the character's age characteristics, personality characteristics and the surrounding environmental characteristics, etc. to grasp, different Danjiao roles need to be through the effective application of the stage step to the specific role of the image is perfectly displayed. It is also based on this requirement and characteristics, for different Dan character, the formation of a differentiated step.

For example, for the role of Qingyi, because it mainly represents adult women, generally attaches great importance to singing, so the use of steps should be more focused on stability; the girl's Dan to use a small step to perform, showing a gentle, delicate style; Wudan to emphasize the smooth, fast, powerful, strong steps. In addition, during the performance of Lv Opera Dan role, the steps also need to show the rich local color of Shandong region accordingly, so that the steps have a stronger expressive power. Therefore, for the art of step in Lv Opera, it is necessary to make comprehensive consideration on the basis of the characteristics of the character and the performance content of Lv Opera works, and adopt appropriate step techniques to vividly shape the image of the character and show its true artistic charm.

(B) body art features

Body is also a very important performance art in the process of Lv Opera Danjiao performance, which is mainly expressed in the performance of the action, skills and show the posture, such as the articulation of different actions, the continuity of the front and back movements, and the demonstration of different types of postures, etc. In the process of interpreting the role, the performance of the character of Lv Opera is very important. In the process of interpreting the role, the Dan actor should pay attention to grasp the movement of the stage, the use of the eyes and the water sleeve throwing and closing, etc., and strive to make the Dan performance of the body and the hand movements, the movement of the stage, the use of the eyes and so on to form an organic, coordinated cooperation. For the actors of Lv Opera, the graceful and elegant body shape has an important influence on the final performance effect.

Therefore, in the actual performance process of Lv Opera actors, we should pay attention to the appropriate body expression method to effectively display the rich local color of Shandong, and strive to better highlight the history, customs, culture, etc. of Shandong. Based on this, Lu Opera Danjiao performers usually pay attention to learning the body performance skills, but also need to accept more aesthetics of the opera, to ensure that you can continue to improve their own temperament, but also pay attention to effectively regulate the body expression, to ensure its coordination and elegance. Only good use of these coordinated, elegant body language can be effectively expressed the characteristics of the opera Danjiao, showing the personality characteristics of different roles and emotional characteristics, to ensure that you can better show the real charm of the opera Danjiao performance art, and constantly improve the overall effect of Danjiao performance.

(C) Nianbai artistic characteristics

Nianbai is the Lv Opera Danjiao performance involved in the white mouth, Daobai or say white, or is the people's daily life in the act of talking dramatization, is a basic form of expression of opera lines, but also constitutes an important part of the opera, Danjiao need to pay attention to the process of performance. The art of recitation in Lv Opera requires artistic beautification and processing to form an artistic form of language. Lv Opera's own nianbai also has local characteristics, but also need to Danjiao performers with the effective expression of nianbai to show the local characteristics, such as the use of nianbai art to the Shandong region's cultural practices, language style to show.

In addition, the difficulty of reciting in Lv Opera is greater than that of singing, and the local characteristics of Lv Opera itself determine that it pays great attention to the effective expression of reciting, so it is necessary to enhance the artistic expression of reciting through effective methods of expression, so that it can increase the highlights for Lv Opera Danjiao's performances. In order to enhance the overall effect of expression, Danjiao performers must pay attention to more effort in the nianbai, more hard training, and strive to make themselves in the tone of voice and word sound and other expressions to achieve accuracy, showing the local flavor, so as to enhance the overall artistic effect of Danjiao performance.

(D) Singing art features

Singing is the most crucial part of the performance of Lv Opera Danjiao, which will have a decisive impact on the final performance effect, so in order to ensure the overall effect of the performance of Lv Opera Danjiao, we must pay attention to accurately grasp the singing skills. In the process of singing, Lv Opera Danjiao mainly shows the combination of recitation and lyricism of the opera art, which is similar to the artistic expression of the "narrative and singing" in the opera, so as to highlight the dramatic function of Lv Opera itself, which is as follows:

1, realize the organic combination of words and music in the process of half-saying and half-singing.

1. Lv Opera dancers often use half-talking and half-singing to express the lyrics of the songs with the help of this kind of expression. Among the raps, Lu Opera danjia especially relies on recitation. By adopting this "narrative and singing" way of expression, it can organically integrate a variety of voices, and it is easier to show the authenticity of the art of opera itself, such as singing a sentence and then read a word, or read a number of words and then sing a sentence.

2, in the process of like saying like singing to realize the organic combination of words and songs. The main point is to pay attention to the music melody and singing words, so that the Dan actor in the words of the rap effectively into the music melody, can give people a "singing" feeling. In the process of singing, the music melody is also like the spoken words in the lyrics expression, which can strengthen the lyrics expression, and it is easier to show the rich local characteristics of Shandong with the help of this artistic expression. For example, in the "Wang Dingbao borrowed when", the Danjiao's singing covers the pallet, running water and fast two-board singing, in the Danjiao singing, the use of half-saying and half-singing and seem to say like singing way of expression, can make the overall musical performance more colorful, simple, to avoid dull, bland, so as to show the rich local characteristics of Shandong.

3, in the process of talking and singing to realize the organic combination of words and songs. Lv Opera Dan is a very unique role, many of the repertoire of Dan singing is based on the conflict in the storyline to sing and say the arrangement and layout, which will generally use the spoken language to the background of the story and the story of the relationship between the characters involved in the explanation, but also the use of Lv Opera singing to the character's ideological and emotional expression of the specific can be used to fast two boards, water, stack boards, scattered boards and so on. Specifically, it can use fast two boards, flowing water, pallet boards, scattered boards and other kinds of singing and chanting boards, so as to realize the organic combination of words and songs through alternating large parts of speech and singing, and to improve the overall singing effect. To summarize, the Dan character is a very important role in Lu Opera performance, and the effectiveness of its performance is directly related to the final effect of Lu Opera performance. In the process of the actual performance of Lv Opera Danjiao, it is necessary to focus on the artistic expression of several aspects of the body, recitation, steps and singing, to ensure that the local characteristics and artistic charm of Lv Opera performances can be highlighted, and to continuously improve the overall effect of Lv Opera performances.

Three references

[1] Ruan Danqing. Analysis of the artistic characteristics of opera Danjiao performance[J]. House of Drama,2018,(22):36.

[2]Zhang Liheng. Performance skills of flower girl role in opera[J]. House of Drama,2018,(28):41-42.

[3]Yao Caihong. An introduction to the teaching of opera Danjiao stature[J]. Art Daguan,2019,(13):142-143.

[4]Lu Qianqian. Analysis of the performance art of opera Danjiao[J]. Drama House,2020,(19):135-136.

[5]Liang Yan. Characteristics of Danjiao Performance Art in Opera[J]. Culture Industry,2020,(12):76-77.

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