How about Jiang Kun's basic knowledge of traditional crosstalk?

Jiang Kun seldom performs traditional cross talk in public. According to the well-documented data, we can probably find works such as Big Face, King Kong Pushing the Rock, Disciple, On Wealth, Shaving the Head, etc. If you appreciate these crosstalk works objectively, the performance level is actually good. Although it can't be said that the level is particularly high, it is at least not as bad as that uploaded on the Internet.

In addition, Jiang Kun can be found on the Internet to inspect a small theater in Tianjin. He was booed by the audience, so he had to leave temporarily. Jiang Kun couldn't recite a passage of "Eight Fan Screen Wind". He memorized it from beginning to end, without any preparation. At this point, Jiang Kun still has a little knowledge. Of course, there is still a problem with the rhythm. I can only say that I can, but I am not good at it.

Since Degang Guo became a big hit in 2005, the contradiction between Jiang Kun and Degang Guo has been running through it, so Jiang Kun's every move has been observed by netizens with a magnifying glass; I think Jiang Kun also understands this and can see that he is trying to make up for his weakness in traditional cross talk. However, at his age, it is difficult for him to put down his posture and ask the teacher for advice. Maybe he learned it by video or recording.

It must be admitted that Jiang Kun was a mature crosstalk performer before he studied under Ma Ji, and he was exposed to new crosstalk and had no systematic training in traditional crosstalk at all, so his understanding of traditional crosstalk was definitely biased. Even if Ma Ji has profound attainments in traditional cross talk, it can't help Jiang Kun to improve greatly in a short time.

Jiang Kun should also understand his own advantages and disadvantages, so he rarely performs traditional cross talk, and always adopts the strategy of fostering strengths and avoiding weaknesses, and does not deliberately expose his weaknesses, which is also the consistent treatment of all cross talk actors; Because every crosstalk performer has advantages and disadvantages, even the master Ma and Hou are no exception.

Objectively speaking, Jiang Kun is an imperfect crosstalk performer. His weakness has been concerned by Degang Guo and netizens for many years, and the audience of cross talk is almost well known. However, it does not mean that it is worthless; Jiang Kun is a link between the past and the future in the history of cross talk. He took the new cross talk to the peak and personally declined the vocal cords. I believe that history will give him a fair evaluation.

Although Jiang Kun is the head of the Music Association and has occupied the position of the head of the Music Association for a long time, Jiang Kun's cross talk jokes and ditty singing skills are basically rare. Through some related materials, we can find Jiang Kun's cross talk works, including "King Kong pushes the stone", "On Wealth" and "Dare to Shave Your Head".

Judging from the operation of the three cross talk jokes mentioned at the beginning, they are in line with the creative level of that era as a whole, and should be said to be better performance jokes at that time. Of course, the level is not particularly superb, nor is it as bad as everyone thinks.

In addition, although it is often said on the Internet that Jiang Kun doesn't know what to say and what to say, once, when Jiang Kun performed in a small theater in Tianjin, the audience was booed, hoping that Jiang Kun could give a performance. At this time, Jiang Kun was not prepared at all, but he was able to recite a complete eight-fan screen wind, which showed that he still had some cross talk skills. Of course, when I recite the Eight Fan Screen, I can clearly feel that Jiang Kun has some problems in rhythm processing. Although he is not good, it can't be said that he is completely bad.

As we all know, since the opening of Deyun Society and crosstalk artists within the system in 2004, the controversy or storm of public opinion suffered by Jiang Kun has become more and more serious. At the same time, all kinds of things related to Jiang Kun, whether gossip or pressure of public opinion, are almost developing towards the opposite of Jiang Kun.

Under such a premise, Jiang Kun and Deyun Society have almost reached a state of old age and death, and no one cares about anyone.

In fact, Jiang Kun has its own difficulties. After all, being able to tell a joke or two in a short time at that time may have been held to a high position. However, in today's situation, the audience's demand for cross talk is increasing, and Jiang Kun is getting older and older. It is difficult to learn some other cross talk jokes.

When Jiang Kun took Ma Ji as his teacher, Jiang Kun was already an excellent crosstalk artist, but what Jiang Kun learned was not the traditional crosstalk jokes, but the new crosstalk derived from that era.

Therefore, it can be seen that Jiang Kun's adaptation of traditional cross talk is basically out of place, which is also the reason why many viewers spit.

After all, an era makes a crosstalk artist. As far as Jiang Kun was concerned, his crosstalk level was really good, but he didn't keep up with the development of the times, or he didn't have much energy to keep up with the development of the times in time.

A small amount of anal powder will appear as soon as there is a teacher Jiang Kun's post. Clearly there is nothing wrong with Guo Gang, but this handful of people will always jump out to make trouble and find fault. Really, people are invincible when they are cheap.

Speaking of traditional cross talk, I would like to ask, what is traditional cross talk? Is yellow joke a traditional cross talk? Are Taiping lyrics necessary for traditional crosstalk?

What is the most basic thing of cross talk?

Say, learn, tease and sing.

There are many things. Why do these people know Taiping lyrics? Is it because Guo Gang can only sing Taiping lyrics?

Do we have to sing Taiping lyrics? It seems that the crosstalk performers I know seldom sing this on the stage. I have never heard of a large number of crosstalk artists such as Feng Gong and Niu Niu, and some of them sing Taiping lyrics. Can't they speak cross talk? Maybe they can sing too. In addition, Mr. Li Jindou often sings Peking Opera during performances. Isn't this one of the lessons of cross talk? Teacher Jiang Kun often uses local dialects to explain all kinds of people in his works. Isn't this the "learning" in cross talk?

Crosstalk is just a form of performance. You don't have to learn to sing Taiping lyrics You can learn singing, singing birds, singing operas and even magic. Crosstalk performance is a traditional form of performance.

People who spray in the comment area all day have hardly heard of the traditional life in Jiang Kun. In fact, after listening to it, you will feel that his speech is not particularly good, but it is not as bad as what netizens said. Generally speaking, it is satisfactory, but the spray doesn't buy it. And now the social atmosphere is impetuous, spraying others is a pleasant thing without investigation and research. Many people even say it without knowing who this person is or what's going on. Anyway, no one went to court to sue.

@ Ruixiang Graphic Jiang Kun does not talk about traditional cross talk

Teacher Jiang Kun, a famous crosstalk actor and performing artist, said that the crosstalk of the times is the product and background of an era.

1. Jiang Kun has long thought: "The new cross talk is the need of the times, and it is not his turn to tell traditional jokes." This set the tone for his cross talk at that time.

2. Jiang Kun's crosstalk began in 1970s and reached its peak in 1980s. During this period, the masters of traditional cross talk are still alive. He said that there was no way out for traditional jokes, so he broke a new path at the suggestion of Mr. Ma Ji, the teacher's biography, and that was to insist on new cross talk.

The author notes that Mr. Jiang Kun is an outstanding representative and symbol of the new cross talk. He is a critical moment in the transformation of cross talk, and he is an innovator and reformer of cross talk. When we affirm his artistic achievements, we applaud his artistic life!

Jiang Kun said that there are fewer traditional jokes, one of which is to foster strengths and avoid weaknesses. He comes from a new cross talk background, and he doesn't have the skills of boys to lay the foundation. He followed Shi's partner and learned while playing. Later, he became popular and was attracted by Ma Ji. He is also a model of an artist.

But, one thing. Although the new crosstalk is somewhat different from the traditional crosstalk in the content and structure, and the performance is relatively open and free, it has actually changed its form in role shaping and rhythm. Jiang Kun belongs to a special period, when there was a high shortage of literary performances. Later, he rebelled with enthusiasm and hard work, showing a good talent. Otherwise, Ma Ji wouldn't have a crush on him. Strictly speaking, Shi Biqiang is out of Bali. However, Ma Ji chose Jiang Kun as the main training object, because he met the standards of crosstalk artists in his mind, including the traditional part.

Although Ma Ji is an advocate of new cross talk, his traditional skills are only better than Degang Guo's, and these are great traditional artists, all of whom are cultivated around Ma Ji. Stripping the Jacket by Ma Ji and Hou He is the most comfortable and smooth-paced version of the Jacket I have ever heard in my life.

And Jiang Kun, in fact, also has a similar talent, but conditions don't allow him to play casually. You know, cross talk and talk show are different. Talk shows are new things, and you can become a big star when you become a monk halfway. However, crosstalk is a traditional art after all. Even if a new cross talk performance is born, after you reach a certain fame, you must trace back to the source to study the traditional skills, otherwise you will only say some new jokes, and your performance will always be a recited word, and it is impossible to make a breakthrough in techniques. Mr. and Mrs. Li Hongye are examples. No one in the same trade will recognize and accept this performance that completely denies tradition and only recites jokes.

Jiang Kun learned traditional jokes, and Ma Ji also taught him. The reason why he is not so brilliant is related to his current partner. The level of Dai Zhicheng is not so good. He just licked the dog. You can expect Jiang Kun to play traditional works with him. How can he play if the audience doesn't applaud him and the rhythm is broken?

But now we can see on the Internet that when Jiang Kun performed with his apprentice Dashan, the foreign apprentice, most of his work was traditional. Including Jin'gangtui Rock Rock, and a very classic "Disciple", full of traditional playing techniques, the rhythm is similar to that often played by Deyun Society. Jiang Kun plays an excellent role as a master, and Dashan plays the role of a mentally retarded apprentice. Although Putonghua is a little plastic, its overall effect is no less than any version of Deyun Society.

As for the lyrics of Guankou and Taiping, Jiang Kun knows them, but he is not familiar with them. He has also lit up the words of the pass. Of course, the rhythm is broken, and he belongs to an unskilled job. I haven't heard of Jiang Kun, but he has performed in the mountains, and his level is quite high. I just don't know whether he learned it from Jiang Kun or Ding Guangquan. If Jiang Kun taught him, he wouldn't do it again. I can listen to Taiping lyrics twice, but if I want to play well, I must use them often. Jiang Kun can hum a few words, but it is miles away from Ma Zhiming, Liu Wenbu and Degang Guo.

In a word, Jiang Kun is not what Degang Guo said: you can't just won't. The level is lower, but people in the association will, just because of their status, they don't want to eat this shelf. After all, it is feudal dross.

Nothing can be divorced from the background at that time. It can only be said that China is now more open, inclusive and full of flowers. Degang Guo has done a good job in inheritance, which is also a unique advantage. Speaking, studying and singing are all excellent. My first impression of Degang Guo is my persistent love for cross talk; Second, studious; Secondly, the judgment of the market is both realistic and smart. He has a good command of languages, which is the main reason why everyone likes him. I chased him from Beijing to Qingdao to listen to his live cross talk. I think Degang Guo should think bigger, stand higher, be more tolerant with the power that others can't surpass for the time being, and really push cross talk to a new height and make greater contributions. This is my expectation of walking a tightrope. To tell the truth, Degang Guo learns to sing. Everyone who learns to sing has his own characteristics, and there is still a big gap with his crosstalk predecessors. Again, the leader is not necessarily perfect, the key depends on your feelings and ambitions. I hope Degang Guo can become a crosstalk master as soon as possible.

Just a lot of comments about the alveolar bone after biting.

This is against Jiang Kun or against yourself.

People are proud. Suppose you scold others for losing face, you lose face?

Why bother? It's cool to scold Jiang Kun on such a hot day?

You can love someone or hate someone.

But this man can't hit anything. Why do you hate him? Because you're a gangster fan?

Scolding Jiang Kun is also roasting Degang Guo on fire.

Who doesn't swear these days? When will you finish cursing?

Who will fall behind you?

Some people have never heard of Jiang Kun's cross talk, and they are shouting here.

People who are not in the same era have been ahead for 20 years.

If you really want to scold, think that the other person is an old man who is almost 70 years old.

Can you still curse?

Are you so happy?