Traditional Culture Encyclopedia - Traditional stories - What are China's representative works? book

What are China's representative works? book

1 Water Margin

Author: Shi Naian (1296- 1370), who is the author of Water Margin has always been controversial. At present, the most widely accepted view is that the author is Shi Naian. There are several other viewpoints in history, including Luo Guanzhong's theory, Shi Hui's theory, Guo Xun's theory of using another name, and Song Dynasty's theory. Brief introduction: The story of Water Margin originated in the Xuanhe period of the Northern Song Dynasty, and 36 people including Song Jiang, Wu Jialiang (Wu Yong) and Chao Gai rebelled, which became the blueprint of Water Margin.

Romance of the Three Kingdoms, Luo Guanzhong.

Introduction: The Romance of the Three Kingdoms combines the folklore, drama scripts, historical materials written by Chen Shou's History of the Three Kingdoms, Ye Fan's History of the Later Han Dynasty, the History of the Three Kingdoms in the Yuan Dynasty and Pei Songzhi's annotations, as well as the author's personal understanding of social life. At present, the earliest edition is Ming Jiajing edition, which is divided into 24 volumes and 240 articles. In the early Qing Dynasty, Mao Zonggang and his son made some modifications and became the most common transcript of 120.

3 Journey to the West

Author: Wu Cheng'en (150 1 year-1582), a native of Sheyang Mountain. China was an outstanding novelist in Ming Dynasty. He was born in poverty, from a scholar to a businessman. Wu Cheng'en was brilliant since childhood, and Huai 'an County Records recorded that he was "sensitive, wise and knowledgeable, which made him a writer."

There are some controversies about the author of The Journey to the West, but it is generally believed that the author is Wu Cheng'en. Introduction: The Journey to the West is adapted from the story of Tang Priest's scriptures, related scripts and zaju (written by Yang Ne in the late Yuan Dynasty and early Ming Dynasty).

The original names of A Dream of Red Mansions are: The Story of the Stone, Twelve Women in Jinling, and The Mirror of the Moon.

Author: Cao Xueqin (about 17 15- about 1763), whose real name is Zhan, whose real name is Qin Pu. Novelist, poet and painter in Qing Dynasty. Cao Xueqin experienced a luxurious and romantic life in Nanjing Jiangning Weaving Institute in his early years. In the sixth year of Yongzheng (1728), the Cao family was robbed of their property because of a deficit, and Cao Xueqin moved back to his former residence in Beijing with his family. Later, he moved to the western suburbs of Beijing and made a living by selling calligraphy and painting and helping his friends.

Introduction: A Dream of Red Mansions is a novel with chapters. In the early days, only the first 80 manuscripts were circulated, and some of them were not completed after 80, and the manuscripts were lost. Formerly known as "Re-evaluation of Stone Story by Zhi Yanzhai". Cheng Weiyuan invited Gao E to coordinate the publication of the first book 120, and named it A Dream of Red Mansions. There is also a version of "Jinyuyuan".

5 "Biography of Women"

Liu Xiang, author of Biography of Lienv. It is a biographical history book that introduces the deeds of ancient women in China, and some people think it is a history of women, with a total of seven volumes. The author is Liu Xiang, a Confucian scholar, bibliographer and writer in the Western Han Dynasty, but some people think that this book was not written by Liu Xiang, so the authors of some popular versions will remain anonymous. Some people think that the current version was obtained by adding several articles to the version made by Liu Xiang.

Extended data

Journey to the West Creation Background

In the first year of Zhenguan of Emperor Taizong (627), Xuanzang Tianzhu, a 25-year-old monk, went hiking in India. After starting from Chang 'an, he passed through Central Asia, Afghanistan, Pakistan and finally arrived in India. He studied there for more than two years and gave a speech at a large-scale debate on Buddhist classics, which was well received. In the 19th year of Zhenguan (645), Xuanzang returned to Chang 'an and brought back 657 Buddhist scriptures, which was a sensation. Later, Xuanzang dictated what he had learned about his journey to the West, which was compiled by his disciples into a 12 volume of "Records of the Western Regions of Datang". But this book is mainly about the history, geography and transportation of countries seen on the road, and there is no story.

As for "Datang The biography of Master Sanzang" written by his disciples Huihe and Yan Cong, it adds a lot of myths to Xuanzang's experience. Since then, the story of Tang Priest's Buddhist scriptures has been widely circulated among the people in China.

There were poems by three monks in the Tang Dynasty in the Southern Song Dynasty, Tang Sanzang and Pan in the Jin Dynasty, Tang Sanzang's "Learning from the Western Heaven" in Wu Changling, and "Great Sage" in the Fifth Ming Dynasty, all of which laid the foundation for The Journey to the West's creation. It is on the basis of Chinese folk literature, scripts and operas that Wu Cheng'en completed this great literary masterpiece through hard re-creation.

The Journey to the West author Wu Cheng'en (controversial) lived in the middle and late Ming Dynasty and experienced five periods: Hongzhi in Xiaozong, Jiajing in Sejong in Wuzong, Qin Long in Mu Zong and Wanli in Zongshen. The social situation in the middle and late Ming dynasty was very different from that in the early days of the founding of the People's Republic of China. Political class contradictions, ethnic contradictions and contradictions within the ruling class have intensified and become increasingly acute. The ideological and cultural enlightenment rose, the trend of human liberation rose, civic literature became increasingly prosperous, novel and drama creation entered a period of all-round prosperity, and capitalism sprouted economically.

Refer to Baidu Encyclopedia-Journey to the West