Traditional Culture Encyclopedia - Traditional stories - De Yun She is booming, many people think Guo Degang's comedy is too vulgar, what do you think about this?

De Yun She is booming, many people think Guo Degang's comedy is too vulgar, what do you think about this?

De Yunshe's development

Comedy, as a traditional art form in our country, has always attracted a lot of attention. Comedy is also sought after by many people because of its interesting characteristics. In this era of rapid changes in the pattern of life, it seems to be a good pleasure to be able to sit down and listen to a piece of comedy without worrying about it. And mention of comedy, we have to talk about the master of comedy Guo Degang, he founded the De Yun She for the heritage of comedy to provide a strong guarantee, and he himself is actively exploring new forms of comedy, so that comedy can be in the ever-changing era of better circulation, can be more people's favorite, and it is this kind of person who has an outstanding contribution to the comedy of the people are always subject to the objections of others.

Ten years ago, the art of comedy was only a hobby for a small group of people. Guo Degang founded the De Yun She, a school that made comedy a pastime for young audiences, even spawned some rice circle culture, and made some comedy stars: Yue Yunpeng, Zhang Yunlei, Meng Hetang, Zhang Helen, Qin Xiaoxian, and so on. There are two sides to everything. When De Yun She's comedy culture was booming, a new voice said: Guo Degang's comedy is too vulgar, and we need to fight against "triviality".

There are many different opinions, but few people have a clear understanding of what it means to be "anti-trivial".

First, it is against pandering to the audience. Jiang Kun believes he should get rid of boring jokes and promote positive values.

Second, opposing the vilification of women, which seems very advanced today. In recent years, some voices of reason have suggested that the portrayal of women in sketch comedy is intentionally or unintentionally unfriendly in a male-dominated market.

Third, against cultural trash. Although comedy is street culture, it also has a rich historical background that promotes culture and rejects vulgar segments.

At first glance, there is nothing wrong with these initiatives. Why do some people always think it is against Guo Degang? Jiang Kun and Guo Degang are on different paths. When Jiang Kun and others talk about traditional comedy, they consider the audience to be comedy lovers. Guo Degang's field of development in recent years has not only been limited to the art of comedy, but even has a hidden tendency to create stars. In addition to the Deyunsha rice circle, Guo has also tried to venture into the field of film and television, producing sitcoms with comic comedians.

This is a different way, each going their own way. To be controversial, it's a different stance. Society is progressing, civilization is developing. Comedy practitioners, as cultural carriers, do have a responsibility to supervise its artistry and standardization.