Zhang Yunlei became popular by singing a ditty. How do Beijing Opera circles view Zhang Yunlei? How is his Beijing opera?

Zhang Yunlei's Peking Opera is a reform that keeps up with the times, catering to the tastes of young people and some middle-aged people, and causing a small climax of pursuing Peking Opera.

The art of Peking Opera, like crosstalk, will be sung to death by some people without innovation. Some so-called unknown Beijing opera artists sing old operas, and the old people are tired of listening to them, but the newcomers are unwilling to listen to them, making them feel that they can't keep up with the times. Nothing new, just like unearthed cultural relics, just like the old BB machine, which is out of date and nobody uses it.

We should break the high subsidies of some so-called cultural inheritors and the high treatment of artists in the system, let them go to the market to face the masses, let them leave the hotbed of laziness, give these people jobs, don't let them look miserable, and let them make a living through their own innovation and entrepreneurship. This is the right way for the development and prosperity of literature and art.

Only those who can perform the whole drama on the stage and have a certain level are called fans. By a certain level, I mean that they have at least the expressive ability of singing, reading and doing (playing without compulsion). If they can't walk well and sing badly, it can only be said that they have the courage to act.

Senior fans will study hard and sing hard, and intermediate fans can also go on stage, but the shortcomings are more prominent. Of course, low-level fans are also a mess. In fact, this kind of opera fan can only be regarded as an opera fan. Of course, not being on stage does not mean that the level is low. Some fans know that their performance ability is limited, so they simply don't aim at going on stage and just learn to sing. One of their predecessors was a "Summer Mountain Landlord".

Even if Beijing opera only talks about singing skills, there are many things involved. The so-called "sharp words", "thirteen quotations", "catchy words", "prefix, suffix, segmentation," four calls "and" function words "are all in these small places. ...

Zhang Yunlei's Peking Opera belongs to the level of ordinary opera fans. In addition, one of his songs "Exploring the Qingshui River" contains the word "Gong Ming". It's a word, singing an empty word in the middle of Gong Ming, but it's basically the same as Gong's pitch, which makes me feel awkward. Personally, I feel that empty words can be completely removed, and it is easy to do better by adding a line.

He also said that he belongs to learning to sing Peking Opera. He has no formal apprentice in Peking Opera, and his major is crosstalk and Beijing Rhyme Drum. Lao Guo needs no introduction. The master of Jingyun Drum is Zhao Tongguang, a descendant of Liu School. Zhao Tongguang is a famous drummer.

Zhang Yunlei also learned some white drum singing from her sister Wang Hui. Wang Hui is a descendant of the White School (Bai Yunpeng) Jingyun Drum, so Zhang Yunlei, the Jingyun Drum, is equal to an apprentice and a family heirloom. Liu Baoquan, the founder of Liu Pai's Jingyun Drum, and Sun Yuqing, the master of Sixi Class, sang Peking Opera together, so Liu Pai's Jingyun Drum has some ways to sound Peking Opera.

Excellent talent and strict training since childhood are the main reasons why Zhang Yunlei sings well. No matter whether his Beijing opera is authentic or not, not many people can really work hard, and many people think it makes sense to listen to it.