Traditional Culture Encyclopedia - Traditional stories - Among the 56 ethnic groups, which ethnic group has opera?

Among the 56 ethnic groups, which ethnic group has opera?

1, Tibetan opera

Traditional Tibetan drama. Popular in Tibet, singing in Tibetan. In the past, many performances were performed in the square, including wearing masks and making up. It is generally believed that it originated in14th century and matured in17th century. The performance is divided into three parts: "Dun", "Xiong" and "Tashi", with stage performances and songs and dances interspersed. There are voices when singing, and the accompaniment is mainly leather drums, brass cymbals and so on. There are more than 20 kinds of tunes, which can be roughly divided into four categories: Daren, Jiaolu, Datong and Dangluo (see color map). Dance is divided into six beats and movements: Dunda, Qielang, Chabai, Gecher, Dedong and Bosin. Traditional operas are famous for Princess Wencheng, prince nuosang, Maiden Lanza and Jovasam.

2. White drama

Formerly known as "cooking cavity", it is a Bai opera. It is popular in the Bai inhabited areas of Yunlong, Eryuan, Heqing and Dali in western Yunnan. There were performances in Qianlong period of Qing Dynasty, which were popular in Guangxu period. After the founding of People's Republic of China (PRC), it adopted its current name after absorbing some tunes of Big Ben. There are strict roles and stylized actions. The language is generally half Chinese and half white. There are more than 50 kinds of vocals, and the lyrics mostly adopt the "mountain flower style" of Bai folk songs. Accompaniment is mainly suona, drums, cymbals and gongs. Facebook is rich and unique. Plays include Blood Sweater, Moujiatuo Pioneering in he qing and so on.

3. Zhuang drama

Traditional opera of Zhuang nationality. Popular in western Guangxi Zhuang Autonomous Region and Funing and Guangnan areas of Wenshan Zhuang and Miao Autonomous Prefecture in Yunnan Province. There were performances during Tongzhi and Guangxu periods in the Qing Dynasty. There are Gong Opera, Longlin Zhuang Opera, Tianlin Zhuang Opera, Debao Zhuang Opera, Yunnan Funing Zhuang Opera (local opera) and Guangnan Zhuang Opera (sand opera). Because of its different language, musical aria and popular areas, it is generally divided into two types: Beilu Zhuang Opera and Nanlu Zhuang Opera. The lead singers of North Road are "Zhengdiao" and "Pingdiao". Traditional operas include Ya Bu, Long Wen, Xiao Min and Nong Gao Zhi. The lead singers of South Road are Ping, Flower Picking and Ma Ai. The main plays are Bai Jie and Hundred Birds Clothing. Zhuang drama in Yunnan is roughly the same as that in Hokuriku.

4. Dong Opera

Traditional Dong drama. Popular in Guizhou, Guangxi, Hunan and other places where the Dong people live in compact communities. During Jiaqing and Daoguang years in Qing Dynasty, it was gradually developed by Dong folk rap arts "Gajin" and "Gubai" in the form of stage singing. Traditional drama is adapted from the folk stories of Dong and Han nationalities. The tunes include "Pingdiao", "Crying Board" and "Pronunciation". The main accompaniment instruments are erhu, bell, gong, cymbal, drum, pipa and oxleg piano. The play is famous for Zhu Langniang.

5. Dai opera

Traditional Dai drama. Popular in Dehong, Baoshan, Lincang and other Dai areas in Yunnan. It is generally believed that it was formed in Jiaqing and Daoguang years of Qing Dynasty, and originated from Dai folk songs and folk dances such as "Double White Horses". The basic tone is emblem and feather. Accompaniment mainly uses erhu, elephant foot drum, Hulusheng and so on. The main repertoires are Thousand Petals Lotus and Red Lotus Treasure.

6. Miao Ju

Traditional Miao drama. People's Republic of China (PRC) was established in Huayuan County, Xiangxi Tujia and Miao Autonomous Prefecture. Miao folk songs Gao Qiang, Ping Qiang and Wu Le are the lead singers. The performance used some Miao martial arts, wizard dance and Miao-inspired footwork. Accompaniment is occasionally accompanied by konoha, flute or suona. Dramas include Lying on the Mountain, Uniting to Destroy Demons, Third Sister of Dragon Palace and so on.

7. Yi Opera

Traditional yi opera. People's Republic of China (PRC) was founded in Dayao County, Wei Chu. The main accents are Meige, Mamohe and Duoxi. Absorbed the life tunes, dance music and music of the Yi people. Lusheng, flute, suona and Qin Yue are the main accompaniment instruments. These plays are famous for "A Goat at Midnight" and "Man Dao and Maro".

8. Buyi Opera

Traditional opera of Buyi nationality. Popular in Buyi residential area in Xingyi, Guizhou. It was formed during Tongzhi and Guangxu periods in Qing Dynasty. There are long tunes, bureaucratic jargon, Huang Er, Erliu, etc. Musical instruments include top-class huqin, park-style huqin, piccolo and dual-purpose gongs and cymbals. Most plays are based on historical stories and folklore of the Han nationality.

9. Maonan Opera

Maonan traditional opera. Popular in Maonan residential areas in Guangxi. Legend has it that it has a history of more than one hundred years. Singing and dancing during the performance, there is a simple division of labor. Singing is divided into three categories: cavity, plate and tune, most of which come from folk songs. Accompaniment instruments include bee drum, big drum, small drum, bronze drum, cymbal and cymbal. The main repertoires are Lu Banxian, King Mo Yi and Tan Sanniang.

In addition, there are operas sung in Uyghur and dramas interspersed with Xinjiang ethnic songs and dances. In Inner Mongolia, there are "Errenzhuan", drama, opera and Mongolian dance drama sung in Mongolian. In the northeast, there is a small play based on the Manchu "octagonal drum".