Pan Tianshou's artistic thought.

Western Europe and the East have different regions, different races and colors, different lifestyles, temperaments and customs. Westerners say that there is no ink color in nature, but Chinese paintings use ink color to express objects, and ancient painted pottery in China is expressed by ink color. Wu Changshuo often paints peonies with ink and red, giving full play to the effectiveness of ink, which makes the color change very complicated and the contrast is strong, reaching the incisive level.

Qi Baishi said that beauty lies between likeness and dissimilarity, and the pursuit of likeness rather than likeness is the characteristic of China traditional art. Ink is the master of five colors, but it must be matched with white, so as to be clear. Laozi said: Know white and keep black. Painting gets inspiration from pen, rhyme from ink, and massiness from concentration, accumulation and breaking. This meaning was known by Mi Xiangyang of the Northern Song Dynasty. Ink is hard to dry, scorch, moisten and wet, but it must be dry and scorch to be rich and not sloppy, which is the key to using ink. Murphy's water won't wake up, and his pen won't penetrate. When he wakes up, he is clear and energetic, and when he is transported, he will become something without stagnation. Both should not be neglected. Colors are easy to be gorgeous, not easy to be quaint, and pen and ink are easy to be quaint and not easy to be vulgar. It is enough to use ink and color. Ink painting, the shade is appropriate, black and white, dry and wet complement each other, multicolored parallel painting, though colorless, is better than color painting, and there are five colors in it, which is better than green Rayna Sue. Light colors only seek simplicity, while heavy colors only seek ancient thickness. Knowing this, we can apply colors to the extreme. China's painting has its unique tradition and style. Learning China's art should be based on China's method. The basic training of Chinese painting, for freshmen, the first two points to talk about are:

First, concentrate on painting. Determined to devote his life to art.

Second, don't be partial and learn from others.

The repetition of art is equal to zero!

Generally speaking, the learning methods are: (1) to practice the technical basis of Chinese painting; (2) Pay attention to the assistance of poetry, calligraphy and epigraphy; (3) Parallel examination of painting history, painting theory and Gu Shuhua appreciation; The last point is the cultivation of morality and mind. Perseverance, not quick success, will naturally follow.

The foundation is real life, on the one hand, it absorbs techniques from the ancients, on the other hand, it extracts the essence from the life in nature. Sketch should be written alive, not dead, and good works should be better than life. Finger painting is very different from stroke painting, which is the interest of finger painting, that is, its evaluation. If you use your fingers as a tool to show off your skills and exaggerate, and the paintings you make are similar to strokes, how can there be finger paintings?

Refers to painting suitable for capitalization, painting simple and ancient themes. But we must pay attention to simplicity and not simplicity, and write without writing, in order to get the length of finger painting. Otherwise, it is easy to fall into monotony and ramble.

Finger painting is a bypass path, which is unique in the transportation of fingers and pen and ink, so it is high and has not been abandoned since the garden.

Refers to the ink is good at dignified and spicy, which is difficult for pen and ink.