On Degang Guo's Crosstalk

In Quyi Baihua Garden, there is a popular rap art, which is cross talk. Crosstalk pays attention to the four basic skills of speaking, learning and teasing. From the development history, it has experienced a tortuous process, with glory and depression. In recent years, cross talk in the garden has sprung up all over the country, among which Deyun Society in Beijing should be the best.

Degang Guo, the class leader of Deyun Society, has gone through a tortuous process with the development of Deyun Society since his debut! Since he became popular in Degang Guo, his crosstalk has become a household name, and everyone knows it, especially the post-90s generation, because this generation grew up with Degang Guo's crosstalk. When they were teenagers, it was the time when Deyun Society was popular, so that some girls from Deyun Society appeared later. To sum up the characteristics of Degang Guo's crosstalk, there are several points:

One is grounding gas. In the content of cross talk, it generally describes the ups and downs of small people, which makes people feel the same, satirizes the shortcomings of small people, satirizes the suffering of people around them, designs burdens for small people and finds jokes.

Second, Degang Guo's cross talk does not lose its tradition and dares to reform. On the basis of traditional jokes, he added elements of the new era, which is reasonable. For example, the "Night Walk of Kuijs" is a traditional activity, and many actors say it is very distinctive. This passage of Degang Guo not only adds new elements, but also describes it in more detail. Many traditional jokes have been well changed, both fresh and exquisite!

Third, his cross talk is very popular. The same work is different in different places on different occasions. There are many clever jokes and improvisations, and some jokes. He discussed it with Yu Qian before he came to power and listed the shelves. They dare to show it when they come to power, and the effect is very good. This is not available to ordinary crosstalk performers. They should not only be talented, but also have smart and clear thinking ability and initiative to improvise.

Fourthly, the vulgarity of Degang Guo's works attracted the opposition of many peers or audiences. There are quite a lot of ethics in his works, which just caters to the psychology of many audiences. This kind of ethics has always existed, especially before liberation, people often say that this practice is wrong, but it is tacky to use it too much because of China's literary works. We can't say that we must educate people, but at least it's best to raise our works to a certain ideological level to make them more thoughtful and meaningful. This is in line with Chairman Mao's "February 27" policy on literature and art. In fact, Hou, Ma and other older crosstalk artists have set an example in this respect.