Traditional Culture Encyclopedia - Traditional stories - Who was the first zither player in China?
Who was the first zither player in China?
Wang Changyuan is a famous guzheng player and composer. The daughter of Professor Wang Xunzhi, the most influential and famous guzheng player in contemporary China, is from Hangzhou, Zhejiang. Wang Changyuan is the daughter of Wang Xun, a famous contemporary guzheng player in China and a famous professor of Shanghai Conservatory of Music. Under the careful teaching and edification of her father, she showed extraordinary musical talent. During her nearly 60-year acting career, she became the first person to bring China guzheng art to Lincoln Center, Carnegie Hall and other world-famous concert halls, and held solo concerts and lectures at the Royal Opera House in London, the Hong Kong Cultural Center and Harvard University. He began to learn guzheng at the age of 9, and began to solo at the age of 12. 1969 graduated from Shanghai Conservatory of Music, studied under him as a guzheng composer of Chaozhou Opera, and played guzheng in Shanghai Opera House, Shanghai Symphony Orchestra, China Art Troupe and Shanghai National Orchestra. 65438-0984, went to Kent State University to study world music and teach guzheng. After arriving in the United States, he attended lectures and performances related to guzheng. 1995, new york Overseas Chinese Orchestra and Wang Changyuan Zheng Art Center were established in new york. There are China students who study guzheng and Americans, Japanese and Vietnamese who major in music. Guzheng player Wang Changyuan, a native of Hangzhou, Zhejiang Province, is an artist who integrates life into music. Born into a musical family, his father is Wang Xun, a famous national musician in China and the founder of Zhejiang Zheng School. Wang Changyuan's father is a famous guzheng educator, a descendant of contemporary Zhejiang Zheng, and a professor at the Conservatory of Music. At the age of nine, Wang Changyuan studied Zhejiang Zheng with his father. /kloc-started solo at the age of 0/2. 1960 was admitted to the middle school attached to Shanghai Conservatory of Music, and then studied as an undergraduate. He studied under professor and Chaozhou Zheng school guzheng player, and graduated with excellent results. He has worked as a guzheng soloist in Shanghai Opera House, Shanghai Orchestra, Shanghai Dance Company, China Art Troupe and Shanghai National Orchestra. When I was a student, I helped my father to compose fingering for Zheng music such as Lin Chong Ye Ben and Christina. After graduation, he worked as a guzheng soloist in Shanghai Opera House, Shanghai Orchestra, China Art Troupe, Shanghai Dance Theatre and Shanghai National Orchestra.
Wang Changyuan's performance is pure and beautiful in timbre, bold in spirit, full of charm and profound in artistic conception. She is not only accomplished in playing art, but also good at composing music. The famous Typhoon Zheng Song was composed by her and premiered on 1965. This song greatly expanded Zheng's playing skills and ability. In addition, she has created more than 65,438+00 works, such as the vocal works Pipa Xing and Dongting New Songs. When he was still studying, he helped his father to modify the fingering of Zheng music "Night Book of Lin Chong" and "The Swan in Christina" and played it with double Zheng. It first appeared at 1962 "Shanghai Spring" concert.
Item introduction:
Xiang's achievements in Zheng music have been highly praised at home and abroad: "Her performance is meticulous and simple, with mellow and pure tone and fresh style"; "temperament, skills, music, characteristics"; "She doesn't have any opinions on the expression of guzheng, but adopts the strengths of various guzheng schools in playing techniques and blends them into her own playing characteristics. It not only maintains the characteristics of guzheng, but also shows the style of modern music, which is full of musicality, imagery, artistic conception and originality. Xiang, a contemporary master of Zheng music in China, was born in Shanghai, 1940, and enjoys a good reputation in China music scene and at home and abroad. He majored in piano in his early years, then studied under Cao Zheng and studied other schools of Zheng music, and graduated from the folk music department of Shanghai Conservatory of Music. I tried to play the double Zheng for the first time at school, and my reputation was good. After graduation, Xiang worked as a guzheng soloist in Beijing Film Orchestra, Shanghai Orchestra and China Opera House, and taught in Beijing Central Conservatory of Music and China Conservatory of Music. Member of China Musicians Association, director of Beijing Guzheng Research Association. 198 1 year, a port of immigration. He used to be a director and permanent member of Hong Kong Folk Music Society, a member of Hong Kong Artists Union, a director of Oriental Music and Dance Exchange Society, and a special performer of Shanghai China Ancient Music Art Troupe. He has taught at the Chinese University of Hong Kong and the Hong Kong Academy for Performing Arts, and was awarded the honorary title of Professor of Jilin Art Institute. He is the author of two episodes, The Origin and Style of China Zheng Music and Playing China Zheng Music. In 2008, he wrote another book, Etudes of Playing Guzheng Fingers Every Day. In the early 1980s, China Record Club and Toshiba EMI Co., Ltd. respectively published Xiang's guzheng album "Fishing Boat Singing Late" and Xiang's China Guzheng Performance Collection, which was the first time that China national instrumental music published a solo album. The Collection of Famous Songs of Zheng to China, produced by Dr. Shigeo Kishibe, Honorary Professor of the University of Tokyo, Japan, also won the prize of the Japanese Ministry of Education, Culture, Sports and Arts. This record released in Hongkong has already surpassed the gold record in sales and become a classic record of China Zheng Music. Since then, record production companies in Hong Kong and Taiwan have successively published Xiang's albums Water Lotus, Lights and the Moon, Flowing Mountains and Rivers, Flowers and the Moon in the Spring River, Butterfly Lovers and Homesickness Poems. She successfully played the songs of fishing in the East China Sea, Remembering, and the singing of Peking Opera Wen Xi Gui Han for the reformed Zheng. Its playing style is simple, profound, delicate and full of charm.
Introduction to Su Yuhong:
Su Yuhong, a famous guzheng player, was born in Beijing. Former chief guzheng player of China Broadcasting National Orchestra. Honorary director of China National Orchestra Society and Guzheng Society, honorary president of Huizhou Guzheng Association, director of All-Japan Federation of Overseas Chinese Literature and Art Circles, founder of Tokyo Loulan Music Project, full-time lecturer of Guzheng in Tokyo Chiba and other cultural centers, vice chairman of China Musicians Association of Japan, and president of China Guzheng Artists Association of Japan. He studied piano and guzheng in the primary school and middle school affiliated to the Central Conservatory of Music, and then transferred to the China Conservatory of Music, where he studied under famous guzheng teachers from Cao Zheng, Wang Li and Fan Shang 'e. After graduation, he joined the China Broadcasting National Orchestra as the chief guzheng player. During the period of "Zhongguang National Orchestra", the ensemble program with Wang Guotong, a famous erhu player, was often invited to participate in the live performance of CCTV and the exhibition of national excellent programs, and repeatedly performed important national foreign affairs tasks in the Great Hall of the People, and was sent by the Ministry of Radio and Television of China to Europe and Asia for visits and domestic tours, which was highly valued by the domestic folk music community and the music circles of Hong Kong, Macao and China. 65438-0988 was admitted to the Music Department of Tongpeng Gakuen University in Tokyo, Japan to study modern composition methods, and studied under the famous music educator Professor Moji Xiongbao. Since I arrived in China, I have participated in a large number of important performances at home and abroad: before the establishment of diplomatic relations between China and South Korea, I was directly sent by the Ministry of Radio, Film and Television of Korea to visit South Korea for the first time as a representative of Japanese musicians to attend the concert at the inauguration ceremony of the concert hall of the National Conservatory of Music in Seoul. China Guzheng premiered in South Korea, which was highly valued by Korean official media, interviewed on the spot and reported in detail on major news topics. Since 1990, he has participated in the "Qu Zheng Creation Competition" sponsored by Asahi Shimbun, and won the pioneer award for his self-performed "Modern Qu Zheng". A series of solo concerts with the themes of "Su Yuhong's China Guzheng World" and "China Guzheng Charm" are held regularly in Tokyo Art Theatre and other concert halls every year. Invited by NHK and other TV stations in Japan for many times, he appeared in solo and ensemble programs. He was invited by Tokyo Tongpeng Academy Music University and many music universities all over Japan to perform guzheng solo and give lectures. He was invited to attend concerts of modern guzheng works by Japanese and Hong Kong orchestras. He has been invited as a "guest performer for foreigners" by the most popular music director of Taikoo in Japan for many years, and has performed hundreds of times in Suntory Concert Hall in Tokyo, cities in Japan and first-class concert halls in China and Canada. In 2002-2003, guzheng CD was recorded in China and Japan. In 2004, some CD tracks recorded by Nanjing Audio-Visual Publishing House were included in the album "300 Chinese Folk Music" together with the performances of famous folk musicians such as Lu Chunling, Liu Dehai and Zhu Changyao. In 2005, he performed "Fishing Boat Singing Late" with the famous erhu player Min Huifen in Tokyo Opera City, Sendai and Osaka. In 2006, the Japanese version of Guzheng textbook was compiled and published in Japan. In 2009, he was invited to perform at the Okinawa Traditional Music Festival. 20 10 was once again invited to Seoul, South Korea, and once again attended the China-Japan Korean-Mongolian National Instrumental Music Concert in the Concert Hall of the National Conservatory of Music. In the past decades, he has performed and recorded many times with famous performers, dramatists, singers, artists and super kabuki celebrities such as guitar, jazz, drama and singing. Before and after going abroad, he created and adapted a large number of Japanese national instrumental music, and has been active in the front line of Chinese and Japanese and overseas music stages, promoting the charm of China Guzheng. China media and major Japanese newspapers paid attention to it, and made many special interviews and continuous reports. From 2009 to 2065438+03, he was invited to Hong Kong and South Korea for many times as a judge of Guzheng International Competition. 20 14 served as the vice president of China Musicians Association in Japan; 20 16 served as the president of China guzheng artists association; 20 17 was invited as honorary director of China National Orchestra Society and Guzheng Society; 20 18 was invited as honorary president of Huizhou Guzheng Association. 2065 438+05-2065 438+09 jointly planned and hosted the Sino-Japanese music exchange activities with the China Youth Music Cup Organizing Committee. Works of China-Japan International National Instrumental Music Competition. In 2022, he was invited as the chief judge of the 6th Le Qing Cup International Guzheng Competition.
Introduction to Well Lee:
Well Lee, born in Shantou, Guangdong, China, is a famous guzheng player and composer in contemporary China. He is famous for his exquisite, novel and unique modern romantic playing style. It is a comprehensive guzheng professional who integrates classical North-South school, modern innovation school and pop music. Li Wei used to be a professional guzheng performer of Guangdong National Orchestra. Now living in Vancouver, she continues to engage in the creation, performance and education of guzheng. She is a visiting teacher in the Music Department of Columbia University in Canada and the artistic director of the Canadian Chinese Music Elite Group. 200 1 was elected as an outstanding Chinese in Vancouver; In 2002, he won the most outstanding performance award of A Studio in Hong Kong. Honorary record: selected as an outstanding Chinese in Vancouver in 200 1 year, and won the "Hong Kong A Studio Land" most outstanding performance award in 2002.
Fan profile:
Fan Shang 'e, born in 1942, is from Shanghai. Guzheng performer, national first-class performer, member of China Musicians Association, and member of China Film Association. 1954 was admitted to the middle school attached to Shanghai Conservatory of Music to study piano. She 1958 changed to study guzheng, and 196 1 was admitted to the folk music guzheng department of Shanghai Conservatory of Music. /kloc-0 immigrated to Canada in July, 1992 and founded "Fan Shang 'e Guzheng College". 1954 was admitted to the middle school attached to Shanghai Conservatory of Music to study piano. At that time, the government called for the nationalization of music. She 1958 changed to study guzheng, and 196 1 was admitted to the guzheng major of the folk music department of Shanghai Conservatory of Music. He studied under the famous representatives of Zhejiang School, such as Cao Zheng and others, and made great efforts to systematically study the Zheng music of various schools. /kloc-graduated from 0/966 and was assigned to Beijing Film Orchestra as a guzheng player. After the Cultural Revolution, the band changed with the decentralization, and it was not until 1973 was recalled to Beijing under the care of Zhou Enlai that it began to provide music for some films. 198 1 year, she attended the Asian Composers Conference and Music Festival held in Hong Kong. At the opening ceremony, she played China's first guzheng concerto "Fantasia of Guluojiang" with the Hong Kong Chinese Orchestra. Her perfect performance was appreciated by musicians from all Asian countries present. 1986 published a paper "timbre in guzheng performance" in China Music magazine. 65438-0987, as a invited master of music by the Hong Kong Music Office, gave lectures and performances at the Youth China Music Week. 1989 served as a judge of the "International Competition of Art Chinese Musical Instruments" and a member of the Art Committee. From 1990, he moved overseas and worked as a visiting scholar at the University of Illinois in the northeastern United States until 1992, during which he held many solo concerts. Four guzheng solo concerts were held in 1993, 1994, 1999 and 2002, which were unprecedented and received rave reviews. /kloc-0 immigrated to Canada in July, 1992 and founded "Fan Shang 'e Guzheng College". He lives in scarborough, Toronto. 1996 was invited to attend the "China-Japan-Korea Zheng Art Exhibition" of Taipei Art Festival in Taiwan Province Province. She is Zheng, the representative of China, and received a warm welcome. In 2006, he also participated in the Hong Kong Guzheng Festival, and received enthusiastic response as a guest performer of the project "Wulin in the Desert". Teacher Fan Shang 'e, who has lived in Canada for many years, is a senior contemporary guzheng artist, calling her an "artist".
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