Ancient Chinese Ancient Culture General Knowledge Part

1. Introduction to General Knowledge of Ancient Chinese Culture

General Knowledge of Ancient Chinese Culture is a part of the textbook of Ancient Chinese (the general part of the eighth and ninth units), which was commissioned by the Ministry of Education to be edited by Prof. Wang Li in 1961. The original basis for the manuscript of Ancient Chinese was the Lecture Notes on Ancient Chinese of the Chinese Department of Peking University in 1959. The Lecture Notes were divided into three parts: Selected Writings, Common Words, and General Theory, and were written by Mr. Wang Li, Lin To, Tang Zuofan, Guo Xiliang, Cao Xianmew, Ji Changhong, Zhao Keqin, and Chen Shaopeng of the Department of Chinese Language and Culture of Peking University. The Ancient Chinese Language, based on this lecture, was substantially added to, deleted from, and rewritten in four drafts, but the style and basic content of the lectures were inherited. According to the commission of the Ministry of Education at that time, the writing group for the revision of the lecture notes was also divided into three parts: Selected Writings, Common Words, and General Introduction. The authors of the general part were Mr. Ma Hanlin (Nankai University), Mr. Guo Xiliang (Peking University), and Mr. Zhu Minchu (Lanzhou University). At that time, each manuscript was discussed within the collective writing group, circulated outside the group (i.e., Xiao Zhang and Xu Jialu of Beijing Normal University, Liu Yizhi of Renmin University, Zhao Keqin and Ji Changhong of Peking University), and finally finalized by the editor-in-chief, Prof. Wang Li. This final draft was a fundamental change from the first two drafts of Ancient Chinese. After the finalization, Mr. Ding Shengshu, Mr. Zhu Wenshu, Mr. Hong Cheng, Mr. Yin Menglun, Mr. Lu Zongda, Mr. Zhang Qingchang, Mr. Feng Zhi, Mr. Wei Jiangong, Mr. Jiang Liangfu, and Mr. Ye Shengtao all reviewed the text and made written corrections, with Mr. Jiang Liangfu and Mr. Ye Shengtao making the most significant corrections. 1980 and 2004 saw the second and third major revisions of the book under the auspices of Prof. Wang Li and Prof. Guo Xiliang respectively. 2008 saw the publication of a new edition by World Book Publishing under the auspices of Prof. Wang Li and Prof. Guo Xiliang. In 2008, World Book Publishing Co. asked American Sinologist Lewis Eden to make a comprehensive fourth revision of the manuscript on the basis of new discoveries in recent archaeology and historiography.

2. General Knowledge of Ancient Chinese

General Knowledge of Ancient Chinese (10 points for the translation of the Chinese language questions under the fine effort!) The first one is "baggage", which means "luggage", "luggage", "luggage", "luggage", "luggage", "luggage", "luggage", "luggage", "luggage", "luggage", "luggage", "luggage", "luggage", "luggage", "luggage", and "luggage".

2. Mrs.: Ancient, the person, such as "the power of Mrs. micro less than this"; today, the person's wife. 3. teacher and disciple: Ancient, the army soldiers, such as "oligarchs of the division of the disciples, not enough to humiliate the king carry on"; today, the master and apprentice. 4.

4. left and right: ancient, verb, deploy, such as "only the king left and right"; today, a noun, about, uncertain. 5. lethal: ancient, to die, such as "there are 5,000 people with armor, will lead to death"; today, to cause death.

6. husband: ancient, man, such as "the husband did not marry twenty, his parents are guilty"; today, the wife's spouse. 7. second: ancient, into the station, such as "Yu how face to see in the world? Yue Jun second also"; today, the second best.

8. administration: ancient, the implementation of the decree, such as "administration is not exempt from the rate of the beast and cannibalism"; today, the management of the state organs. 9. like a person: ancient, imitating the image of people, such as "for its like a person and use it"; today, very much like a person.

10. place: ancient, land square circle, such as "place 100 miles and can be king"; today, a certain area. 11. east: ancient, face east, such as "east face and see"; today, the east.

12. face: ancient, face, such as "so He Bo began to spin its face"; today, the face. 13. to: ancient, to the end, to reach, such as "I am not to the door of the son, then I am not enough"; to.

The ending, as in "to the subversion, the reason is appropriate"; to.

The time, as in "As of this day, the wise men of the county are requested to be on the road"; and this, as in another matter.

14. generous: ancient, experts, scholars, insiders, such as "I have long laughed at the family of generous"; today, the property does not care, speech and demeanor natural. 15 so that: the ancient, two words, and incur, with a verb, such as "so that the world's scholars, and from the establishment of a relationship with each other, and with a one"; today, the second half of the sentence, said the following is the result of the formation of the reasons mentioned above, referring to the results of the bad.

This is the first sentence of the second half of the sentence.

16 Shandong: ancient, east of Mount Bengshan, such as "Shandong heroes will rise up and die in the Qin tribe carry on"; today, Shandong Province. 17 very: ancient, unexpected changes, such as "to prepare for the other thief in and out of the very same"; unusual, as an adjective, such as "the very difficult to plan for the sudden release of the adjective"; today, the degree of the adverb.

18 detail: ancient, the villain's slander, such as "did not have the reward of the feudal lords, and listen to the details"; today, the detailed description. 19 foot: ancient, the person's honorific, such as "worship again under the foot of the general"; today, the foot.

20 childish: ancient, small children, such as "childish room, and no storage corn"; today, describing the simple mind or lack of experience.21 personnel: ancient, the official, such as "tasted from the personnel, all the mouth and stomach from the service"; today, the person's clutch, the situation, the survival of the situation.

22 Fu Lao: ancient, bamboo cane, such as "策扶老以流憩"; today, to support the elderly. 23 embrace: the ancient thought of ambition, such as "or to take the embrace, meet within a room"; today, the embrace.

24 indulge in: ancient, proud, such as "both the will, then indulge in proud things"; today, full of. 25 see the opportunity: ancient, see the subtle omens, such as "rely on the gentleman to see the opportunity to reach the people to know the life"; today, look at the opportunity to look at the situation, such as "to see the opportunity to act.

26 rampant: ancient, wild, unrestrained, not derogatory, such as "Ruan Ji rampant, not the effect of the poor cry"; today, unscrupulous. 27 scholars: ancient, people seeking to learn, such as "ancient scholars will have a teacher"; today, in the academic achievements of a certain number of people.

28 thus: ancient, two words, "from" is "follow" meaning, "and" is a conjunction, such as "I thus the teacher of"; today, the conjunction, said the purpose or result.29 crowd: ancient, people in general, such as "today's crowd, the saints under the saints are also far away"; today, everyone, many people.

30 do not have to: ancient, not necessarily, such as "disciples do not have to be as good as the teacher"; today, do not need to. 31 climate: ancient, the weather, such as "a day, a palace, and the climate is not the same"; today, a certain area after many years of observation of the generalized climate conditions, or a metaphor for the movement, the situation.

32 management: ancient, collection, noun, such as "Han Wei's management"; today, the verb, planning or management. 33 pity: ancient, pity, such as "Chu people a torch, poor scorched earth"; today, the misfortune of others to express gratitude and pity.

34 engaged in: attendant, noun, such as "then sent engaged in a small jail to tell the temple"; today, to do a cause. 35 in fact: ancient, the truth of it, such as "think that in fact"; today, to the above turn, said that what is the actual situation.

36 abbot: ancient, a square foot square, such as "room only square feet, can accommodate a person"; today, the host of the monastery.37 often: ancient, everywhere, such as "wall often but"; today, the equivalent of "every time" "often".

38 color: ancient, face, such as "the severed head on the city, the color is not less change"; today, the color. 39 can not: ancient, can not walk, such as "I am less than the disease, nine years old can not"; today, can not be.

40 set up: ancient, adult self-support, such as "zero ding loneliness, to the establishment"; today, organizations and other preparations for the success of the beginning of the existence of the 41 wash horse: ancient, the Prince's retainers, such as "find the state grace, in addition to the vassal wash horse"; today, wash the horse.

42 reported: ancient, to repay the emperor's favor, such as "not the head of the minister can be reported"; today, the report to the superior.43 told: ancient, complain of distress, such as "then tell not allowed"; today, said to the people to hear, so that people know.

44 District: ancient, fist feelings, such as "is to district can not waste far"; today, the number of small, unimportant.45 hard: ancient, bitter bitter, such as "the hard work of the minister, not only the people of Shu and the two states of the pastoral care of the people to see know"; today, physical and mental toil.

46 fluke: ancient, fortunate, such as "Shu Liu fluke, to protect the pawn years"; today, the attempt to non-discriminatory, accidental success. 47 into a home: ancient, home, such as "Mo such as the west return, will be a home to you"; today, to get married.

48 teenagers: ancient, young people, such as "I and when the club young people, thought that although the temporary separation"; today, children and teenagers.49 Zhiqi: ancient, will and strength, such as "hair and blood is getting more and more keen, Zhiqi more and more micro"; today, the determination and courage to do something.

50 strong: ancient, physically strong people, such as "young and strong people can not be guaranteed"; today, mostly refers to the spirit of strong people will.51 misplaced: ancient, staggered, such as "Jia Mu is a stone misplaced"; today, put in the wrong place.

52 cage: ancient, encompassing, such as "gargle all things, cage a hundred states"; today, to lock up the birds and animals. 53 with the return: ancient, the same destination, such as "then blank and not against, but the same return"; today, go back together.

54 describe: ancient, form.

3. General Knowledge of Ancient Chinese Culture

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Original publisher: chuixuezhui

General Knowledge of Ancient Chinese Culture Summary Table of Contents: First, the human appellation, second, the ancient officials, third, astronomical calendars, fourth, ancient geography, fifth, the Imperial Examination System, sixth. The ancient Chinese culture summary directory: one, the person's title 636f7079e79fa5e9819331333433623736 directly to the name of the roughly three cases: (1) self-referring to the name or the first name. Such as "within five steps, Xiangru please be able to neck blood splash the king carry on", "Luling Wen Tianxiang self-preface its poetry. (2) Used for introduction or biography. For example, "So and Lu Su went to Sun Quan", "Liu Jingting, Yang's Taizhou people". (3) It is used to refer to the person whom one detests or despises. For example, "Unfortunately, Lv Shimeng constructed evil in the front, Jia Yuqing offer fawning in the back". Called the word of the ancients named at a young age, adult (male 20 years old, female 15 years old) to take the word, the word and the name has a meaningful connection. The word is to facilitate the others to call, to the generation or honor the word out of courtesy and respect. Such as Qu Ping for Qu Yuan, Sima Qian for Sima Zi long, Tao Yuanming for Tao Yuanliang, Li Bai for Li Taibai, Du Fu for Du Zimei, Han Yu for Han retreat, Liu Zongyuan for Liu Zihou, Ouyang Xiu for Ouyang Yongshu, Sima Guang for the designation of the name is also known as the alias, the table number. The fundamental difference between the name, word and number is: the former by the father or the elder to take the decision, the latter by themselves to take the decision. No., generally used only for self-proclaimed, in order to show some kind of interest or express some kind of emotion; to the people called is also a kind of honorific. For example: Tao Qian number five called posthumous ancient princes and generals, senior officials, famous scribes, etc. After death was added to the title called posthumous. Such as Tao Yuanming for Jingjie Zhengshi, Ouyang Xiu for Ouyang Wenzhong Gong, Wang Anshi for Wang Wen Gong, Fan Zhongyan for Fan Wenzheng Gong, Wang Ao for Wang Zhongsu Gong, Zuo Guangdou for Zuo Zhongyi Gong, Shi Kefa for Shi Zhonglie Gong, Lin Zexu for Lin Wenzhong Gong. And called the traitor Qin Hui for mu ugly is a kind of "bad posthumous". Called the name of the fast refers to the fast or room number to call. For example, the Southern Song poet Yang Wanli's lent is called Chengzhai, and people call it Yang Chengzhai; Yao

4. 50 Examples of General Knowledge of Ancient Cultures

Alias of the Moon

The moon is the most prominent depicted object among the natural objects mentioned in the ancient poems and writings.

Its aliases can be categorized as follows: (1) Because the first moon is like a hook, it is called the silver hook or the jade hook. (2) Because the string of the moon as a bow, so called jade bow, bow moon.

(3) because the full moon is like a wheel like a disk like a mirror, it is called the golden wheel, jade wheel, silver disk, jade disk, golden mirror, jade mirror. (4) Because of the legend that there are rabbits and toads in the moon, it is called the silver rabbit, jade rabbit, golden toad, silver toad, toad palace.

(5) Because of the legend that there is a laurel tree in the moon, it is called laurel moon, laurel wheel, laurel palace, laurel prana. (6) Because of the legend that there are two palaces in the moon, Guanghan and Qingxu, they are called Guanghan and Qingxu.

(7) Because of the legend for the moon driving the god's name Wang Shu, so called the moon for Wang Shu. (8) Because of the legend that Chang'e lives in the moon, the moon is called Chang'e.

(9) Because people often compare beautiful women to the moon, it is called the moon Canyuan. China is now the abbreviation for the People's Republic of China*** and the State of China.

But in ancient literature it is a polysemous phrase. From the Spring and Autumn and Warring States to the Song, Yuan, Ming and Qing Dynasties, mostly used to refer to the Central Plains in general.

For example, Mencius "Qi Huan Jinwen's affairs": "Visit China and caress the four barbarians." Sima Guang, "The Battle of Red Cliff": "If you can fight against China with the crowds of Wu and Yue, you might as well be cut off from them early."

"Driving the Chinese scholarly masses far between the rivers and lakes." China In ancient times, the Chinese people lived in the Yellow River basin in the middle of the four directions, so it is called "China", and later commonly used to refer to the Central Plains.

For example, "Three Kingdoms": "The land is connected to China in the east and the western region in the west." Today it has become an alternative name for China.

Jiu Jiu Legend has it that China was divided into nine administrative regions in the ancient times, and the names of the states were: Hebei, Yanzhou, Qing, Xu, Yang, Jing, Yu, Liang, and Yong. Later it became the nickname of China.

Lu You's poem: "I know everything is empty when I die, but I am sad that I do not see the same nine states." "Over the Qin theory" "order eight states and the same column", the Qin lived in Yongzhou, plus eight states that is, nine states.

The Middle Kingdom is also known as the Middle Kingdom, the Middle Kingdom. In a narrow sense, the Central Plains refers to the area of present-day Henan Province, and in a broader sense, the Central Plains refers to the middle and lower reaches of the Yellow River or the entire Yellow River basin.

For example, "The Table of the Exit of the Division": "When the prize rate of the three armies, the northern determination of the Central Plains." Lu You's poem "Showing the Children": "The king's division has set the Central Plains in the north, and the family sacrifices have not forgotten to tell Naiweng."

Refers to the entire Yellow River basin.

In ancient times, it was said that China's territory was surrounded by the sea on all sides, so it was referred to as the sea within the country's borders.

Wang Bo, "Du Shaofu's Visit to Shuzhou": "A close friend in the sea, a far-flung realm as far as the heart is far away." Sima Guang, "The Battle of Red Cliff": "The sea is in turmoil, and the general has risen to the east of the river."

The four corners of the world See "The Sea".

The world is in a state of turmoil.

For example, Jia Yi's "The Essay on Exceeding the Qin Dynasty" has the meaning of "sweeping the world, encompassing the whole world, and encompassing all corners of the world".

"Afang Palace Fu": "Six Kings Bi, the four seas -." The Six Harmonies The upper and lower parts of the world and the four directions of the world are generalized to refer to the whole world.

For example, in "The Discourse of Trans-Qin", "The Six Harmonies" and "Then the Six Harmonies will be the home, and the Dice will be the palace". Li Bai's poem "Ancient Winds" says: "The King of Qin sweeps the six, and the tiger looks on." Eight Wastelands A place far away in all directions, known as "the world".

The Essay on Passing the Qin: "The intention of encompassing the four corners of the world, and the heart of swallowing the eight wastelands." Liang Qichao, "Young China Speaks": "There are thousands of years of history, and there are eight wastelands."

River The river refers to the Yangtze River and the Yellow River in many ancient writings. For example, "Hongmen Banquet": "The general fought in Henan, and the minister fought in Hebei."

Another example is the Sacrifice of Sisters, "The first grave is in Hangzhou, the river is wide and deep", where "river" refers to the Yangtze River, and "river" refers to the canal. The river is the left side of the river, that is, Jiangdong.

The ancients take the east as the left, and the west as the right. Jiang Gan's plan in the Qunying Hui: "That is to pass the order to call the left side of the river to meet with ZiYi."

Jiang table The area south of the Yangtze River. The Battle of Red Cliff: "Jiang table heroes, salty subservient."

Jiangnan The general name of the south of the Yangtze River, referring to the region varies from time to time. Bai Juyi said, "Jiangnan is good, the scenery is old and familiar."

Wang Anshi's poem: "The spring breeze is green again on the south bank of the river, when the moon shines on me." Huaizuo The east side of Huai Shui.

"Yangzhou Slow", "the famous capital of HuaiZuo, bamboo west good place", Yangzhou in the east of the HuaiShui. Shandong As the name suggests, it is on the east side of the mountain.

But it should be noted that, because of the "Shandong" of "mountain", can refer to the Banshan Mountain, Huashan Mountain, Taihang Mountain, Taishan Mountain and so on a number of different kinds of mountains, and the region referred to is not the same. The following is a standardized version of "Shandong" with Mount Banyan as the standard.

For example, the Book of Han mentions that "Shandong produces prime ministers and Shanxi produces generals".

"Over Qin": "The Shandong magnates will rise up together and kill the Qin tribe." Guandong Anciently, it refers to the area east of Hangu Pass or Tongguan Pass, and in recent times, it refers to the northeastern area east of Shanhaiguan Pass.

Cao Cao's "Artemis Row": "There are righteous men in Guandong who raise troops to fight against the murderers." It refers to the area east of Tongguan.

Guanxi The area west of Hangu Pass or Tongguan Pass. The Battle of Red Cliff: "Ma Chao and Han Sui are still in the western part of Guanxi, which is the backbone of the war."

Guanzhong The scope of the reference varies, and the ancients used to call the area west of Hangu Pass Guanzhong. Hongmen Banquet: "Duke Pei wanted to be the king of Guanzhong, so he made Ziying the minister."

"Over Qin": "The heart of the First Emperor, since he thought that Guanzhong is solid." Western Region In ancient times, it was called Xinjiang and the west of China.

Yandang Mountain: "According to the book of the Western Region, Aloha Nuojuluo lives in Longchu, Furongfeng, Yandang Mountain, between the sea in the southeast of Aurora." Shuo Desert The desert in the north, also known as "Shuo", referring to the north in general.

Collecting Herbs: "Shuo Mo is the summer glory of peaches and plums."

Shuuoqi refers to the wind in the north. In "The Wind and Snow in the Temple of the Mountain God", "I am still coming back with the wind of the new moon", it refers to the north wind.

Baiyue is also known as Baiyue and Zhuyue. In ancient times, the Yue ethnic group lived in all parts of *** Guangdong, collectively known as the Baiyue.

In ancient texts, the term "Baiyue" is often used to refer to the southern part of the country.

In ancient texts, it was often used to refer to the southern region in general, such as "The Treatise of the Over Qin", "The land of the Hundred Yue is taken in the south", and "The Peaches and Plums in the Winter".

Five mountains The general name of the five famous mountains, namely, Mount Tai in the East, Mount Hua in the West, Mount Song in the Middle, Mount Heng in the North and Mount Heng in the South.

Gyeonggi The national capital and its neighborhood. Zuo Zhongyi Gong Yi Shi: "The ancestors of the township, Zuo Zhongyi Gong, regarded the study of the capital city."

Sanfu (三辅) In the Western Han Dynasty, it originally referred to the three officials who governed the Gyeonggi area, and later referred to the area under the jurisdiction of these three officials. Zhang Heng's biography: "Heng was young and good at writing, and traveled to the three auxiliaries."

"Record of Wang Zhongsu Gong Ao matter": "Gong a daughter, married for the gui auxiliary a certain official a certain wife." After the Sui and Tang dynasties, it was shortened to "auxiliary".

San Qin refers to the Guanzhong region west of the Tongguan Pass. Xiang Yu had after the destruction of Qin.

5. What is the general knowledge of literature in ancient Chinese

1. Poetry and books: The Classic of Poetry, The Book of Songs

2. ***: The Classic of Poetry, Chu Rhetoric. "Poetry Classic" in the "national wind", "Chu Rhetoric" in the "Li Sao" the highest literary achievement, the influence of later generations is great, it is often " ***" and refer to the "Poetry Classic", "Chu Rhetoric", respectively.

3, Qu Song: Qu Yuan and Song Yu. Liu Innocenti "Wenxin Diao Long? Discriminating Sao" cloud: Qu Song Yi step, no one can catch up.

4, the pre-Qin three historical biographies: "Zuo Zhuan", "Guoyu", "Strategies of the Warring States"

5, the Spring and Autumn period three biographies: "Zuo Zhuan", "Gongyang Zhuan", "Guliang Zhuan"

6, four histories: "Historical Records", "Book of the Han Dynasty", "Book of the Later Han Dynasty", "Three Kingdoms Journal"

7, four books: "University", "Medievalism", "Lunyin", "Mencius"

8, three genes: "Chuangzhi", "Zhongyong", "Analects of Confucius", "Mencius"

8, Three Xuan: Zhuangzi, Laozi, Zhouyi

9, Five Classics: Poetry, Book, Rites, Yi, Spring and Autumn

10, Three Books of Mengzi: Three Character Classic, Hundred Surnames, and Thousand Character Essay

10, Historical Duo: The Records of the Historical Records, and The Great Classic of Ziji

11, Musical Duo: The Southeast Flight of the Peacock

12, Essay Western Han Dynasty two Sima: Sima Xiangru (fugue), Sima Qian (prose)

13, Ban Ma: Sima Qian, Ban Gu

14, Three Cao: Cao Cao, Cao Pi, Cao Zhi between Han and Wei. Their poems inherited the tradition of the Classic of Poetry, Chu Rhetoric, and Han Lefu, which are grand in spirit and generous in sorrow.

15, Jian'an seven sons: the late Han Dynasty writers Kong Rong, Wang Chuang, Chen Lin, Xu Gan, Ruan Yu, Ying Jie, Liu Zhen.

16, Seven Sages of the Bamboo Grove: Wei and Jin period writers Jikang, Ruan Ji, Shan Tao, Xiangxiu, Ruan Xian, Liu Ling, Wang Rong.

17, the early Tang Four Heroes: Wang Bo, Yang Jiong, Lu Zhaolin, Luo Binwang

18, Wang Meng: Tang Wang and Meng Haoran. The idyllic poets.

19, Gao Cen: Tang Gao Shi and Cen Sen. Border poet.

20, Han Liu: Tang prose writers Han Yu and Liu Zongyuan. Representative writers of the ancient literary movement.

21, three Su: the Northern Song Dynasty literary scholar Su Shi, Su Xun, Su Zhe three father and son.

22, Su door four bachelors: Northern Song poets Huang Tingjian, Qin Guan, Chao Jianzhi, Zhang Lei, all out of Su Shi's door.

23, Tang and Song dynasty: Han Yu, Liu Zongyuan, Ouyang Xiu, Su Shi, Su Xun, Su Zhe, Wang Anshi, Zeng Gong.

24, the four great love tragedies of the Yuan dynasty: Guan Hanqing "Pavilion of the Worshipping Moon"; Wang Shifu "The Story of the Western Wing"; Bai Park "On the Wall"; Zheng Guangzu "Sinister Souls"

25, the four great playwrights of the Yuan dynasty: Guan Hanqing, Ma Zhiyuan, Wang Shifu, Bai Pu (Guan Hanqing, Ma Zhiyuan, Zheng Guangzu, Bai Pu)

26, the top ten classical comedies: Guan Hanqing "Saving the Wind and Dust"; Wang Shifu's The Story of the Western Chamber; Zheng Tingyu's The Money Slave; Bai Park's On the Wall; Kang Jinzhi's Li Kui Takes a Bauhinia; Wu Bing's The Green Peony; Shi Junmei's The Record of the Pixie Hutches; Kang Hai's The Wolf of the Middle Mountain; Gao Lian's The Jade Hairpin; and Li Fisherman's The Kite Mistake

27. Ten Classical Tragedies: Guan Hanqing's The Dou E Foe; Ji Junxiang's The Orphan Zhao; Feng Menglong's The Banner of the Jing Zhong (精忠旗); and Li Yu's The Record of Ching Chong (清忠谱); Kong Shangren, "Peach Blossom Fan"; Ma Zhiyuan, "Autumn in the Han Palace"; Gao Zecheng, "Pipa Tale"; Liu Dongsheng, "Jiao Hong Ji"; Hong Sheng, "The Palace of Eternal Youth"; Fang Chengpei, "Thunder Peak Pagoda"

28, the three major novelists of the Ming Dynasty: Luo Guanzhong, "Romance of the Three Kingdoms"; Wu Chengnen, "Journey to the West"; Shi Nai'an, "Water Margin"

29, the three major novelists of the Qing Dynasty: Cao Xueqin, "Dream of the Red Mansions"; Pu Songling Liaozhai Zhiyi"; Wu Jingzhi "Confucian History"

30, the four major condemnation novels in the late Qing Dynasty: Li Baojia "The Present Condition of the Officialdom"; Wu Woyao "Twenty Years of Eyewitness to the Strange Present Situation"; Zeng Park "Sins of the Sea Flower"; Liu Osprey "Journey to the Old Remnant"

6. 6. What is the general knowledge of literature of the ancient Chinese language

1. Poetry and books: "Poetry and the Classic of the Scriptures, the Book of the Shangshu" 2. *** : "Poetry and the Classic of the Scriptures", Chu Rhetoric.

"Poetry Classic" in the "National Wind", "Chu Rhetoric" in the "Li Sao" the highest literary achievement, the influence on later generations is great, it is often used to " ***" and refer to the "Poetry Classic", "Chu Rhetoric", respectively.3, Qu Sung: Qu Yuan and Song Yu.

Liu Innocenti "Wenxin Diao Long? Discuss the Sao" cloud: Qu Song Yi step, no can catch up. 4, the pre-Qin three historical biographies: "Zuo Zhuan", "Guoyu", "Strategies of the Warring States" 5, Spring and Autumn three biographies: "Zuo Zhuan", "Gongyang Zhuan", "Guliang Zhuan" 6, the four histories: "Records of the Grand Historian", "Book of Han", "Book of the Later Han Dynasty", "Records of the Three Kingdoms" 7, the four books: "University", "The Meanwhile", "Lunyi", "Mencius" 8, the three metaphysical: "Zhuang Zi", "Lao Zi", "Yi Chow 9、The Five Classics: Poetry, Book, Rites, Yi, Spring and Autumn 10、Mengzi Sanshu: Three Character Classic, Hundred Surnames, Thousand Character Classic 10 Historical Duo: The Records of the Grand Historian, Ziji Tongjian 11 Musical Duo: Southeast Flight of the Peacock, Magnolia Poetry 12、Essays Western Han Dynasty, the two Secretaries of Departments: Sima Xiangru (Fugue), Sima Qian (Prose) 13、Banma: Sima Qian, Ban Gu 14、San Cao: Cao Cao, Cao Pi, Cao Zhi between Han and Wei.

Their poems inherited the tradition of the Classic of Poetry, Chu Rhetoric, and Han Lefu, with a grandeur and generosity of sadness.15. Jian'an Seven Sons: Writers of the late Han Dynasty, Kong Rong, Wang Ch'an, Chen Lin, Xu Gan, Ruan Yu, Ying Jiao, and Liu Zhen.

16, Seven Sages of the Bamboo Grove: Wei and Jin period writers Jikang, Ruan Ji, Shantao, Xiangxiu, Ruan Xian, Liu Ling, Wang Rong. 17, the four geniuses of the early Tang Dynasty: Wang Bo, Yang Jiong, Lu Zhaolin, Luo Binwang 18, Wang Meng: Wang Wei Meng Haoran of the Tang Dynasty.

Idyllist poets.19. Gao Cen: Tang Gao Shi and Cen Shen.

Border poet.20. Han Liu: Tang prose writers Han Yu and Liu Zongyuan.

The representative writers of the Kuwenwen movement. 21, three Su: the three father and son of the Northern Song literati Su Shi, Su Xun, Su Zhe.

22, Su Men four bachelors: the Northern Song poets Huang Tingjian, Qin Guan, Chao Jianzhi, Zhang Lei, all out of Su Shi's door. 23, Tang and Song eight: Han Yu, Liu Zongyuan, Ouyang Xiu, Su Shi, Su Xun, Su Zhe, Wang Anshi, Zeng Gong.

24, the four great love tragedies of the Yuan dynasty: Guan Hanqing "Pavilion of the Baying Moon"; Wang Shifu "The Story of the Western Wing"; Bai Park "on the wall"; Zheng Guangzu "Sinister Souls" 25, the four great playwrights of the Yuan dynasty: Guan Hanqing, Ma Zhiyuan, Wang Shifu, Bai Park (Guan Hanqing, Ma Zhiyuan, Zheng Guangzu, Bai Park) 26, the top ten classical comedies: Guan Hanqing "Save the Wind and Dust"; Wang Shifu "The Story of the Western Wing"; Zheng Tingyu "Look at the Money Slave"; Bai Pu "The Dust of the World"; Wang Shifu "The Story of the Western Wing"; Zheng Tingyu Watching the Money Slave"; Bai Park, "On the Wall"; Kang Jinzhi, "Li Kui Takes a Bramble"; Wu Bing, "The Green Peony"; Shi Junmei, "The Tale of the Secret Lady"; Kang Hai, "The Wolf of Zhongshan"; Gao Lian, "The Jade Hairpin"; and Li Fisherman, "The Kite Mistake. 27) Top Ten Classical Tragedies: Guan Hanqing, "Dou'e Grievance"; Ji Junxiang, "Orphan of the Zhao's Family"; Feng Menglong, "Flag of the Jingzhong"; Li Yu, "The Record of Chingzhong"; Kong Shangren, "The Peach Blossom Fan"; Ma Zhiyuan, "Autumn at the Palace of Han"; Gao Zecheng, The Story of the Pipa; Liu Dongsheng, The Story of the Delicate Red; Hong Sheng, The Palace of Eternal Youth; Fang Chengpei, The Leifeng Pagoda. 28. The three major novelists of the Ming Dynasty: Luo Guanzhong, The Romance of the Three Kingdoms; Wu Chengen, The Journey to the West; and Shi Nai'an, The Water Margin. 29. The three major novelists of the Qing Dynasty: Cao Xueqin, A Dream of Red Mansions; Pu Songling, The Liaozhai Zhiqi; and Wu Jingzhi, The History of the Ruins. 30. The four major novels of condemnation in the late Qing Dynasty: Li Baojia, A Story of the Officialdom The Present Condemnation of the Officialdom"; Wu Wo Yao, "Twenty Years of Witnessing the Strange Present Situation"; Zeng Park, "Sinful Sea Flowers"; Liu Osprey, "The Journey of the Old Remnant".