The characteristics of traditional oriental flower arrangement art in creativity and presentation methods

Characteristics of Oriental Traditional Flower Arrangement Art in Creativity and Expression

Flower Arrangement Art has been loved by people from all over the world since ancient times, and creates infinite artistic power and joy of life for people's cultural life, like other sister arts, it is also a reflection of the social life, and it represents the spiritual outlook and economic condition of an ethnic group, a region, and an era, so its creation and development must be influenced by many factors such as social economy, national consciousness, and culture of the times. Therefore, her creation and development must be influenced by many factors such as social economy, national consciousness, culture of the times, etc. Therefore, in the course of development of flower arrangement, there are obvious differences and characteristics between the two major schools of western and oriental flower arranging. Oriental people are steady and introverted, euphemistic and implicit, the artistic realm is implicit, y influenced by Confucianism, so in the creativity and expression of flower arrangement, its characteristics and style can be summarized by the four words of truth, goodness, beauty and holiness. Here is what I bring you the characteristics of the traditional oriental art of flower arrangement in terms of creativity and presentation, welcome to read.

First, the natural "true"

The traditional oriental people love nature, revere nature, and have a unique aesthetic interest and aesthetic point of view of the beauty of nature, that is, the flowers and trees that grow in nature as the performance of objects, and seek to "follow the original situation". "Things follow the original state". "Shape is like nature", which is the theoretical basis of Chinese painting and flower arrangement art. That is to say, the expressed landscape needs to conform to the law of natural growth of all things, and cannot contain obvious traces of artificiality. As Yuan Hongdao discussed in his book, "flowers are wonderful in the spirit, the spirit of people can not create, meaning in the object, from the", "so that the viewer suspects that the flowers were born in the bottom of the bowl Fang Miao" realm. In this way, the flower arranger is required to y observe and understand the growth habit of plants, think about the beauty of its beauty and the essence of its beauty, and incorporate personal feelings and aesthetics, based on which to be refined and expressed, so that the work shows abundant natural vitality and beauty, with the infectious force that can shock the soul of the people, which is the essence of the traditional oriental flower arrangement, so the traditional oriental flower arrangement is also known as the natural type of flower arrangement.

Second, the humanistic "goodness"

Chinese culture is y influenced by Confucianism, and Confucian aesthetics is based on the principle of "goodness", so the Chinese people's 'aesthetics' is also based on the principle of "goodness", so the Chinese people's 'aesthetics' is also based on the principle of "goodness". "Good" as the core, under the guidance of this cultural thinking, flowers are also endowed with beautiful symbolic meanings, material must have righteousness, righteousness must be auspicious, such as life, people say that the pine, bamboo, plum for the "three friends of the cold," as a symbol of the snow and frost, defying the cold of character! The "Four Gentlemen of Flowers", which includes plum, orchid, bamboo and chrysanthemum, symbolizes the elegance and elegance of a gentleman. Using magnolia, begonia, peony, osmanthus to set off the "Jade Hall of Fortune", using symbolism, allegory, harmonic techniques, to create a subtle and harmonious atmosphere, in order to borrow the flowers to express their aspirations, flowers to Shu Huai, and give the work some kind of proposition, so that the work to show a specific mood, which is a traditional oriental style of flower arrangement is unique.

Third, the "beauty" of art

The beauty of art in flower arrangement creation includes the beauty of the material, the layout, the color, the shape, the conception and the overall artistic beauty. Good use of woody flowers, highlighting the line modeling. Such as the plum blossom because of its horizontal and oblique shadow, zigzag posture beauty, elegant but not colorful, fragrance far away from the beauty of the color, the snow and ice and blossom, defy the cold connotation of the beauty of the traditional art of flower arranging and become the best material.

The location of the flowers also pay attention to the sparse and dense, undulating potential, the combination of the real and the virtual, strong and soft, the air connected. Such as "painting garden arrangement for the wonderful", "to get the painter to write the branch of the wonderful, there is the fun of the sky".

The color of the works of creative pursuit of unity and harmony of the color effect, and strive to be bright but not vulgar, elegant but not light, according to the needs of the environment and creation, color or brilliant, or elegant, so that the visual experience of bright and bright, fresh and natural.

The traditional art of flower arranging does not seek regularity in modeling, and is free to play on the situation, to the extent that the theme is expressed, the outline of the shape is not bound to a certain form, and the service for the theme is the source of modeling and creation.

The purpose of artistic flower arrangement is to create poetic and picturesque works with natural and humanistic beauty. Combining the physical beauty of flowers and the beauty of human conception organically, so that the work of both God and form, with the beauty of connotation and charm, which is unique to the art of oriental flower arrangement art.

The overall artistic beauty refers to the comprehensive artistic effect produced by the organic cooperation between the various creative aspects of flower arrangement works, between the creative elements, and between the works and the environment. That is, through the creation of flower arrangement, at the same time create an elegant, romantic, harmonious environmental space, resulting in a kind of environmental art. This is the ultimate goal of artistic flower arrangement.

Fourth, "holy" clean respect

Art is sacred, art is also sacred, the Oriental people believe that flowers are sacred, to a reverent heart inert to treat her to flower enlightenment, cultivation of the body, so that Ikebana has a sense of the sacred, and to seek The flower arrangement also has a sense of sanctity, and emphasizes the idea that "the heart is right and the flower is right", and then "the flower is right and the heart is right". With the beauty of nature to correct the human mind, to amusement, this is the real state of the art.

In summary, the Orientals use realistic, realistic or a combination of both artistic techniques to express the beauty of the flowers, the beauty of the layout, the beauty of the colors and the beauty of the mood, is a combination of natural beauty and the beauty of the humanities of the beauty of art. She is not only an artistic creation activity, but also a spiritual enjoyment process.