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Zhang Jinqiu's design ideas have always insisted on exploring the combination of architectural tradition and modernity, and his works have distinctive regional characteristics and focus on planning, architecture, gardening into one. Through many classic architectural cases, Zhang Jinqiu explained to young architects the architectural design concepts of unity of man and heaven, mutual enrichment of reality and reality, integration of space and time, and blending of scenarios, and advocated that architects should not be confined to the form and style of the building itself, and should pay attention to the inheritance and development of the traditional beauty of Chinese landscapes and gardens, so as to make them organically integrated with the building, and encouraged young architects to be sincerely devoted to the cause of architecture, and to do a good job of what they should do at each stage, and the outside world will be more impetuous. He encourages young architects to be sincerely devoted to the architectural career, to do what they should do at each stage, not to panic even if the outside world is impatient, and to pursue perfection with an open mind, so that growth will be a matter of course. According to the four points of traditional spatial awareness is summarized as: the unity of man and heaven, scenario integration, the real and the imaginary, time and space one.

Zhang Jinqiu (1936), female, born in Chengdu, Sichuan Province, professorate senior architect. 1954-1960 Tsinghua University, Department of Architecture, graduated from the Department of Architecture, Tsinghua University, 1962-1964 was selected as a postgraduate student in the Department of Architecture, Tsinghua University, History and Theory of Architecture, under the supervision of Prof. Liang Sicheng and Mo Zongjiang. 1966 to present, engaged in architectural design at the Northwest Design Institute of China Architecture. From 1966 to now, he has been engaged in architectural design at the Northwest Design and Research Institute of China Architecture. During that time, she has presided over the design of many influential projects. Over the years, she has always insisted on exploring the combination of architectural tradition and modernity in her design thinking, and her works have distinctive regional characteristics and emphasize the integration of planning, architecture and gardening. In 1994, she was elected as one of the first academicians of the Chinese Academy of Engineering.