Thesis (the study of the development characteristics of contemporary brush painting) should start from what?

Abstract] Attention to the problem of the expression technique of Gongbi painting has been one of the important features of modern Gongbi painting creation. The experimentation of the technical factors in modeling, line and color has greatly enriched the space of artistic creation, giving Chinese brush painting a modern form beyond the ancient tradition.

[Keywords] Teaching Chinese brush painting, Expressive techniques, Students

How to re-cognize and re-understand Chinese brush painting is a conceptual problem that needs to be solved urgently for the development of contemporary Chinese brush painting, which is also of great significance for the teaching of Chinese brush painting. As a teacher, to adapt to the needs of the rhythm of social development, so that students not only learn the professional theory, professional skills, but also has a high level of artistic cultivation, and become an adaptable, synchronized with the community of talented people. The concern about the expression technique of brush painting has been one of the important features of modern brush painting. The experimentation of the technical factors in modeling, line and color has greatly enriched the space of artistic creation, giving Chinese brush painting a modern form beyond the ancient tradition.

I. Strengthening one's modeling ability

The requirements for the modeling ability of figure painting are basically the same as those for other kinds of painting. The modeling ability of figure painting should include two aspects, one is the ability to sketch the object. The second is the ability of subjective modeling. The former should be the basis for the latter. The two are unified and cannot be neglected. The above two aspects of the ability can be through the classroom basic training to achieve a certain level. In addition, students should do frequent in-depth and detailed observation of all aspects of people's lives and all kinds of images in their lives, write silently, memorize, study the characteristics of all kinds of images and the law of movement of the body, and develop the habit of sketching, so that they can comprehensively solve the problem of modeling the figure. Today's figure painting is facing the reality of living people and life. The influence of western art has made a fundamental change in the modeling of figure painting, and face-to-face direct sketching has become the most basic training method of figure painting, and this direct sketching method provides great possibilities for the study of human beings and the expression of human beings. If we add the traditional entry point of "writing", I think this is one of the future development of figure painting.

It is very important to cultivate and train one's sense of modeling in figure painting. We should write consciousness, write heart, write feelings, let the form of modeling to express emotions, and seek to reach its meaning, the modeling and form of figure painting is the basis of the painting ontology, want to paint a good figure painting, it is necessary to cultivate their own concept of modeling, modeling consciousness, modeling ability. Of course, this is a long and arduous process, the key is to cultivate a good painting outside the work.

Second, the use of modern tools to express the beauty of the line

As a means of artistic expression, the application of the language of the line, earlier than the use of the language of form and color, the ancient Chinese artists according to their own knowledge of the objective world, the understanding of the real life, after a high degree of refinement and abstraction out of the real world does not exist, "line" as an expression of the image of the object. "As the best tool to express objects, they formed a unique, line-based plastic art technique. Therefore, in the creation of the figure, the teacher should first guide the students to the line and the shape of the shape of the beauty of the combination will be able to fully reflect the beauty of the figure painting.

1. To solve the problem of shaping the beauty of form with line

Working brush figure first to solve the problem of shaping the form with line, working brush figure painting with line modeling known as "white drawing", white drawing is line drawing, line is one of the characteristics of Chinese painting, but also one of the characteristics of the work of brush painting. However, the line of the brush painting is different from the line of the Italian brush painting, the brush painting uses fine and even lines. Italian brush painting utilizes lines of different thicknesses and variations. There is a clear difference between the two. Therefore, how to use line modeling in the teaching of Gongbi figure painting. That is, how to teach white drawing is one of the key problems encountered. Many students of the white work, the fundamental problem is not really understand the organization of the line modeling structure is how it is a matter of a single line does not form, line and line of the organic organization in order to constitute a beautiful picture, but it is never easy. Some students although the sketching effort is not bad, but if you ask him to use the line to sketch or create a character, it is often impossible to start, which means that he has not really understood the meaning of the line.

2. The application of modern tools in the teaching of traditional techniques

Modern teaching has also slowly changed some of the traditional techniques: for example, the use of line in brush painting is not limited to the use of brushes. The independence of the line in modern brush painting is weakening, especially in heavy color painting and thick painting method, the line only exists in the picture as a kind of consciousness. Therefore, the line's thickness of the weak changes in the rigid and soft has little meaning, so sometimes also take the pen to draw the line, because it is strong, proportional, powerful, changes in the natural, no changes in the thickness of the twists and turns, so that the line's purity of the results of the line to enhance the line's decorative interest. Sometimes you can also dilute the ink into several shades of level, according to the need to pour into the different thickness of the straight tube pen, the straight tube pen is divided into a dozen different shades, thicknesses of different specifications used for the line, in order to suit the picture complexity and the level of change of the needs of the scene, in the picture with the line can be designed in front of a thick behind the thin, in front of the heavy behind the light, in front of the thick behind the light. Using this method, the pen is easier to arrange the whole picture line thickness and depth, easy to control the layout of the line. In addition, this pen is used to draw "iron line drawing" and "nail head and rat tail drawing" is very effective, not to mention some aesthetic interest, the traditional use of the line is the outline of the brush method, modern teaching of the drawing line is required to accurately grasp the organizational structure of the object form, master it in a certain perspective, the possible twists and turns that may occur under certain circumstances. Under a certain perspective may occur in the turn, tendency and strength changes, as well as the ups and downs of each structural contour and disappearance point, so that the line of the correct depiction of the object's length, width, square, round, deep, shallow, thick, thin and other changes in the relationship, or else it will be difficult to truly show the sense of volume and become silhouettes or empty frame.

Three, the use of modern color sense to use color

In addition to the above mentioned line modeling, the use of color in brush painting is also very important. Compared with ink painting, the use of color in brush painting is sometimes the key to the success or failure of the picture, a brush painting, line organization is not good, but good coloring, can often make up for the effect of the picture, if the color is not good, there is no good sense of color, not coordinated, can not complete a good brush painting.

Any kind of painting material has its own characteristics and limitations, and it can be said that the limitations produce characteristics, and it can also be said that in order to have characteristics, we need to be limited. Chinese painting is pure, calm and elegant, although not as colorful as Western painting, but has its own flavor and characteristics. Ink rhyme and ink color permeate the picture, ink in Chinese painting is not pure black, diluted ink is not pure gray, ink and color relationship flashes a cultural characteristics and philosophical ideas.

In the 21st century, the development of Chinese painting is faced with many new challenges, the pattern of Chinese painting can no longer meet the increasing aesthetic requirements of the people, Chinese painting needs to be in the aesthetic paradigm, the formal composition, the ink and color expression of the concept of the various aspects of the innovation and expansion of the actual, to achieve the Chinese painting ink and color of the complementary to promote the color of Chinese paintings to the modern conversion, and to create a new period of the splendor of the color of Chinese paintings.

First of all, the exploration and promotion of traditional cultural resources. The innovation of Chinese painting is a new aesthetic paradigm and the establishment of aesthetic concepts, while involving the rediscovery of traditional cultural resources, re-understanding, and then promote the application of color in art history has a unique style, have a specific cultural positioning, can be absorbed and integrated into the innovation of modern Chinese painting, in the integration of modern aesthetic concepts, to promote the transformation of the traditional form of Chinese painting to the modern form.

Secondly, the reference of all kinds of western color materials and the integration and innovation of western color experience. Borrowing western painting pigments, such as watercolor, gouache, and even oil stick, can be boldly integrated into the innovation of Chinese brush painting. As long as the overall writing nature of Chinese brush painting and the spiritual content of Chinese brush painting are not lost, we can boldly explore, promote the expressive power of color, and gradually establish a new view of color. The use of color boldly absorbs the scientific formulation of Western art color, objectively understand the object's intrinsic color, light source color, environmental color and the interrelationships, grasp the brightness, purity, and warm and cold contrast of the color, scientifically analyze and study, and reasonably integrate into the innovation of Chinese brush painting.

Because the traditional Chinese color scale is not much, the production method of Chinese brush painting can't make too many changes in this limited color. But it is also by this material coloring method and the basic spirit of its unique aesthetic effect. Therefore, the modern understanding of color and ability to improve, brush painting must continue to pursue the richness of the material and the use of color breakthroughs.

In short, the development of technical factors in brush painting greatly enriches and advances the artistic expression of modern brush painting; not only in the surface organization of the picture above, but also penetrate into the imagery of modeling and new concepts of brush painting; not only expresses the artist's artistic personality, and aids in the expression of feelings; at the same time, it also expands a broad space for the development of Chinese brush painting, and breeds a vigorous vitality.