Traditional Culture Encyclopedia - Traditional stories - How to draw a good still life in sketching (the kind of clay pots)

How to draw a good still life in sketching (the kind of clay pots)

The following step by step to show you how to draw this still life combination of sketches.

Pottery still life combination sketching drawing step 1: playing shape

Step 1: positioning shape, with 6B pencil to determine the composition and the position of the object and the proportion of the relationship between the composition, this picture is the second time with a 4B pencil in-depth again.

Earthenware jar still life combination sketching drawing step 2: draw the general tone

Step 2: general tone, roughly differentiate between the tone of the earthenware jar, the white plate, the fruit, and the two pieces of lining cloth, try to relax, this feeling will allow you to continue to go deeper.

Pottery Still Life Combination Sketch Step 3: False Tones

Step 3: False Tones, use pen and paper or tissue to blend in the tones floating on top of the paper, pay attention to the structure of the object where it's slightly emphasized.

Pottery still life combination sketching drawing step 4: continue to deepen the drawing

Step 4: deepen the tone, further differentiate between the object of the sketch relationship and tone, with a small pen and paper, rubbing the side of the drawing, the specific tone of the vase and so on.

Pottery still life combination sketching completed effect

Summary: this still life combination sketching I a **** painting five hours, due to the reason that the source of light is constantly changing, the first afternoon painting two hours, and then the second afternoon at the same time to continue to paint. There was no lighting throughout this painting, and I couldn't bear to let the light ruin the peace and quiet. If you carefully compare the photo and the work, you can easily find that, including the tone of the apple I have dealt with, a lot of details on the liner have been omitted, and there are many other places where the treatment has not been thought through, while the painting on the side of the treatment of the open, I think that "painting is not a photo, you must have a taste of paintings, to have a passion to have a sense of