What are the programs in the School of Music

I. Department of Composition

The department's main areas of specialization are musicology theory, music journalism and criticism, and music therapy.

II. The Piano Department offers majors in piano and accordion.

Three, orchestra department violin, viola, cello, double bass, flute, oboe, clarinet, tuba, horn, trumpet, trombone, tuba, harp (piano majors can also enroll in the harp), violin production.

Four, folk music department erhu, pipa, sheng, suona, bamboo flute, yangqin, guzheng, liuqin, guqin, zhongruan, national bass (cello, double bass).

V. Department of Modern Instrumental Music The department has percussion (including Western and ethnic percussion), saxophone and classical guitar.

Sixth, the Department of Vocal Music voice (American, ethnic singing), chorus, piano accompaniment.

Seven, the Department of Dance has two majors: Dance Performance and Choreography. Chinese classical dance performance and education, Chinese folk dance performance and education, Chinese dance performance and education. Eight, Department of Drama

Western professional art colleges and universities only training drama performance, musical performance, drama, film and television art design, drama, film and television costume and make-up design of the four undergraduate majors in the teaching department.

Expanded Information

Tips for Learning Music

I, inhale?

Imagine yourself in the middle of a beautiful garden and take a deep whiff of the exotic scent of the flowers. Well, this is the inhalation of singing, so that the inhalation is deep. Inhale naturally through the nose and mouth at the same time, try to be smooth and light, soft, not with force, not stiff, the gas should be inhaled y, not in the upper chest and the heart. After inhaling, you should have a short hold like before sneezing, and experience the feeling of expansion and swelling around the waist. Finding this feeling is the key to singing.?

Two, breathing?

The way to exhale is to use the power of the diaphragm to keep the feeling of expansion around the waist and abdomen. Imagine yourself holding a large bottle of sesame oil in your hand to another vial to pour that kind of careful, hold your breath feeling, exhale to be even, soothing. You can prepare a 10 square centimeter size of a thin piece of paper, placed on the wall, 4-6CM away from it, inhale and hold it for a while, and then blow through the mouth so that it does not fall to the ground, more than half a minute will be qualified. Can also be replaced by a burning candle, to the flame of the "U" sound, the correct breath is the flame down but not extinguished, the more time to sing the better.

Three, diaphragm strength training?

The strength of the diaphragm is very important to the maintenance of breath and the strength of the voice. Traditional training methods include:?

Counting numbers: take a deep breath, use the power of the waist and abdomen to keep it, start counting from 1, count to 60 as qualified. Counting should be even to have a rhythm, can not steal air.?

Blowing dust: take a deep breath, then blow forward as if blowing off the dust on the table, the rhythm is a slow and fast, experience the power of the diaphragm.?

Sit-ups: do more sit-ups to enhance the strength of the waist and abdomen.?

Four, trill?

Vibrato is the use of breath and the coordination of the glottis knot, so that the voice produces a sense of fluctuation, undulation. It is one of the most commonly used techniques in lyrical songs. There are many types of vibrato. Such as Zhou Huajian's tremolo amplitude moderate, not big or small; Qi Qin love with small tremolo; Teresa Teng, Jacky Cheung is known for big tremolo; and Japanese songs are characterized by "first straight after the tremolo", that is, after singing a straight sound, and then began to tremolo, the amplitude of the range from small to large, the frequency of the slow to the fast, which requires effort. Many friends do not know this technique, do not be discouraged, it can be practiced. The key is that the breath and the throat should be well coordinated, never just use the throat, make a kind of small trembling sound similar to a sheep's cry.?

Fifth, qi sound

When vocalizing, if the qi comes out before the sound, and the qi is more than the sound, you will make a qi sound. It makes the song more soft and charming, more moving. The first verse of Teresa Teng's "On the Waterfront" and the first verse of Lin Yilian's "In Love with Someone Who Won't Go Home" are also typical of qi sound singing.

References:

Baidu Encyclopedia-Music Academy