Waltz is what dance?

Waltz Waltz Waltz originated in northern Austria faster peasant dance, the end of the seventeenth century into the Vienna Imperial Palace to become the palace dance, and then developed into the longest history of social dance. Beat: 3/4 Rhythm: 1, 2, 3 beats per measure. The first beat is the accent. The second and third beats are weak. Tempo: 28-30 bars per minute. Style: Movements are as smooth as flowing water and as radiant as clouds. It is elegant and graceful. Waves of undulation and continuous dashing rotation. Enjoys the name of "Queen of Dance". Role: The waltz has all the functions of dance. People agree that the waltz is the king of social dance, noble and elegant, in social intercourse with the dance to communicate and dance bad "king of dance", will not be the attention of the opposite sex. The only way to make people mesmerized is to have a beautiful and smooth waltz! The waltz is represented by a w. Also known as "slow three steps". It's one of the modern dance programs. It's a 3-beat dance. It is originally a kind of European folk dance, part of which spread to the United Kingdom, after finishing standardized into the British Waltz, that is, the waltz, that is, we are accustomed to call the slow three; the other part of the spread to the middle of Europe, and still maintains the folk dance warm, pure and simple style, after finishing standardized into the Vienna Waltz, that is, we often say that the Vienna Waltz. The waltz swing technique The swing action and the turning action cannot be separated, and the relationship between the two is that of an engine and a tire. Without the turning action, the swing action will be hard and unbalanced, and the appearance of the completion of the swing should be accomplished by the body's turning action through the center of the body as well as the movement of the legs and hips, and the swinging of the shoulders and arms to achieve the technique of time movement to complete the lightness and elegance with a power type of dance posture. The dancer's logic is to think of the upper body as the center of the body. Dancers will think that the logic of the upper body is not moving is a good phenomenon, but the limbs are free, cooperation and coordination between partners is not to be bound, the body turn movement can make the muscles of the limbs can produce the effect of relaxation, so the swing must be made before the body turn movement of the preparatory work; the knees are loosely curved, from the legs above the body slightly forward to support, the shoulders are relaxed and flat, the back and waist is slightly tightly braced, and the body gravity in the palms of the hands. When you start to move, the turn referred to in the steps is the turn between the feet, not the turn of the body. Special attention must be paid to this point, especially for women, who almost only move forward and backward, and the turn is completed by men. The waltz is the earliest of the ballroom dances and by far the most vital form of self-indulgent dance, also known as the round dance. The word "waltz" originally comes from the Old German word Walzer, which means "rolling," "spinning," or "sliding. ". This captures the basic components of waltz movement in a nutshell. The word "waltz" is believed to have appeared around 1780, while the 3-beat "pong-chong-chong" rhythm of the round dance was popular in Europe long before that, especially among the peasants in Bavaria, Germany and Vienna, Austria; as for the waltz-type dance music, it was played at the royal balls in Hapsburg as early as in the 17th century. The waltz type was played at royal balls in Hapsburg as early as the 17th century. Although the waltz has long been popular in rural areas, but it can become the urban population of the dance fashion, but there are its social changes and artistic interests and other aspects of the reasons. 18th century the end of the French Revolution and its intense influence in European countries, the rise of the Industrial Revolution and the emergence of the working class on a large scale and so on, so that people on the requirements of self-indulgent dance styles have undergone a great change. The once popular Minuet and Cavort were eliminated because of their stereotypical and formal styles. The waltz, with its relaxed, natural body and elegant demeanor, became a more self-indulgent way for people (especially the French) to enjoy themselves. But just as any new thing is inevitably met with the glare of conservative forces, the rapid popularity of the waltz was naturally opposed and hindered for various purposes. In addition to the Church that it is immoral, uncivilized, even vulgar, evil and unsightly because men and women hold close to each other and rotate too fast, there are also the original teaching of the minuet and other court dances for a living as a thorn in the side of the people, a thorn in the side of the flesh. The waltz's easy-to-learn and free-flowing character attracts a wide range of dancers, often as long as the side to watch for a while to learn. This dance does not need to be like the minuet, non-mastery of a large number of complex patterns in order to debut. In conservative England, the waltz was even hated and feared by many. Listen to the ramblings of the press at the time, you can know a little about it: "Nowadays, the elderly noblewomen dance around the room like a gust of wind, while the daughters clad in gowns are jumping and gyrating to the sound of a loose waltz; the old ones form a long line, like a tide; the young ones are unrestrained and relaxed; they follow their husbands as fast as they fly, leaving no trace of the mystery of the bridal night. mystery of the bridal night. We were saddened to see that at last Monday's English court dance, that French nastiness called the waltz was introduced for the first time. ...... To see such erotic dances with entangled limbs and tightly packed bodies, and to see the fine traditions of dignity and subtlety that distinguish English women so grossly misrepresented, is really enough to make one suffer. ......When this kind of lewd performance was confined to prostitutes and lewd women, we did not think it was worth making a fuss about, but now that it is being imposed on the upper classes by the unscrupulous members of that respectable social class, we feel it is our duty to remind parents not to send their daughters to such a deadly plague! ...... We believe that it is no longer tolerated by any moral English social class. No one who has been out at night can fail to see, with uneasy feelings, the sight of our sisters and wives seized by strangers, subjected to arbitrary embraces, and jogging round a little room." This rant, however, made Europeans even more enthusiastic about the waltz. The bourgeoisie in the immediate aftermath of the French Revolution fully embraced the waltz. It is estimated that in Paris alone, at the end of the 18th century, more than 700 dance halls sprang up under one roof. After 1834, the waltz spread to the United States. Its first stop in the United States was Boston, and then it spread to New York and Philadelphia, where legend has it that it also made the upper class stay in their seats. But it wasn't long before the waltz took root in American social circles by the mid-19th century. The popularity of the waltz was inextricably linked to the ease and fluidity of its music, which was composed by two great Austrian composers, Franz Lerner and Johann Johannes Lerner. Two Austrian composers, Franz Lerner and Johann Steffens, contributed to the waltz's popularity. The contributions of the two Austrian composers Franz Lerner and Johann Steffens are an important part of the history books of waltz dancing. The Venetian waltz created by them is an important part of the history of the dance. The standard tempo of the Venetian waltz created by them is a fast tempo of 55-60 beats per minute, which is very suitable for modern tastes. The American contribution to the development of the waltz lies in the Boston Dance and the Hesitation Dance, two variations of the waltz. The former has a slow rhythm, long steps, and more movements in the front and back directions; the latter is slower, with 3 beats for 1 step. Experts believe that the most important contribution of the waltz to the development of ballroom dancing as a whole is the gradual realization of the fact that only natural body movements can last. This enabled ballroom dancing to finally move away from the necessity of using the five positions of the feet in classical ballet, as was the case in the 19th century.

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