Experience of Calligraphy and Classical Chinese

1. The calligrapher's ancient poem "1", the work of Jin He, was tasted anonymously.

It was written by Jin, a famous calligrapher in Jin Dynasty. He stopped to look at the ancient tablet and walked for a long time. He walked hundreds of steps from Gubei and came back. The horse stood in front of the monument. When he was tired, he unfolded his fur and sat down to look at it. Then he left in front of the monument for three days.

Ou Yangxun once saw an ancient monument on horseback. This was written by Suo Jing, a famous calligrapher in Jin Dynasty. He stopped his horse to look at the ancient monument, and it was a long time before he left.

He walked hundreds of steps from the ancient monument and then came back. He got off the horse and stood in front of the monument to admire it. When I was tired, I spread out my fur coat and sat down to watch it. Then I stayed in front of the monument for three days and three nights before leaving. 2. "Du Hao Painting and Calligraphy" Song Dynasty: Su Shi "There are Du in Shu, good paintings and calligraphy, and hundreds of pieces are treasured.

There is a Dai Song's "Bull" Axis, which is particularly popular. It is covered with precious stones, and I often follow it. One day, when calligraphy and painting were exposed, a shepherd boy saw it and clapped his hands and laughed. He said: "This painting is also a bullfight. The bullfighting force is in the corner and the tail is between the two strands.

Today, it's a mistake to lose your tail and fight! "Chu Shi laughed it off. As the old saying goes, "plowing asks slaves, weaving asks maids." "

Can't be changed. There is a hermit named Du in Sichuan who likes painting and calligraphy. There are hundreds of paintings and calligraphy works in his collection, including Dai Song's Niu Yi. He especially likes them. He kept them in a tool kit, used jade as a painting axis, and often carried them with him. One day, he was drying calligraphy and painting. A shepherd boy saw this painting, clapped his hands and laughed, and said, "This painting depicts a gladiator cow. When a cow fights, its strength is concentrated in the corner and its tail is sandwiched between its hind legs. " The hermit smiled and thought the shepherd boy was right.

There is an old saying: "You should ask your maid to plow and knit." This sentence is immutable.

3. Song: Half an acre of square pond in Zhu is open, and there are clouds in the sky. Why is the water in the pond so clear? Because there is inexhaustible living water for it.

Half an acre of square pond is like a mirror, clear and bright, with clouds floating on the water. Why is the water in the pond so clear? It is because there is an inexhaustible source that continuously delivers living water to it.

4, "Reading" Ming Dynasty: Yu Qianshu is as affectionate as an old man, sad and happy every morning. In front of countless words, there is no worldly thought in my heart.

Fresh ideas emerge one after another, like the wind in the east wind, flowers are new. Roaming the golden saddle, the dignitaries are still lamenting that it is hard to find a product, and they don't believe that there is no spring scenery in this study.

Books are like my old friends for many years. Whether they are sad or happy, they always accompany me in the morning and evening. After browsing countless words in front of me, there are no worldly distractions in my heart.

Insist on reading regularly, and fresh ideas emerge one after another. Study hard, like a willow in the east wind fighting for a new color.

After walking through the golden saddle, the dignitaries are still lamenting that the trace is hard to find, and they don't believe that there is no spring scenery in my study. 5, "Mochi Ji" Song Dynasty: East of Linchuan, Ceng Gong, the land is hidden and high, so it is called a new city near the stream.

Above the new city, there are pools and depressions, but the sides are long, such as Mo Chi by Wang Xizhi and Linchuan Ji by Xun Bozi. The taste of Xihe River longs for Zhang Zhi, studying in Linchi, and the water in the pool is all black. This is an ancient relic. Do you believe in evil? Fang Xi can't be an official, but taste the extreme east and go out to sea to entertain the meaning between mountains and rivers; Is he wandering around wantonly, but trying to get a rest from this evil? The book of Xi is good at night. If it can, it will cover itself with energy, which is unnatural.

Then people who can't reach in the world are not as good as evil people. Then can you learn less? Those who want to be more moral are evil. Above Mo Chi, it is now a public school. Professor Wang Junsheng was afraid that it was not a chapter, and the book revealed the words "Wang Jin has an army in Mo Chi".

He also told Gong Yue, "I wish I had a note". Pushing Wang Jun's heart, although the lover can be abolished, is it good because of his evil deeds? It also wants to push things to encourage its scholars? What a pity that my wife's ability makes future generations still like this, and the legacy of kind Shi Zhuang will remain in the afterlife! In the east of Linchuan county, there is a slightly uplifted land, which is close to the stream and called Xincheng.

Above the new town, there is a low-lying rectangular pool called Mo Chi of Wang Xizhi. This is what Xun Bozi said in Linchuan Ji. Xi Zhi once praised Zhang Zhi's spirit of "learning from the pond, the water in the pond is black". Is this the site of Mo Chi? When Xihe didn't want to be an official, he once traveled all over the East and the East China Sea, making him happy between mountains and rivers.

Did he stop here when he was having fun? Xi Zhi's calligraphy was not particularly good until his later years. Then he can do this step, probably by his own spirit and perseverance, not by nature.

However, no one can catch up with him in the future Is it because future generations study harder than him? So can you learn less? What's more, people who want to further their studies in moral cultivation? Next to Mo Chi, it is now the school building of Fuzhou State University. Professor Wang Sheng is worried that Mo Chi will not be famous. He wrote the words "Wang Jin has an army in Mo Chi" and hung it between two pillars in front of the house, asking me to say, "I hope there is a story about Mo Chi." It is speculated that Mr. Wang's original intention is to love the advantages of others, and even his skill will not be buried, so it is extended to Wang Xizhi's remains. Do you also want to publicize Wang Xizhi's deeds to encourage those students? A person has a skill that can make future generations respect him like this; What's more, those people with noble character and dignified behavior have left a fascinating and beautiful demeanor, not to mention the influence on future generations.

2. Learn the 800-word thinking of calligraphy: from the progress of your own calligraphy practice, the change of mind is like a person. Describe the benefits and effects of practicing calligraphy, and also describe the benefits of practicing calligraphy.

Text:

People who have studied calligraphy should be grateful to themselves.

I have never understood the feelings of those who can't write well, but I often hear them complain: "It's so difficult to write!" " "I only remember that when I was eleven years old, I studied the soft pen for nearly a year, but my words deteriorated rapidly, which was due to my mentality. At that time, I envied those who wrote ups and downs, thinking that the "ghost painting symbol" was beauty and calligraphy. I have to say that there is beauty in chaos, but if there is no discipline, others will not know it clearly, and you will always think that you are a careless person. Later, I righted myself in time, and my handwriting was neat and lovely as always.

I went to Jiucheng Palace and practiced for about five years. When I wrote in the first year, my hands shook badly and the ink color could not be controlled. It is often "deep and shallow", like an ink painting, which is not in line with European style. In the second year, it was improved and the font gradually matured, which was the prototype. The foundation of primary school for three or four years is very solid. Even if you don't practice for a long time, as long as you pick up the pen and dip it in ink, your mind will be unified, and you will never get out again when you close the pen.

Today, my European style has made great progress, which is commendable, but there are also many shortcomings, just as the teacher said: the strokes are too floating and unstable. Maybe it's my temper. I was too hasty. This should be changed.

Just as Mr. Jiang Yang put forward "cultivate one's morality" and "exercise one's soul". Everyone is a wild jade at the beginning of calligraphy, but when your wildness is revealed in various fonts, that abrupt stroke and painting is the soul of your exercise. I can really feel it. Calligraphy makes people quiet, but it can also move like a rabbit. This is the aura, they are all implied in works that are crazy or charming, or happy or sad.

I copied Cao Quanbei, too, but it was too exquisite. We ran aground when we didn't get along.

I remember that hot summer last year, I frantically copied ancient poems, holding little white cloud in my hand, and wrote dozens of long poems on antique blue books and papyrus. When I copied the song of everlasting regret, I sat for an afternoon, but my feet were numb but I didn't dare to move. Or the heat is unbearable, the mood is restless, and I always can't find my hand. Calligraphy, like writing, needs people who can afford to sit on the bench and people who don't know how old they are.

Recently, my legs and feet are weak and there is no pain, so I doubt writing. Who taught me to love these two things?

After all, the heart is still there, and the benefits of writing are needless to say. I used to be really different from the one who showed the words. Writing is also writing, regardless of family. So every time I write, I can't help turning my thoughts and feelings into pleasing words. Good words make people happy.

Poor writing should be filled, and writing should also be done.

People can't live without pens and hands. Every time I exercise my soul, all the doors are open and my heart is back.

3. The feeling of calligraphy is about 200 words. -the feeling of learning calligraphy. I have been practicing calligraphy for about ten years. I came to the examination room because I like calligraphy art and want to feel the beauty and artistic charm of ink lines and font structure. In order to improve my quality and spread the beauty of calligraphy to more friends, I choose calligraphy to study.

I know that if I learn from calligraphy, I can write in many ways. For example: the structure of characters, the layout of characters, the historical origin of rubbings, ancient and modern calligraphy theory ... But at the moment, I think calligraphy is not just a technique, it is an art form that embodies and experiences beauty.

Through the carrier of calligraphy, creators and appreciators gain beauty from each other. And these different levels of beauty reflect each other's self-cultivation and state of mind.

I want to describe my experience of learning calligraphy from two levels. That is, the artistic beauty of calligraphy and the realm cultivation of calligraphy.

The following are some of my superficial calligraphy learning experiences. Calligraphy art is the creation of human beings.

Calligraphy works are practical and expressive. From hieroglyphics to cursive scripts, our Chinese characters have experienced a series of abstractions.

The primary purpose of the ancients' reform of calligraphy style is practicality and convenience. The evolution of calligraphy has both inheritance and innovation.

Creativity is one of the driving forces of artistic development. Vertically, the five styles of calligraphy, namely seal script, official script, regular script, running script and cursive script, are both related and quite different.

Every style has different rules. Horizontally, each book has a different style.

As far as regular script is concerned, the most famous is Liu Zhao, a tern. Running scripts include running scripts and running scripts.

The horizontal and vertical development of calligraphy and fonts has greatly enriched the art of calligraphy. From a practical point of view, writing and fonts embody a standardization.

For example, learning to write, of course, is to choose a good template for copying. Good templates are inherited as specifications.

This eliminates some relatively poor fonts. Therefore, China's calligraphy has created some brushwork techniques and structures from the perspective of practical aesthetics.

Although these feel dogmatic, they provide some basis for us to write and appreciate calligraphy well. Calligraphy is an art.

Art not only expresses the content, but also expresses some information beyond the content. I like Yan Zhenqing's "A Manuscript for the Sacrifice of a Nephew".

The style of Yan characters is gorgeous. It embodies the spirit of the prosperous Tang Dynasty.

As we know, this commemorative manuscript commemorates the nephew of the calligrapher, and the author was fighting the rebel An Lushan as the leader of the Heroic Society. His nephew was killed in the battle with the rebels.

At this point, the author has three emotions. The grief of losing my nephew, hatred for the rebels, and confidence enough to defeat the rebels.

These feelings are pinned on this famous manuscript and also reflected in the calligraphy artistry of the manuscript. From the contents of his works and calligraphy, we can feel the Wang Yang wantonness of his feelings.

It is no exaggeration to become the "second running script in the world". It is through the practicality and expressive force of calligraphy that the artistic creativity and artistic emotion of calligraphy are promoted.

Through the creation of calligraphy and the appreciation of excellent calligraphy works, the artistic effect of mutual communication can be achieved. Knowing the beauty of calligraphy is a feeling.

In calligraphy, different styles and fonts reflect different beauty to some extent. "Li Yanqin Bay", I feel the beauty of heroism.

The word is not big, but full and substantial, like a vigorous warrior of the Tang Dynasty, dignified and sincere. Ling Fei Jing written by Tang people gives people a sense of beauty of hibiscus.

The weeds in Zhang Xu have the dynamic feeling of dancing. Some calligraphy works use dry brush, which gives people the beauty of vicissitudes.

Like an old tree, weathered. Although the branch has all kinds of refutations, it still shows tenacity in the dry pen ... People appreciate different beauty and bring different feelings of beauty. The relationship between calligraphy and mood calligraphy is really practiced.

In the Yuan Dynasty, Zhao Ziang wrote thousands of words every day. And there will be feelings in the process of practicing calligraphy.

Whether extroverted or introverted, as long as you pick up a pen, you must integrate your heart and book. Modern society is impetuous and full of temptations.

Do a lot of things. If there is a little distracting thoughts in calligraphy creation, it may affect the charm of calligraphy works.

Wang Xizhi's Preface to Lanting is the best in running script. I think the literati in Wei and Jin Dynasties have a kind of freedom and a kind of natural liberation.

The Seven Sages of Bamboo Forest recited poems and couplets in Huiji Mountain, visited the landscape and had a heart-to-heart talk over drinks. Without the liberation and relaxation of this kind of mood, there would be no "Preface to Lanting", an eternal masterpiece, and there would be no "best running script in the world".

Although I can't see Wang Xizhi's original work, I can vaguely feel a kind of carefree feeling that the author wants to express from the Preface to Long Ting written by Shuanggou. This feeling has been passed down through calligraphy for more than a thousand years.

And all the way to 636f70797a686964616f313337623434. What kind of mood will have what kind of artistic expression.

But the premise is to have a solid artistic foundation. The relationship between calligraphy and character cultivation. A realm of art is to appreciate beauty and create beauty.

Appreciating and creating beauty at the same time realizes the improvement of character accomplishment. Calligraphy is the same.

Art is interlinked. The eyes that appreciate beauty are cultivated in an artistic environment.

Although the quality of calligraphy is not directly related to character cultivation, the art of calligraphy can enhance a person's taste. A person with taste is bound to perform well in all aspects, including writing.

According to Maslow's hierarchy of needs theory, most people have the need and tendency to realize themselves. When calligraphy skills reach a certain level, techniques and techniques are relatively unimportant, and the integration of calligraphy and other arts is more important.

Therefore, from ancient times to the present, there is a certain relationship between books and character. This is actually a question of value orientation.

In this sense, the improvement of calligraphy art is more and more related to a person's cultivation. Character cultivation includes communication with people, attitude towards life, understanding of beauty, appreciation of art and so on.

Mastery of knowledge, broad mind and love have always been a writer's high realm. However, there are some distractions or selfishness, which may hinder the creation of good works and fail to reflect the unique style.

Extensive knowledge and good learning attitude are the source and motivation for the development of calligraphy art. Because things are developing.

There is a connection between things. We can get the inspiration to create calligraphy from extensive knowledge.

Also through the accumulation of knowledge and its.

4. Experience in writing calligraphy, about calligraphy 1500 words.

China's calligraphy has a long history, reflecting the spirit of the times with different styles, and the artistic youth is eternal. Browse the calligraphy of past dynasties, "Jin people like rhyme, Tang people like law, Song people like meaning, Yuan, Ming and Tai". Calligraphy art is a unique treasure in the world and a wonderful flower of Chinese culture. Calligraphy art is the most typical embodiment of the beauty of oriental art and the Excellence of oriental culture, and it is an artistic treasure that our nation will always be proud of. It has a profound mass base and artistic characteristics that no art in the world can match. The art of calligraphy is more and more favored by everyone.

China's calligraphy is an ancient art. Judging from the cultural relics excavated so far, it started in ancient Wen Tao in the Yellow River valley of China 8000 years ago, then passed through Oracle Bone Inscriptions and inscriptions on bronze, and evolved into big seal script, small seal script and official script. Finally, it was designated as cursive script, regular script and running script in the Eastern Han Dynasty and Wei and Jin Dynasties. Calligraphy has always exuded artistic charm.

Calligraphy is good for health-"Writing can nourish qi and help qi." When practicing books, don't worry about the spirit of doubt, start your whole body, exert your strength to the end, write it down on paper, express your mind and relax. This has a certain adjustment and exercise effect on people's psychological and physical aspects. Over time, it can make people feel refreshed and live a disease-free life. Even if you are unfortunate enough to get sick, you can practice calligraphy. The more you nourish your heart, the more you get sick and the longer you live. Throughout the ages, calligraphy can make people live a long and healthy life, rather than just wasting their time. For example, the average life expectancy of Ou Yangxun, Yan Zhenqing and great calligraphers in history was 79.2 years, and Yan Zhenqing was killed at the age of 76, otherwise his life expectancy would be even longer. According to the data, 28 famous painters and calligraphers in Ming and Qing Dynasties lived 12.7 years longer than monks, indicating that painting and calligraphy activities may be more beneficial to health than monks' practice, which is well known to the world. Mr. Li Zhen, a 76-year-old "general calligrapher", recovered from his heart disease by practicing calligraphy and stopped worrying about insomnia. He said with deep experience that learning calligraphy, "over time, there will be gains." This "harvest" is not only in calligraphy, but also beneficial to health. "It can be seen that the ink splashing pool is indeed a fitness feat. As long as you persevere and persevere, you can turn "calligraphy" into a wonderful "way of keeping in good health"

Calligraphy can cultivate sentiment-sentiment is the synthesis of feelings and thinking. Calligraphy is a science and an art, and its characteristics, techniques, theories and artistic conception are extremely extensive. "There are books in my chest, and my writing is not bad." Learning calligraphy covers literature, philosophy, aesthetics, astronomy, geography, history and other aspects. Obviously, we can't simply understand calligraphy as writing. Calligrapher Mr. Wu Shanmao put it well: "Calligraphy is writing, but writing is not all calligraphy." The inherent law of calligraphy determines the seriousness of learning books. This requires learners to have a good psychological state, with a high degree of learning enthusiasm, vigorous enterprising spirit and scientific thinking activities, and treat them with sincerity. Must be diligent and tireless, to prevent a whim, give up halfway; We should go deep into life, broaden our horizons and prevent arrogance and hypocrisy. We must strengthen our self-cultivation, broaden our artistic conception, and prevent ourselves from sticking to the rules and giving up the basics. In short, there is no end to happiness!

Calligraphy is an invincible wonderful flower in national art, and the world is gratified by it, from which we can appreciate its spiritual demeanor, artistic conception, interest in life, aesthetic pursuit and flavor of the times. . . . . . Such an inspiring and lively art, why not!

5. Perception of learning calligraphy Original Publisher: 630796737

Experience of primary school students learning calligraphy I have been practicing calligraphy since I was eight years old, and it has been eight years now. As for my original intention of learning calligraphy, it is ridiculous to say that it is only because I am naughty and active, young and have nothing to do at home. Mom simply asked me to learn calligraphy and practice quality, and maybe my heart would calm down. So, I contacted the writing brush from now on. The first time I learned calligraphy, I was full of curiosity and felt quite fresh. It was Wang Bo who taught me calligraphy. He is only in his twenties. In the first class, we learned strokes. "Words are made up of strokes. Let's practice strokes before we start writing, "Mr. Wang said at the time. A seemingly simple horizontal, for young me, how difficult it is to write! In addition, the tip of the brush is soft. Once pressed, it will be a round and fat point. If you extend this point to the right, it will be a straight line that is fat and thin and constantly shaking. Is this level? How ugly was I when I wrote it? On the other hand, the teacher is slender and tall, and is really a silver hook. Compared with the two, there are worlds apart. When I was a child, I was at a loss with a thick pen. One horizontal and two horizontal are so ugly. At this time, Mr. Wang came over and took my hand to teach me to write, let me feel the action and process of writing, and told me not to worry, take your time. But then I wrote a few in succession, and it was still the same, so I was too lazy to write. I was bored, so I started body painting with a brush dipped in ink. It is fun to scribble on your hands and clothes with a brush. Soon, the palms and backs of both hands were black. Before the ink was dry, I recorded 18 dragon paws, and two handprints immediately appeared on the paper. "What calligraphy is more fun to write, or ink?" That's what I was thinking. After a class, there is ink on my face, hands and clothes. I am a calligraphy student and I smell "calligraphy" all over.