Traditional Culture Encyclopedia - Traditional stories - Appreciation of Chen Zifen Narcissus Paintings
Appreciation of Chen Zifen Narcissus Paintings
This painting of daffodils is a masterpiece of its maturity. The brushwork in the painting is skillful and steady, refreshing and free and easy. The subtle changes in details make the work look comfortable, elegant and leisurely. The same is the outline of the line, the pedicel is tall and hard, but the petals are moist and light. His creative feature is to smudge the lines behind the tick marks with light ink, which makes the flowers more three-dimensional. This work is more elegant and chic after being smudged with light ink.
Yu Jianhua once commented on Chen Zifen's sketches of flowers. He said: "His lines are neither Gu Kaizhi's nor Li Longmian's, but they are unique with Gu Kaizhi and Li Longmian, making them the so-called flower of Chen Zifen's sketch." Since the late Qing Dynasty, epigraphy has sprung up, and many painters have integrated the brushwork of epigraphy calligraphy into freehand brushwork. Like Zhao, Wu Changshuo, Qi Baishi and Pan Tianshou, they all lead their own way. Chen Zifen's sudden creation is unique, combining the brushwork of stone with meticulous line drawing, which can be described as "I am striving for perfection in difficulties".
In this picture, a thin, leaky, wrinkled and transparent Taihu stone is outlined with thick ink and then rubbed with light ink. The tall and straight figure is simple and steady, which contrasts with the clear daffodils. There are two lines of inscriptions on the top of the painting: "Chen Zifen and Song people sketch flowers." This sentence can be the best interpretation of "inheriting tradition and going deep into life".
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