Knowledge points of noun interpretation in introduction to literature

1. Literary consumption refers to an activity that people own, use, read or appreciate literary products in order to meet their spiritual needs in culture, aesthetics and entertainment.

2. Aesthetic psychological structure: refers to a relatively stable psychological schema composed of the literary knowledge of the original, aesthetic taste and the works read by the receiver.

3. Literary criticism is a literary activity that studies and evaluates various literary phenomena centered on literary works by using certain theories and methods on the basis of literary acceptance.

4. Literary communication: This is also a link in the whole process of literary activities. Literary communication is the direct or indirect communication of literary information, thoughts and emotions through language or nonverbal symbols.

5. Acceptance mentality: refers to the basic psychological state of literary recipients consciously or unconsciously before and after reading.

6. Expectation horizon: This is a concept about the process of literary reception, which was first put forward by Hans Robert Jauss, the founder of German reception aesthetics. It refers to the recipient's pre-estimation and expectation of the recipient before entering the acceptance process, and it is the expression of readers' appreciation level and acceptance requirements for literary works formed in specific reading.

7. Prepare emotions: It was first put forward by the Polish aesthetician Ingarden. The preparatory emotion is the intermediate link between the receiver's realistic concern and literary acceptance, and it is a special emotion generated by the reader's stimulation of the basic characteristics of the work.

8. Assimilation of aesthetic psychological structure: This is one of the two main ways in which aesthetic psychological structure reacts to works, generally the first way. Assimilation means that in the process of acceptance, the receiver always integrates specific literary works into his pre-existing aesthetic psychological structure. When the information and structure of the work are consistent, the aesthetic psychological structure is strengthened and consolidated.

9. Adaptation of aesthetic psychological structure: It means that in the process of acceptance, the aesthetic psychological structure of the recipient is seriously inconsistent with the new factors in the specific literary works. This structure cannot assimilate the works, and it can only adapt to the new situation of the works through self-transformation, and the works can change and update the original aesthetic psychological structure.

10. The summoning structure of this work was first proposed by German aesthetician Ezelle. It refers to the fact that the literary works themselves contain uncertainties and blank points, which need to be concretized by the recipients.

1 1, concretization of works: it refers to the process that the receiver completes the works and realizes the creativity of the works in reading.

12. Aesthetic effect: refers to a series of direct or indirect psychological effects and final results produced by the receiver in the climax stage or realization stage of aesthetic experience.

13, soul * * * Ming: It refers to the emotional communication between the recipients and the writers or characters in the works in the process of literary acceptance, and also refers to the almost same excitement and exciting aesthetic experience produced by different recipients when reading the same work.

14. Cultural identity: refers to the same or similar evaluation of a certain cultural value between the author and the receiver, and between the receiver and the receiver.

15. Social communication of literature: refers to the process of forming or spreading universal social values through literary acceptance.

16, classicism: 17 century started in France and spread for 200 years. It is named "classicism" because it takes ancient Greece and Rome as examples in creative practice and theory. Classicism reached its peak in French drama creation in the17th century, with comedians Gao Naiyi, Racine, Moliere and theorist boileau as its representatives. Classicism is the first systematic literary theoretical basis in the history of literature, which advocates rationality in literary works such as drama and overwhelms emotion with rationality. It respects the literary traditions of ancient Greece and Rome. Most of Gao Naiyi's tragedies are based on the history of ancient Rome, while the plots of Racine's andromache and Faidel are all derived from ancient Greek mythology. It strives for perfection in form, rigorous structure, clear language and elegant taste. Later classicism was severely criticized by romanticism because of its rigid form, typification and conceptualization of characters, and lost its dominant position and was defeated.

17, witchcraft theory: It is believed that all the creative activities of primitive people contain the meaning of witchcraft, which is the direct expression of primitive witchcraft, because the improvement of witchcraft thinking law has contributed to the birth of art.

18. Novel: It is a fictional literary genre that mainly depicts characters, tells stories and describes social life environment.

19, representative theories: It is the oldest theory of art origin. It is believed that the fundamental difference between human beings and animals is that human beings are good at imitation, art originates from human imitation instinct, and art is the product of imitating nature and social life. The representatives are the ancient Greek philosophers democritus and Aristotle. The former imitates nature and the latter imitates social life.

20. Witchcraft theory: It is believed that all the creative activities of primitive people contain the meaning of witchcraft, which is the direct expression of primitive witchcraft, because the popularization of witchcraft thinking law has contributed to the birth of art, and the representative figures are British cultural anthropologists Taiqin and Fraser.