Traditional Culture Encyclopedia - Traditional stories - With suzhou peach blossom dock new year painting is known as the southern peach and northern willow tianjin what new year painting!
With suzhou peach blossom dock new year painting is known as the southern peach and northern willow tianjin what new year painting!
With Suzhou Taohuayu New Year Painting, it is the Yangliuqing New Year Painting of Tianjin, which is known as the Southern Peach and Northern Willow.
Yangliuqing New Year Paintings, known as Yangliuqing Wooden Plate New Year Paintings, are woodblock prints and drawings, and are famous Chinese folk woodblock prints, and are known as "Southern Peach and Northern Willow" together with Suzhou Taohuayu New Year Paintings.
Yangliuqing woodblock prints were produced during the Chongzhen period of the Ming Dynasty, inheriting the tradition of Song and Yuan paintings, absorbing the forms of woodblock prints, arts and crafts, and theatrical stages of the Ming Dynasty, and adopting a combination of woodblock overprinting and hand-painting to create a distinctive style that is vivid, joyful, auspicious, and rich in touching themes.
Yangliuqing woodblock prints were approved by the State Council to be included in the list of the first batch of national intangible cultural heritage on May 20th, 2006, and were also included in the list of national intangible cultural heritage. The first batch of national intangible cultural heritage list was approved by the State Council on May 20, 2006.
Yangliuqing Nianhua products are sold in the north, northeast, Inner Mongolia and Xinjiang. It also has a certain influence on Hebei Wuqiang Nianhua, Dongfengtai Nianhua, and Nianhua in Weixian and Gaomi in Shandong Province and Fengxiang in Shaanxi Province.
Origin: Yangliuqing New Year's Paintings were created at the end of the Yuan and the beginning of the Ming Dynasty, when a folk artist who was good at carving took refuge in the town of Yangliuqing, and carved some door gods and Zao Wang betrayals on New Year's festivals, and people in the town competed to imitate them. During the Yongle period of the Ming Dynasty, the Grand Canal was reopened, and delicate paper and watercolors from the south were transported to Yangliuqing, which led to the great development of the art of painting here.
Breeding period: The earliest known painting stores of Yangliuqing New Year Paintings were Dai Lianzeng and Qi Jianlong, who were probably both painters at first and used their names in place of store names. Dai Lianzeng painting store's history can be traced back to the Ming Dynasty Chongzhen years, later, Dai, Qi and the two families are divided into many paintings store, the important ones for "Lotus Zeng, beautiful, Lotus Zeng Li; Jianlong, Huilong, Jian Huilong".
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