Appreciate Yue Fei's Man Jiang Hong. The feeling of climbing the Yellow Crane Tower ". Thank you very much More details

Appreciation of Feeling of Climbing the Yellow Crane Tower \ Appreciation of Zhang Jianwen's poems is a necessary question in the Chinese examination paper of college entrance examination every year. In the past, the topic was multiple-choice questions, but now it is generally short-answer questions with fixed questions. For example, what kind of scenes are depicted and what kind of feelings are expressed; Or what rhetorical devices are used, and what are the benefits; Or which word is used properly, how to convey the spirit and so on. The requirements for answering questions are also relatively standardized. You don't need much thinking and pen and ink to get full marks, unless the question design is inaccurate, it will make candidates misunderstand. However, it is really puzzling that every senior three teacher always talks about poetry appreciation, and students study hard, but in the end they don't get a few points. If you think about it carefully, the problem probably lies in the traditional culture that tells poetry on the basis of poetry, not in the depths of poetry, and does not really understand the true spirit of traditional poetry. This paper attempts to analyze Yue Fei's My Feelings of Climbing the Yellow Crane Tower by excavating the culture and spirit behind poetry, hoping to help senior three teachers and students who are worried about poetry appreciation. 1. Who will attend? "In this ancient country, it is late autumn and the weather is still early." Climbing to the top and looking far is the traditional theme of China's classical literature, especially classical poetry, which has been repeatedly recited and described by scholars of past dynasties for thousands of years. It can be said that there is a tendency of "complex" in the emotion and creation of literati to some extent. The theme of this kind of climbing works is not simply to write scenery and sing harmony, but often reflects the author's extensive and profound thinking on society and life with the help of the relationship between nature and himself, intentionally or unintentionally. In other words, poems with the theme of mountain climbing often express feelings by borrowing scenery and supporting things, which contains a heavy theme of "mountain climbing". Or wandering homesick, or thinking of women, or lamenting the heroic men, or not meeting literati, however, sadness and sadness are the common characteristics of the theme of this kind of works. However, how did the ancient tradition of climbing high and looking far come into being? Mr. Wei, a famous scholar, said: "Influenced by the return of Taoism to natural philosophy, writers like to take nature as the theme." "Reading thousands of books and Walking Wan Li Road" is the life ideal of the ancients and the only way to the peak of life. Ancient people were often poor when reading. However, due to the inconvenient transportation, it is very difficult to observe the life of heaven and earth people on Wan Li Road. The best solution is to climb the mountain. Therefore, the ancients were most keen on building pavilions for literati to appreciate nature and experience the realm of harmony between man and nature. At the same time, Confucianism believes that "climbing high and looking far, with extraordinary talents" is one of the talents that doctors must possess. "If you don't sing, you can recite fu, and if you climb high, you can be a doctor" (Han Art Literature), and "A gentleman must be endowed if he climbs high" (Han Shi, Volume 7). The Confucian concept of "joining the WTO" to help the world has never been delayed slightly. A large part of the poems about mountain climbing are exactly what the literati want to express, that is, talent is not obtained, ambition is hard to pay, and there is no way to serve the country. Under the influence of these thoughts of returning to nature, attaching importance to temperament and joining the WTO, it is easier to understand the emergence of literary works with the theme of "climbing mountains", to integrate feelings with scenery and express their heartfelt feelings. Yue Fei and Xin Qiji are both hawks, and their poems are full of generous and tragic spirit. Xin Qiji is the peak of the uninhibited school, and Yue Fei is also the representative of the uninhibited school. Although Su Shi is the founder of the uninhibited school, as a scholar, no matter how uninhibited he is, he always seems a little lacking in confidence. Although they are both military commanders, Xin Qiji and Yue Fei are both influenced by good poetic culture, so Xin Qiji's image can be described as "dry all over with guns", while Yue Fei's image is "hungry for meat, laughing and thirsty for Hun blood". In these two representative poets of the bold school, "climbing the mountain" often becomes a display platform for intellectuals' conscience and sense of responsibility. Expressing the generosity of one's family life experience and worrying about the world is an important ideological content of mountaineering works. Ancient intellectuals whose home country was broken, their talents were not satisfied, and their ambitions were difficult to realize, often expressed their worries by shouting at heights. "Looking at the Central Plains from a distance, there are many battlements in the wild", with a broad vision, but there is a sense of uncertainty; The panorama of the Central Plains only gives people an unattainable regret and hatred for those who caused it. Ascending to the distance is not only a visual sense of space, but also a time extension based on this distant space. Therefore, after "looking far", it must be an unreachable thought. "Looking back on the past, Xiao Qiao got married for the first time" (Su Shi's Niannujiao Chibi Nostalgia), "Looking back on that year, Jin Ge was an iron horse and swallowed Wan Li like a tiger" (Xin Qiji's Unfortunate Music, Long live the pearl in the front of the mountain, singing in Penghu Temple), and the imagined glory is in stark contrast to the present decline scene. "Up to now, fighters have filled the suburbs (around the capital) with dust and evil. "Although the poet did not express his feelings directly, it implied his disappointment with reality, the anger of people who caused this reality, and his ambition to restore his former glory. This is the advantage of comparing this writing technique, that is, you can't express your feelings without expressing your will, and everything the author wants to express is as clear as the sky. At the same time, uptown also implies several questions: the territory has fallen, where are the soldiers defending the country? What is the life of ordinary people? " Is the soldier there? This is a good job. Min' an is here? Fill in the blanks. "Xiaque is the answer to Shangque. Paste is a verb here. Oil the blade to prevent rust. Explain that soldiers are always ready to go to the front to recover lost ground (of course, not all soldiers are like this, here are only soldiers of Yue Jiajun and the main battle generals); " Filling the gully "is a euphemism for death. How many lives does it take to fill the gully?"! On the one hand, soldiers waiting for the battlefield are rubbing rusty weapons, on the other hand, the lives of ordinary people are not protected. How did this strange phenomenon come into being? Perhaps there is another question in the poet's heart, but it is something that the poet dare not ask or answer, and that is, "Are you safe? "Just for fun!" . Warm wind makes you drunk and makes Hangzhou Bianzhou. No matter how elite Yue Jiajun can be. I can only watch the people fill in the blanks. The resentment and helplessness in Yue Fei's chest can only flood into Yueyang Tower. Second, the poetry of The Yellow Crane Tower

Yellow Crane Tower, Yueyang Tower in Hunan and Wangtengting Pavilion in Jiangxi are also called "Three Famous Buildings in the South of the Yangtze River". The Yellow Crane Tower was built in the Three Kingdoms period. Legend has it that it was built for military purposes. Sun Quan takes "ruling the country by force and prospering the world" as the purpose of building a city and building a building with a vision. I don't know if Yue Fei thought of this allusion on the Yellow Crane Tower, but Sun Quan's original intention is very consistent with Yue Fei's purpose of climbing the tower. However, the reason why Yellow Crane Tower is famous is related to its magical name and legend, and it is also the basis for poets in past dynasties to sing. We know the Yellow Crane Tower because of Li Bai's Farewell to Meng Haoran on the way to Yangzhou. "The old friend resigned from the West Yellow Crane Tower, and the fireworks went down to Yangzhou in March." However, it is Cui Hao's poem "A long time ago, the Yellow Crane carried saints to heaven, and now only the Yellow Crane Tower is left" that introduced the legend of the Yellow Crane Tower into poetry and made it famous all over the world. There are three legends about the name of the Yellow Crane Tower: First, there was a restaurant on Snake Mountain in Wuchang in ancient times, and its owner was Xin, who was generous. One day, a Taoist priest came to drink, but boss Xin didn't charge him for the drink. In order to thank Mr. Xin for his thousand riding drinks, the Taoist priest drew a crane on the wall with orange peel when he left. Who knows if this crane will dance to persuade wine when it comes? Since then, the hotel business has flourished, and Boss Xin has made a fortune. Ten years later, the Taoist priest came back and played a flute. I saw white clouds floating in the air, cranes dancing with them, and Taoist priests riding away. To commemorate this event, Boss Xin broke ground on Snake Mountain and built a tall building named Yellow Crane Tower. Second, a man named Wei Fei cultivated immortals in the Yellow Crane Mountain, and then ascended to heaven by the Yellow Crane. Later, in memory of Wei Fei, people built a Yellow Crane Tower on the Yellow Crane Mountain. Third, it is said that Lv Dongbin of the Eight Immortals asked Master Lu Ban to repair it. After Master Lu Ban repaired the building, Lv Dongbin went upstairs to watch. When he climbed to the top floor, he only saw a wooden crane left by Lu Ban. The wooden crane is covered with yellow feathers and is looking at him with a pair of big black eyes. Lv Dongbin was very happy. He touched the railing on the mold floor for a while, looked at the river downstairs for a while, took out a flute and played a song against the rolling river. While playing the flute, he looked at the wooden cranes dancing to the music! He rode on the wooden crane. When the wooden crane stood upright, he jumped up, rushed out of the building, flew three times around the tall building and roared into the white clouds. Later, people gave the building a name, called Yellow Crane Tower. Among the three legends, the first one has the most China characteristics and is full of moral preaching. It is nothing more than persuading people to be kind and comforting people who are kind but not necessarily better off. Such a legend can be seen everywhere, and it is not the patent of the Yellow Crane Tower. However, the imagination of the yellow crane dance is still somewhat poetic. The third legend is the most imaginative and poetic, but the traces fabricated by modern people are obvious. The second story is just an ordinary story of cultivating immortals, which has little to do with the name of the Yellow Crane Tower. Throughout the three legends, the name of the Yellow Crane Tower is closely related to the story of Taoist cultivation into immortality, which is ethereal and illusory and full of the flavor of birth. This ethereal feeling was described by Cui Hao as "A long time ago, the Yellow Crane carried saints to heaven, and now there is nothing but the Yellow Crane Tower. The poem "Yellow crane will never come again, white clouds will fly forever" was written, and even the poet Li Bai had to give up his pen and sigh. When did you ask Sharp Brigade to cross the Qinghe River with a whip? "Even if you are ambitious, you can't stand the repeated consumption of the Southern Song Dynasty, and you can't help but have the idea of' returning, continuing to visit Hanyang and riding a yellow crane'. Ancient literati always wandered back and forth between Confucianism's entry into the WTO and Taoism's birth. After joining the WTO, they left with passion, full of knowledge and the ideal of governing the country and calming the world. " Go out laughing, my generation is Artemisia! " ; Born with infinite blue lotus leaves, different red lotus flowers reflecting sunlight, fragrant moonlight hanging flowers, mountain birds awakened by moonlight in a spring stream, dreams of becoming immortals, and sleepwalking in three overseas mountains, all these beautiful ideas tempt literati, hoping that one day they can take off their clothes and return to the fields to enjoy this idyllic beauty and a pleasant fairy trip. Due to the problems of system design, traditional taxi drivers can't stretch their ambitions and always want to retire when they are frustrated. But Confucian education is so deep into their souls that even if they retire, they are not at ease. The lost land has not been collected, and the ambition of governing the country and leveling the world has not been realized. Yue Fei cannot retreat to Xianyou; However, despite our ambition to serve our country and go to the enemy, we can only relax on the Yellow Crane Tower to express some anger and waste our lives. In the back-and-forth hesitation, they were next to the path of official career promotion of villains like Qin Gui, so their black hands slowly extended to Yue Fei until they were executed on trumped-up charges, regretting that they had not "lifted the sky" as soon as possible. Attachment: The Yellow Crane Tower is all over the river, and it feels like Yue Fei is looking at the Central Plains, and there are many battlements outside the wilderness. Back in those days, flowers were everywhere, protecting Fengtai and Long Ting. Long live the Pearl in front of the mountain, and Penghu Temple is full of songs. Up to now, fighter planes are all over the suburbs and dusty. Bing An is here? This is a good job. Min' an is here? Fill the ravine. Sighing that mountains and rivers are the same, thousands of villages are sparse. When you ask for a sharp brigade, cross the Qinghe River with a whip. But to return, and then continue to travel in Hanyang, riding a yellow crane.