How did the painter Fu Baoshi get his name?

Fu Baoshi: (1904-1965) Jiangxi Xinyu (now Jiangxi Xinyu), early years of study in Japan, studying oriental art history. As a result of a long period of real mountains and real water, the painting is profound, novel chapter, make good use of thick ink, rendering and other methods, water, ink, color fusion of one, to achieve the effect of weng yu drenching, majestic effect. On the basis of traditional techniques, he introduced new and unique styles, which played a role in the post-liberation landscape painting. His figure paintings are characterized by strong lines, which are y evocative. Before liberation, he was a professor of art at the National Central University. After the liberation, he became a professor of the Fine Arts Department of Nanjing Normal College, vice-chairman of the Chinese Art Association, and president of the National Painting Institute of Jiangsu Province. He has published Studies on the History of Ancient Chinese Landscape Painting, Techniques of Chinese Landscape Figures, Theory of Chinese Painting, Annals of Shitao Shanren, Collection of Romanian Sketches, Collection of Czechoslovakian Sketches, Collection of Northeastern Sketches, Collection of Zhejiang Sketches, etc. He is also a master of seal engraving. He is also a master of seal carving, and has a "Seal Record" in circulation. His masterpieces include So Many Joys of the River and Mountains (in collaboration with Guan Shanyue), Lanting, Lillian's Journey, Nine Songs of Lady Xiang, Spring in the South of the Yangtze River, and Painting the River and Mountains in Detail. He died in Nanjing in 1965 at the age of 62.

Fu Baoshi was born in 1904. His original name was Ruilin, and his name was Master Baoshi Zhai. Fu Baoshi advocated innovation in art, and his artistic creations were most accomplished in landscape painting. His figure painting was influenced by Gu Kaizhi and Chen Laolian, but he was able to transform and utilize them to create his own style. Most of his figures are based on ancient literary masterpieces, and his brushwork is refined, emphasizing on chiaroscuro, which achieves a mesmerizing effect. The figures seek God by form, and deliberately express the inner temperament of the characters, although they are disheveled and roughly dressed, they are reserved and quiet. The lines of Mr. Fu Baoshi's figure paintings are extremely condensed, and he emphasizes the changes of speed, pressure and area in his outlines, which is different from the traditional painting method of following the sketchbook. He also integrated the techniques of landscape painting into his figure paintings, changing the style of figure painting since the Qing Dynasty and showing a unique personality.

Fu Baoshi (1904--1965): formerly known as Changsheng and Ruilin, was a native of Xinyu, Jiangxi Province. Fu Baoshi (1904--1965): formerly known as Changsheng and Ruilin, he was a native of Xinyu, Jiangxi Province, and was apprenticed to a porcelain store at the age of eleven, where he learned calligraphy, seal cutting, and painting on his own; he wrote in 1925, and graduated from the Art Department of Provincial Teachers' Training College No. 1 in 1926, where he stayed on as a teacher; he also wrote in 1929, and went to Japan to study with the help of Xu Beihong in 1933, and had a solo exhibition in Tokyo in 1934. In 1935, he returned to China and taught at the Central University of China. During the War of Resistance Against Japanese Aggression, he settled in Chongqing, where he continued to teach at the Central University. 1946, he moved to Nanjing, where he became a professor in the Fine Arts Department of the Nanjing Teachers' Training College in 1952, and the president of the Jiangsu Provincial Academy of Chinese Painting in 1957. He specialized in landscapes and figures, and in his early years, he studied the ancients, especially admiring Shitao. In Japan during the study of Japanese painting, in the inheritance of tradition at the same time, the integration of Japanese painting techniques, inspired by the majestic landscape weather in Shu, artistic change, to leather paper broken brush painting landscape, creating a unique chapped ----- hugging chapped stone. Style unique, created a new style of modern Jinling School of painting, also excels in calligraphy, seal carving, is a generation of masters of art.