The Inheritance Significance of Tibetan Folk Songs

Tibetan folk songs can be described as vast and colorful, with their own characteristics and styles. The Tibetan people have a long history, including extremely rich folk music and beautiful and moving folk dances. "Song and Dance" and "Song and Dance" are a unique folk song and dance art form for Tibetan people to entertain themselves. Whether after work, festivals, parties, or after harvest, as long as there is a small clearing, or on the grass dam, or in the garden, or on the threshing floor, scenes of men, women and children singing and dancing can be seen everywhere to express their feelings for nature, their yearning for a better life and their pursuit of love. It is really a veritable "ocean of songs" and "world of dance".

With the continuous infiltration of social progress and modernization, the younger generation is unwilling to accept and learn these original folk arts, which leads to the crisis of extinction of Gannan folk songs.

Since 2005, the cultural department of Gannan Prefecture has taken actions to actively seek and collect information on Tibetan folk songs. National is the world, and Tibetan folk songs are not only our pride, but also the pride of the world. Today, with the rise of all kinds of music art, it is still a wonderful flower in art, which has stood the test of time with eternal classics and developed together with it. Because behind it, there are a group of conscientious artists who regard it as a part of their lives and fight for it.

It is worth mentioning that among the Tibetan folk music and vocals widely circulated at home and abroad, a considerable number of tunes were originally initiated by folk artists in Maqu County, Gannan Prefecture and spread to the vast Tibetan areas. Later, it was excavated, sorted, processed and systematically spread to various places by professionals in Maqu, and was warmly welcomed by people of all ethnic groups. According to statistics, Gannan collected, sorted out and created more than 50 playing and singing songs, and recorded more than 20 playing and singing tapes with different styles, which were widely circulated inside and outside the state. Since the reform and opening-up, the Moral Buddhist Temple Band of Labrang Temple, known as the inheritor of orthodox music in southern Jiangxi, has boldly stepped out of the temple, stepped into the society and went abroad, and visited parts of North America and Southeast Asia, such as the United States, Taiwan Province Province, Hong Kong and Macao, which was widely welcomed and highly praised.