Spring Village Wang Bo Ancient Poem with Pinyin Read Aloud

Spring Village Wang Bo Ancient Poem with Pinyin Read Aloud as follows:

Ancient Poem "Spring Village".

Date:Tang.

Author: Wang Bo.

Mountain (hān) in (zhōng) orchid (lán) leaf (yè) path (jìng),

City (chéng) outside (wài) Li (lǐ) peach (táo) garden (yuán).

Is it not (qǐ) to know (zhī) that human (rén) affairs (shì) are quiet (jìng),

Not (bù) to realize (jué) that the sound of the bird (niǎo) is (shēng) noisy (xuān).

Translation Notes:

There is a path in the mountains with orchids growing along the sides, and gardens full of peaches and plums outside the city. Far away from the mundane world it is quiet, and even the chirping of birds is not the least bit noisy.

How do I know: where do I know.

Author Introduction:

Wang Bo (ca. 650--676) was a poet of the Tang Dynasty. Han nationality, the word Zian. He was a native of Longmen, Jiangzhou (present-day Hejin, Shanxi). Wang Bo, together with Yang Jiong, Lu Zhaolin, and Luo Binwang, was known as the "Four Great Poets of the Early Tang Dynasty", of which Wang Bo was the first of the Four Great Poets of the Early Tang Dynasty.

Wang Bo was smart and studious, and at the age of six, he was praised as a "child prodigy" for his fluent writing. When he was nine years old, he read Yan Shigu's "Notes on the Book of Han" and made ten volumes of "The Flaw" to correct his mistakes. At the age of sixteen, Yu Su passed the examination and was awarded the title of Chaoshan Lang and Pei Wang (Li Xian) House Literature. He wrote "Cockfighting Diatribe" and was exempted from the government. He traveled around the mountains and rivers of Bashu and composed a lot of poems.

After returning to Chang'an, he was authorized to be a senator of Guozhou, and was deported for the second time for killing an official slave. In August of the third year of the reign of Shangyuan (676), when Wang Bo returned from visiting his father in Jiaotong, he crossed the sea and drowned, and died of palpitation.

Wang Bo was good at five rhymes and five poems, and was against the style of beautiful and extravagant writing, advocating the expression of strong emotions and great momentum. He was best known for his Preface to the Tengwang Pavilion.