Liu Lijun's elegant ink paintings are so beautiful.

China ink landscape is the essence of traditional culture. However, many vulgar pens do not conform to the essence of China culture. Usually, it is a mass of ink painting, muddleheaded, without the elegance of ink painting, which runs counter to the quality of China culture. It is a pity for the operation of ink landscape.

Painters don't understand Chinese studies and have no human feelings. Don't manipulate ink painting to draw landscapes. To restore the quintessence of China's ink and wash landscapes, we should, like Liu Lijun, be well versed in Chinese studies and have cultural wisdom, and fully understand the artistic conception of China's ink and wash landscapes to make them pleasing and fascinating.

Therefore, the elegance and agility of Liu Lijun ink landscape is based on China culture. There are few painters in today's painting world like Liu Lijun, who first achieved Chinese studies and then became a real ink painter.

When you meet the quintessence of China ink painting in Liu Lijun, you can't stop being intoxicated!

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Only after reading the misty rain map of Huashan Mountain can we know what literati landscape is. Common brush painting Huashan, to draw absolutely, to draw risks, to draw potential, rigid, rare fine. Liu Lijun painted Huashan misty rain, hidden danger, dense pen and ink, looking at beauty through gauze, thinking of beauty is beautiful. He wrote the beauty of Huashan with a few strokes of the literati's implication and generosity. It is true that literati's pen and ink can hold the soul. However, not everyone can acquire the soul-holding skills. Only Liu Lijun, who has the literati spirit and literary background, can successfully grasp the soul.

If implicature is Liu Lijun's skill of artificial environment, then elegance is Liu Lijun's refreshing skill of ink and wash landscape. Water is clear, but ink is turbid, so it is difficult to integrate elegant artistic conception with ink painting. Many painters, because they can't reconcile the Tai Chi relationship between clear water and turbid water, can't unify ink and wash, and the result is turbid water, which really hurts elegance.

Liu Lijun has feelings for water and magical power for ink, so he painted a picture of a secluded stream, in which ink and ink blend together, and the magic machine reaches the sky. Ink is not light, ink is not turbid, dry ink can moisten and dye, and wet ink leaves a margin. This is really an elegant pleasure, keeping the ink on the road and spotless.

When you read You, Xi Qing and Yi Tu, what you see is ink and wash, and what you get is heart music. The so-called style is the elegant ink and wash, and sure enough. The other "Green Willow Red Sail" is a light red sail, although the title is "Red". Although it is called "green", it is rare to see green surging. Red and green are hidden in ink, and ink can replace red and green, which is still a great achievement of Yamo, elegant and moving. It is also an artistic creation with pure heart and elegant painting. If there is no extraordinary literati thinking, there is no way to obtain this artistic conception.

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Don't think that Liu Lijun's ink landscape is light and elegant. Maybe someone will ask: Do Jiao Mo's paintings dare to be elegant?

Sure, I dare. Why not?

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Liu Lijun never rejected Jiao Mo painting mountains and rivers, and he dared to use a lot of pen and ink. For example, Xuefeng Temple, Shiru, hidden springs in the mountains, after the rain and so on. They are all watered by Jiao Mo. The peaks can dye Jiao Mo, trees and sometimes water can dye Jiao Mo. What's your impression of Jiao Mo's landscape? Without that magical power, I'm afraid I would have been silent. Jiao Mo is most afraid of killing vitality and hurting the breath when he enters the painting, so he generally avoids it. Liu Lijun Jiao Mo dyed the landscape, which not only has vitality and breath, but also endows the landscape with a magnificent core, which has the ability to build bones and create ideas, and greatly exerts Jiao Mo's advantages in landscape creation.

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