Reflections on College Students' Visiting Museums (Three Articles)

Last Friday, we visited the museum.

In the museum, we saw many ancient words and pictures, such as: the toad stone naturally formed in Zichuan, the majestic Maanshan ... On the first floor, we saw some pottery and some pictures about the future, among which I was most impressed by the "man" synthesized by robots and people, which painted a man: half a machine and half a human body, and wrote some introductions about this picture.

On the second floor, I learned that there are many places of interest in my hometown, such as Zhaoyang Cave in Ezhuang and Pu Songling's former residence in Hongshan ... On the second floor, there are many ancient weapons and some white silver coins and ancient coins ... Among them, I like the weapons used in ancient times best, such as knives, guns, swords and halberds. ...

The third floor is the most interesting place. There are many computers there, and there are some: Luban wooden ball, guessing the zodiac, measuring electricity, magnetic table tennis, bowling, energy-saving lamps, fusion mirrors ... very fun. Among them, Luban wooden ball is my favorite. Although it was difficult to spell, I also spelled one. http://Www.CreDitSaiLing.Com

This museum is really interesting!

Visiting the museum has taught me a lot of scientific principles. For example, some games in the computer gave me some enlightenment: don't kill wild animals indiscriminately, don't cut down trees indiscriminately, don't spit everywhere ... When playing energy-saving lamps, I know we should use less electricity. When I was playing with electricity measurement, I learned that the more sweaty my palms are, the greater the possibility of discharge.

After the visit, I understand a truth: be brave in exploration, be brave in practice, concentrate on one thing without half-heartedness, persevere without giving up halfway, and we will certainly realize our beautiful wishes.

Today, my father took me to the museum to visit marine life. The museum is located in the west of the city. Walking into the museum, you can see the introduction of various marine life. Among these marine creatures, I am most interested in sharks.

Shark specimens are relatively small in shape and have eyes like small white fossils. I also know that sharks have poor eyes and can hardly see. But he has a keen sense of smell.

Do you know why you can see a mirage in the desert? Let me tell you something! Because the sunlight in the desert is very strong, it will reflect and form a mirage. A mirage is like pouring water into a cup, and then putting chopsticks in the cup. From the outside to the inside, the chopsticks seem to be broken. Mirage is the same as this principle.

In the crowded museum, I saw all kinds of marine life: crocodiles, sharks, tropical fish and so on, so I will introduce them to you. If you don't have time, you must visit the museum! Where can I know a lot of knowledge? Don't miss this great opportunity!

Thoughts on visiting museums II

Zhejiang Provincial Museum was founded in 1929, formerly known as "Zhejiang Lixihu Museum". It is the largest comprehensive humanities museum in Zhejiang Province, which integrates collection, exhibition and research, with a collection of cultural relics100000 pieces. Among them, pottery, lacquerware, wood, bone and ivory products of Hemudu culture, jade and silk products of Liangzhu culture; Bronzes of Yue State, celadon of Yue Kiln, Longquan Kiln and Southern Song Dynasty Official Kiln, bronze mirrors of Huiji and Huzhou; The works of Zhejiang painters and painters in Ming and Qing Dynasties are all famous cultural treasures.

Part of the former site of Zhejiang Museum is Wen Lan Pavilion, which is a famous library in the south of the Yangtze River. 1993, the reconstruction and expansion project of Zhejiang Museum was completed, and the new museum covers an area of 20,400 square meters. There are several exhibition halls in the museum, namely, Historical Relics Museum, Celadon Museum, Painting and Calligraphy Museum, Coin Museum, Craft Museum, Gift Museum, Lu Art Museum, Chang Shuhong Art Museum, Ming and Qing Furniture Museum and Boutique Museum. Pavilion architecture is a combination of single buildings and cloisters rich in Jiangnan regional characteristics, forming a unique pattern of "pavilion in the garden, garden in the museum". Pavilions and pavilions are connected by long corridors, hidden in lakes and mountains, and become a dazzling new cultural attraction in paradise Hangzhou.

The Zhejiang Provincial Museum was formerly known as the West Lake Museum, and 193 1 was renamed as the Lixihu Museum in Zhejiang. After the establishment of People's Republic of China (PRC), it was renamed as Zhejiang Museum. The museum initially set up two major business departments: history, culture and natural science. 1980, it was placed under the Cultural Relics Group of the Department of History, and Zhejiang Institute of Cultural Relics and Archaeology was established. 1984, natural science was partially separated and zhejiang museum of natural history was founded.

Zhejiang Museum is the largest comprehensive humanities museum integrating collection, display and research in Zhejiang Province. Relevant data show that the museum has more than 10,000 pieces of cultural relics 10, including 58 pieces of first-class/kloc-0. The collection includes artificially planted rice and lacquer bowls of Hemudu culture in Neolithic age; Silk and flax of Liangzhu culture; Various bronze weapons, bronze farm tools, printed pottery and primitive porcelain of Yue during the Spring and Autumn Period and the Warring States Period; A batch of specimens of various celadon kiln systems from the Eastern Han Dynasty to the Ming Dynasty; There are also a large number of ancient and modern paintings and calligraphy. Soon we finished our visit and went home.

Thoughts on visiting museums 3

Visiting Anyang Yin Ruins History Museum, I feel that Yin Ruins is the capital site of China slave society in the late Shang Dynasty, located in Xiaotun Village, northwest of Anyang City, Henan Province, with a history of more than 3,300 years. It is famous at home and abroad for its large number of unearthed Oracle Bone Inscriptions and bronzes.

The Yin Ruins Museum started construction in March 2005 and officially opened to the public on September 25th. The completion of the museum makes up for the fact that Yin Ruins have never exhibited real objects! The whole museum is divided into five exhibition halls, which show us the culture of Shang Dynasty:

1, Dayi business hall

2. Bronze Hall

3. Emerald Hall

4. Text room

5, special exhibition hall-Simu Wuding authentic display! Only two pieces of the whole museum have been restored, and the rest are authentic!

This trip to Anyang, I saw various unearthed cultural relics in the museum, which broadened my horizons. The ancient cultural heritage with a long history has left precious objects for future generations to study and visit.

After that, we were impressed and regretted it. First, the culture of Yin ruins has worldwide influence, and the exquisite cultural relics of Yin merchants have conquered collectors and art lovers from different countries. The second is to remind visitors that these Yin ruins that have been lost to foreign countries still need Chinese people to care about this exhibit. Unfortunately, they only saw the bottom, but not the cover. Anyang, standing on the ancient land of Yin Ruins, looked at those cultural relics and seemed to feel their pulse and hear their breath.

I am really proud of my motherland and such a splendid culture. Fortunately, I witnessed it with my own eyes. We gained a lot from this trip to Yin Ruins. In Yin Ruins Museum, we saw not only exquisite collections, but also historical dust, and heard not only professional explanations, but also emotional ups and downs. Designers feel history and art with a unique heart. As tourists, we hear the call of our ancestors, and the irresistible nostalgia for the past comes to our hearts, which makes people chew a lot. After all, the combination of history and art is an unparalleled surprise. At this moment, we feel very close to the mysterious age of 3,000 years ago, which is the greatest charm of Yin Ruins Museum!

On this trip, I also followed you to appreciate the great charm of Yin Ruins again and felt the history of the imperial capital 3,000 years ago with my heart.

Thoughts on Visiting Museums

After three years of reconstruction and expansion, the National Museum of China reopened with a brand-new look. On March 1 1, I was fortunate to visit here and feel the grandeur of China National Museum.

Walking into Guo Bo, you can see the stairs on the north and south sides of Tiananmen Square not far away through seven bronze doors, just like a generous arm. Listening to the commentator's introduction, the bronze doors and stairs are like an open mind, embracing the distance and welcoming tourists from all directions, symbolizing the breadth and tolerance of Guo Bo. Facing the bronze gate is a large relief "Gong Yuyi Mountain". This story is a household name, which means perseverance and perseverance in doing things. I think this is also the moral put here.

After the completion of the new Expo, the architectural features of "two axes and one area" have been formed. The "two axes" are the north-south axis formed by a 330-meter-long art gallery and the 200-meter-long east-west axis formed by connecting the west hall, the middle hall and the east hall in series. The design of "two axes" embodies the symmetrical beauty of China traditional culture. "1 Zone" refers to the exhibition area consisting of the National Expo Theatre, the Academic Lecture Hall and the Studio.

Under the guidance of the commentator, we visited the "two axes" and "one area", and then followed the commentator on the road to rejuvenation. The revised and improved basic exhibition "Road to Rejuvenation" was reopened. This is the first basic exhibition newly launched after the completion of Guo Bo's reconstruction and expansion project. More than 1280 sets of precious cultural relics and more than 870 historical photos are displayed, showing that people from all walks of life in China, who have been trapped in the abyss of semi-colonial and semi-feudal society for more than 100 years since 1840, have risen up in humiliation and suffering, and made various explorations to realize national rejuvenation, fully demonstrating why and how history and people chose Marxism, China's * * production party and. The choice of reform and opening up profoundly reveals why history and people should persist, persist and persist forever. This is the only exhibition in 170 that comprehensively shows the grand theme of the road to rejuvenation of the Chinese nation. The exhibition is divided into five parts: China has become a semi-colonial and semi-feudal society; Explore ways to save the country and survive; China * * * production party shoulders the historical responsibility of national independence and people's liberation; Building a new China; Let's go

On this "road to revival", I listened to the patient and meticulous explanation of the commentator and watched a series of precious photos, oil paintings and cultural relics exhibitions presented in front of me. Let me also learn a lesson.

In terms of architectural style and display, I also got some feelings: the combination of original buildings and new buildings, the integration of historical relics and multimedia technology in the exhibition. The reconstruction and expansion of the National Museum of China fully considered that the original building formed a specific impression in people's minds. Therefore, great attention is paid to the consistency with the original architectural style when designing the scheme. The north, west and south facades remain unchanged, and the new building extends 40 meters to the east, with two floors underground and one floor above ground. The new building is embedded in the old building, and the new and old buildings form an organic combination. It not only maintains the harmony between the reconstruction and expansion of some architectural styles and the original buildings, but also enhances the layering of the whole building. The highlight of the exhibition lies in the diversity of display means, including static exhibits such as photos, oil paintings and cultural relics, as well as the combination of multimedia semi-landscape paintings and cultural relics. What impressed me the most was the multimedia interactive scene of the Qinghai-Tibet Railway, which simulated a train in space with working cabins and seats. The TV on the wall is a dynamic grassland scene, which makes people feel as if they are on a train bound for Xi- Tibet. It not only strengthens the visual effect, enriches the display content, but also allows the audience to participate in more projects. Guo Bo's careful design makes the revised exhibition more solemn, enhances the historical sense and cultural heritage, and shows the profound charm of the grand theme of the road to rejuvenation.