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Why does the ancient Chinese style of "Luangya Mountain" imply the spirit of Romanticism?

Why does the ancient Chinese style of "Luangya Mountain" imply the spirit of Romanticism?

The focus on national traditions, the pursuit of national style is also an important feature of Romanticism, and influenced the later European nationalist thinking. The producers of "Luangya List" have a deep understanding of the essence of traditional culture, and these carefully refined elements of Chinese culture and the perfect integration of the plot, presented in front of the audience is not red tape, but the ritual culture of elegance and beauty, broad and profound, ink painting style camera art, sublimation of the national cultural pride and the state of the ritual of the imagination and yearning.

One of the most important things to remember is the fact that the whole thing is about the people who have been there for the past few years, and the people who have been there for the past few years, and the people who have been there for the past few years, and the people who have been there for the past few years, and the people who have been there for the past few years, and the people who have been there for the past few years. The funeral scene because of its own self-belonging sense of grand ceremony, often become the film and television director's favorite object of expression, keen to render its solemn, sad, luxurious atmosphere, the audience although in these scenes by a certain shock, but the thought of emotionally absent state of mind only on the grand show, always inevitably will show a red tape, extravagant craftsmanship. Luangya List" is the plot and characterization and these traditional rituals are properly integrated. There are three main scenes in the play in which the dead are worshipped. First, Xia Dong goes to the mountain to pay homage to her late husband Nie Feng, a desolate grave, bleak and dark, the silent image reveals the sadness and accusation of the abandonment of loyalty and loneliness of heroes, but also the fate of the 70,000 loyal souls of the Red Flame Army and hints at the fate of the Red Flame Army. Afterwards, Mei Changsu appeared and requested to pay homage, the sincere and simple worship ceremony is fully in line with the complex feelings and etiquette of paying homage to the former subordinates as the patriarch of the Jianghu Lake.

Second, the worship of the Empress Dowager is in the spirit of romanticism

In fact, there are two scenes, one of which is the worship of the sons and grandsons of the Emperor in the palace, the Prince and the King of Goodwill can not afford to eat hard in the ritual, making disrespectful behavior, but only the King of Jing can be restrained and abide by the etiquette. Another picture is the Su residence, can not be a real identity to participate in the ceremony of Mei Changsu, strong support for the sick body, insisted on setting up their own spirit hall for the Empress Dowager's spirit, worship rituals, showing his love and righteousness, and respect for the courtesy. In contrast, the difference in character is self-evident. Confucius said: "living on the top is not wide, for the ritual is not respect, not sad in the funeral, how can I look at it?" "Now I am in the people also, listen to their words and observe their behavior. Luangya List" drama is permeated with the Confucian cultural spirit that emphasizes the importance of "etiquette" in shaping the personality, and observing words and deeds to recognize people. In addition to the importance of "etiquette", the drama promotes the spirit of "love and righteousness", is also the essence of traditional Chinese culture. The reason for this is the fact that the producers of the movie have taken the best out of the traditional culture, and have made it possible for the producers of the movie to take the best out of the traditional culture.