How to design posters

Share five tips for the poster, are not required to have any technical basis can be done and the effect is good.

One, hide the head and show the tail

This treatment applies to the main body can be divided, through the main visual area to hide a part of the main body and then in another area to let it show up, so that the repetition is different from the simple copy can be avoided to be dull as well as awkward, of course, the biggest advantage is still relatively simple to operate.

Double subjects or even more subjects at the same time must pay attention to the balance, just imagine two subjects are in the picture to play see-saw, if one side is too heavy, you need to reduce its proportion in the picture.

If one side is too light, you can consider letting the title and other information focused on the light side.

Two, multi-dimensional combination

The two-dimensional and three-dimensional combination is not only reflected in the illustrations and photographs, but also graphics and pictures of the collection of parts, the use of realization helps to give focus to the picture, and can effectively avoid the pure graphics is too abstract or pure photographs is too common, is a very design sense of the combination of techniques.

The core of this technique is interspersed, before and after the superimposed pressure is very important, or through some small elements to create a picture of perspective, either way is to create a sense of space, if you feel that the picture is more boring without highlights, it is very likely that the sense of space on the molding of the problem.

Three, bleeding text

Often readers say to me, I will not graphic modeling how to do, my design looks very ordinary how to do, this bleeding text can be a good solution to this problem, the so-called bleeding text is to pull a text to a great let the edge of the screen to cut off a part of the text.

Particularly suitable for calligraphy or foreign language this internal structure similar to the graphic feel of the word, over the center of the first will break the rigidity, if the use of calligraphy has a more atmospheric feeling, the details are that if you use the large word bleed may wish to add a point of attribute of the small words to embellish the picture below, this is very good.

If the deformation is particularly strong enough to form a space, then you can try this picture, of course, this is more suitable for the practice of the version of the visual exploration, the actual business to do this kind of picture is likely to be unable to harmonize the visual and readability.

Four, the English handwriting

It is singled out to speak of this font because this can really solve a lot of problems, including local negative space, or part of the space of the blank, as well as the title or the picture of the dead sense, and even the subject of the visual nature of the lack of picture affinity and not enough to convey the mood of not in place, and so on, can be solved through the handwriting of the English language.

Fifth, the vertical version of the horizontal do

As the name suggests is to take the vertical version of the picture horizontally, the advantage is that the sense of form is very strong, because of breaking the routine so it will look more fresh, but the disadvantages are also not small, mainstream business is difficult to accept, affecting the reading and even affect the visual communication, because people rarely tilt their heads and look at the poster, unless your content is really attracted to him.

Doing this kind of a few points to note, the first is not all the elements to flip, the reading elements must be retained to keep good. Secondly, not all projects are suitable, if your project attaches great importance to the sense of form and customers have a certain aesthetic basis can consider using this form. The third rule remains unchanged, the layout structure thinking is still done with vertical thinking, the elements after the flip are considered graphics on it.