How to treat the inheritance and development of China traditional opera culture?

1, lay a solid foundation, lay a solid foundation and highlight its characteristics. With the support of national, provincial and local governments' multiple policies, as the inheritors of local operas, we should be brave enough to take responsibility and seize the opportunity to develop. Especially in art education, it is necessary to strengthen the training of opera professionals and train successors in a planned and step-by-step manner.

Inheriting the famous pingju, inheriting the artistic essence of all kinds of dramas and showing the characteristics of all kinds of dramas. With characteristics, it can be unique and lasting.

2. sublate inheritance and transform innovation. In the process of revitalizing local operas, it is inevitable to discuss the inheritance and development of traditional operas and the debate on the innovation of operas. Facing this problem, sublating inheritance and transforming innovation is a scientific development attitude.

The art of living is the continuous re-creation of artists in past dynasties and the result of evolution with the development of the times. Today's drama development should also take care of the contemporary development of traditional drama. However, we must be alert that development is not arbitrary, and we must maintain our roots and the characteristics of traditional Chinese opera. Showing one's own aesthetic characteristics is an important measure to judge inheritance and development.

Extended data:

1, the premise of inheritance learning is to have corresponding resources and objects. If there is no clear object and resources are not fully tapped, only inheritance is not enough and imperfect. It is necessary to actively explore some traditional plays, do a good job in sorting out the plays, save those valuable plays and excerpts that are close to the edge of history in time, and do a good job in sorting out and retaining them.

2. For example, the "sound-image matching" project of Beijing Opera in Tianjin has rescued and preserved traditional repertoires and rescued a number of traditional repertoires that have been lost or nearly lost. This kind of work can be said to be beneficial in contemporary times.

You can also carry out the oral history work of the old Peking Opera artists, and summarize and save their life experiences, understanding of Peking Opera, life experiences, theoretical knowledge, etc., and remember them as materials for future generations to learn more conveniently and widely.