Accompaniment Instrument of Jingyun Drum —— A Brief Introduction of Bai School Jingyun Drum

Jingyun Drum is one of the Han folk arts. Developed from the popular wooden drums in Cangzhou and Hejian, Hebei Province, it was formed in Beijing and Tianjin. After Hebei wooden drum was introduced into Tianjin and Beijing, it was written in Beijing's tone, absorbed some singing methods of Shi, Ma 'tou and Beijing Opera, and created a new cavity, which specialized in singing short songs, called Jingyun Drum, belonging to drum music.

Jingyun Drum is mainly popular in North China and Northeast China, including Beijing and Tianjin. It is a genre with high artistic achievements in rap music in northern China, and also occupies a very important position in rap music in China.

Jingyun Drum was formed in the late Qing Dynasty and early Republic of China, and it was popular in Beijing and Tianjin. At that time, Liu Baoquan, a drummer, changed the wooden drum originally sung in Hebei dialect to Beijing dialect, widely absorbed Beijing opera vocals and popular folk tunes in Beijing, created a new tune, and added Hu Si and pipa to the original accompaniment instrument of the wooden drum, thus forming the Jingyun drum that has been passed down to this day.

Jingyun Drum developed from wooden drums popular in Cangzhou and Hejian, Hebei Province, and was formed in Beijing and Tianjin. After Hebei wooden drum was introduced into Tianjin and Beijing, it was written in Beijing's tone, absorbed some singing methods of Shi, Ma 'tou and Beijing Opera, and created a new cavity, which specialized in singing short songs, called Jingyun Drum, belonging to drum music.

In the process of reform and development, wooden drums have been called many times: Beijing drum, Xiaokou drum, Yun drum, Civilization drum and Pingyun drum, Tianjin Weifang drum, Weifang drum and Wu Wen drum. In the thirty-fifth year of the Republic of China (1946), after the Quyi Artists Association was established in Beijing, it was officially named "Jingyun Drum".

The singer is accompanied by Sanxian, Hu Si and Pipa, with Sanxian as the main instrument. Accompaniment music can be divided into "piano music" and "singing accompaniment music", and singing accompaniment can be completed by accompaniment cavity or "basic accompaniment point" The first accompaniment melody is an extension of the same aria melody, which connects the freedom of music and sets off the aria. In addition, some techniques are used to set off the atmosphere to express the accompaniment paragraphs of specific plots, such as "Late at Night" qupai in pass the parcel Cursing Cao.