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The Perfect Combination of Tradition and Technology —— Design Appreciation of New Stuttgart Art Museum
1977, under the initiative of the whole urban planning, Hans Filbinger, Prime Minister of Baden, Wü rttemberg, secretly held the international competition of Neue Staatsgalerie, aiming at restoring the urban vitality and cultural influence of Stuttgart. The topic put forward by the competition is that the new art museum should solve the relationship with the old museum built by 1843, and at the same time solve the dramatic slope on the site. From 65438 to 0979, the jury unanimously passed the scheme of james stirling and Michael wilford from London.
In order to solve the huge urban height difference on both sides of the site, Stirling skillfully integrated the slope of the site into the outdoor pedestrian area of the building. This moving pedestrian walkway runs through the old and new art galleries, attracting people from both sides of the city to the art gallery and letting people naturally participate.
It also seamlessly connects the old classical art museum with the new modern art museum through the reaction between buildings. The giant exhibition hall of the new museum is surrounded by a circular open-air sculpture courtyard, which is the hub of the new museum in spatial organization. Although the newly-built plane layout is symmetrical and rigorous, Stirling, through the different treatment of each functional volume in form,
And introducing platforms, ramps and the like. It has created a vivid urban landscape. In the design of the indoor exhibition hall of the new museum, Sterling adopted the traditional practice of 19 World Classical Museum. The exhibition halls are strictly organized on an axis, and the triangular decoration on the door of each exhibition hall and the circular exhibition hall number all exude a strong classical atmosphere.
Generally speaking, Neue Staatsgalerie of Stirling respects the historical environment, combines abstract architectural layout principles with historical fragments of traditional buildings, unifies memorial and non-memorial, seriousness and liveliness, tradition and high technology, and integrates cities and buildings.
It opened up a new world in the history of German museum architecture. The Perfect Combination of Tradition and Technology —— Design Appreciation of New Stuttgart Art Museum
The Perfect Combination of Tradition and Technology —— Design Appreciation of New Stuttgart Art Museum
The Perfect Combination of Tradition and Technology —— Design Appreciation of New Stuttgart Art Museum
The Perfect Combination of Tradition and Technology —— Design Appreciation of New Stuttgart Art Museum
The Perfect Combination of Tradition and Technology —— Design Appreciation of New Stuttgart Art Museum
The Perfect Combination of Tradition and Technology —— Design Appreciation of New Stuttgart Art Museum
The Perfect Combination of Tradition and Technology —— Design Appreciation of New Stuttgart Art Museum
The Perfect Combination of Tradition and Technology —— Design Appreciation of New Stuttgart Art Museum
The Perfect Combination of Tradition and Technology —— Design Appreciation of Stuttgart Museum of New Art
The Perfect Combination of Tradition and Technology —— Design Appreciation of New Stuttgart Art Museum
The Perfect Combination of Tradition and Technology —— Design Appreciation of New Stuttgart Art Museum
The Perfect Combination of Tradition and Technology —— Design Appreciation of New Stuttgart Art Museum
The Perfect Combination of Tradition and Technology —— Design Appreciation of New Stuttgart Art Museum
The Perfect Combination of Tradition and Technology —— Design Appreciation of New Stuttgart Art Museum
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