Urgent! Zhu Ziqing's "Moonlight in a Lotus Pond" reading comprehension

Urgent! Zhu Ziqing's "Moonlight in a Lotus Pond" Reading Comprehension

The sentence uses the rhetorical technique of generalization, in which the author connects the beauty of the light and shadow he sees to the famous song playing on the Fan婀岭, which gives people visual and auditory enjoyment. Secondly, Zhu Ziqing focuses on the details in the article "Moonlight in a Lotus Pond", impressing the reader's innermost being with his delicate writing. "The moonlight in the pond is not even, but the light and the shadow have a harmonious melody, such as the famous song played on the Van Shuren." The beauty of the uneven moonlight is shown in front of the reader's eyes, making it come alive

Where is the lotus pond written in Zhu Ziqing's "Moonlight in a Lotus Pond"? Please answer

is now the Peking University Weiming Lake Oh! It is closer to the west gate of Tsinghua University. From the west gate of Tsinghua University into the campus, has been walking east about a hundred meters, the left hand side across the West Lake swimming pool is the lotus pond. It is located between the Biological Museum and the West Lake Swimming Pool. Now there are Zhu Ziqing statue, lotus pond moonlight pavilion.

Request: Zhu Ziqing "Lotus Pond Moonlight" full text interpretation

Lotus Pond Moonlight" is a landscape prose, but the author of the scene lyric, the object to express their aspirations, the same throughout his view of reality and attitude, just more euphemistic twists and turns. The author's heart can not be calm in the days of the group of demons, night air like rock. He is far away from the downtown, night swim lotus pond, feel a rare freedom. Only one person in the quiet night under the moon, he can "think of anything, nothing can not think", "must do during the day, must say words, now can be ignored". This reveals his disgust and denial of the suffocating reality of life. And the article on the beautiful and peaceful lotus pond moonlight depiction and appreciation, is not the author's longing and yearning for a better life? Of course, in the disgust and denial, longing and yearning, but also mixed with his deep bitterness, a kind of don't know how to get to the bright future, in the darkness of the wandering bitterness. But the author was not engulfed by darkness and bitterness to the point of negative decadence. He praised the lotus flower out of the mud, eulogize the moon's purity and innocence, showing that he will never follow the current, never with the dark forces of the aspirations and sentiments.

Zhu Ziqing's lotus pond moonlight synopsis of 200 words

With a faint sadness out of the house, taking advantage of the moonlight out of the distraction, along the quiet path all the way, naturally came to the day after day by the side of the lotus pond, a go to look at the lotus pond under the moon. The author with meticulous brushwork and wonderful metaphor, the shape of the lotus leaves, lotus qualifications for some fascinating portrayal of the lotus, lotus leaves, the beautiful image seems to have been shown in front of us.

And this does not seem extreme enough! And then look at the pond on the moon: the moon is light, black and white light and shadow is like a harmonious melody, the fragrance of the lotus, water *** integration, the author of such a delicate feeling is really mesmerizing!

But "the hustle and bustle is theirs, I have nothing." The author is still unable to get rid of that strand of sadness, light sadness and light joy intertwined, to the beautiful moonlight lotus pond with a hazy veil, quiet and elegant, quiet and soft, hazy and harmonious, the lotus pond and the moon into one!

Zhu Ziqing, "Moonlight in the Lotus Pond"

The lotus pond, which refers to the lotus pond in the Tsinghua Garden at Tsinghua University in Beijing, where the author teaches, indicates the specific place that the author wants to depict. The moonlight is the center of the article's depiction, and it is the harmonious and tranquil realm that the author aspires to and pursues in his mind.

Zhu Ziqing's Moonlight in a Lotus Pond How to Write Feelings

Examples of feelings are as follows:

Zhu Ziqing's Moonlight in a Lotus Pond is a kind of ultimate enjoyment of beauty. After reading this article, I seem to be led by the author to the lotus pond under the moonlight, the milky white moonlight, the distant singing, the field of lotus leaves, the lotus flowers, it is really beautiful, mesmerizing.

Moonlight in a Lotus Pond Zhu Ziqing's Emotional Transformation

Moonlight in a Lotus Pond" starts with a concise sentence, in order to get rid of the depression in his heart, so he stepped on the moonlight and went to the quiet lotus pond. "The heart is not quiet" is the whole emotional clue, it gives the lotus pond, the moonlight coloring a different general color, but also to the future of the lyric writing to create a specific condition. In the light of the moon, alone in the world of the lotus pond, feel a "free man". So wandering in the lotus pond, intoxicated by the moonlight, a beautiful painting of the lotus pond moonlight will be presented in front of the reader. The writer first bird's-eye view of the moon under the twists and turns of the lotus pond panorama, giving a person a general impression, and then hierarchically written from top to bottom, fields of lotus leaves, beautiful as the *** skirt; lotus sporadic embellishments, gestures, such as the stars glittering, like a pearl milky white; the breeze to send fragrance, leaf movement flower trembling, running water pulsating with love. In this painting, the writer is not satisfied with the objective scene for the static copy, and the combination of static and dynamic, the image conveys the lotus pond is full of vitality of the style. Then the writer focuses on the beauty of moonlight. Light is elusive, but the writer with the help of the scenery, creating a mesmerizing mood to seduce the soul. The flowing moonlight, pouring on the flowers and leaves, such as "thin green mist" and like "a dream with a light veil," both written in real, but also written in the virtual, the virtual see the real, aptly demonstrated the hazy moonlight lotus fluttering posture. In order to strengthen the effect of moonlight, the author focuses on copying the projection of the moon, such as the "mottled" bushes "black shadow", but also "the sparse shadow of the curved willow", and these "Shadow" and like "painted on the lotus leaves", where light and shadow interlaced with the trees along the shore, the pond in the lotus link, intentionally write the color of the moon, but everywhere do not forget the lotus pond, full of light and shadow of the pond harmony of the melody, delicate display of the moonlight in the lotus pond of the amazing beauty of the enchanted. Finally write the four sides of the lotus pond, ink thicker is the willow tree, write down the scene under the moon, the face of the treetops of the distant mountains, the lights in the tree slits, and the sound of cicadas and frogs are randomly dotted and colored, only to increase the anger, quiet in the sound, light and dark contrasted with the quiet of the lotus pond. The author used this boundless lotus moonlight is a moment, back to reality and immediately feel the pressure, the heart is more and more unsettled. The article was written in the end, the author thought of the ancient Jiangnan lotus scene, although not in reality, but with the help of association, so that the lotus pond picture expansion, more fresh and elegant, but also expresses the author's desire for a better, free life and the pursuit of.

Zhu Ziqing's moonlight in the lotus pond seeks a few sentences

"like the *** skirt of the pavilion", metaphor, image of the lotus leaves high out of the water posture. Like ***'s skirt, it gives the lotus leaves a dynamic beauty.

"As a grain of pearl, like the stars in the blue sky, and like the beauty of the bath" highlights the white, clean and bright lotus. From different perspectives of the lotus, "pearls", "stars", "just out of the bath of the beauty" were from the perspective of color, brilliance, feelings, etc., to seize the light, vague flickering, fresh and clean and quiet. similar points to depict the beauty of the lotus. This kind of simile is called "Bo metaphors", that is, the use of several similes from different perspectives, the use of different similarities to the same ontology for the simile.

The moon is difficult to write the scene, the author used a number of evocative verbs: (such as: "diarrhea", "floating", "wash", "painting", etc.), depicting the color of the moon. ", etc.), depicting a palpable image of moonlight.

Lagoon - both mirror the metaphor of moonlight with running water, but also write the moonlight shine, a diarrhea of the scene, so that the moonlight has a sense of movement.

Floating - writing late at night water gently rising from the bottom up, slowly spreading, diffuse, to write a static scene with a moving scene, depicting the light state of the fog.

Wash - write "leaves and flowers" in the moonlight under a milky white and brightly colored state. Cage - the expression of the moonlight leaves and flowers floating soft posture, set off the moonlight of the hazy, soft.

Painting - a "man-made" action contained in it, as if there is an invisible hand in the exhibition of paper depicting the "shadow", written in the lotus leaves cast on the true shadow of the moon, the beauty.

Moonlight in the Lotus Pond

Zhu Ziqing's mood change?

Zhu Ziqing, first quite unsettled, can be said to be in no mood, and then after seeing the moon, the mood changed. This can be seen in the following words and phrases. "What must be done in the daytime, what must be said, can now be ignored. This is the wonderful thing about being alone, I'll just enjoy this boundless lotus and moonlight." This shows that the mood has a good feeling, "Although it is a full moon, there is a layer of light clouds in the sky, so it can't be shone aloud; but I think this is exactly to the advantage - sound sleep is indispensable, and a nap is also flavorful." This shows that the mood has become better, the praise of the moon, is a manifestation of the self mood becomes better.

"The most lively at this time is the sound of cicadas in the trees and the frogs in the water; but the lively is theirs, I have nothing." This again shows that the author's mood has fallen again, and he has no such lively feeling. "You can see the light of the frolicking at that time. It was such fun, but it's a pity we're long past that now." This kind of beautiful scenery for himself, born some regret. Tonight, if there are lotus pickers, the lotus here is also considered to be "over the head"; this sentence, so that the author's mood has changed for the better. To be able to have this imagination, there must be a good mood.

Zhu Ziqing's Moonlight in a Lotus Pond is good at what?

"Moonlight in a Lotus Pond" is a familiar masterpiece, for which there is a recent interpretation by Mr. Yang Park of Jilin Normal University. This is contained in a recent article in the Literary Review, "The Psychoanalysis of <Moonlight in a Lotus Pond>".

Zhu Ziqing's masterpiece, Moonlight in a Lotus Pond, has been interpreted by the author as "far-fetched". The author argues that "the author has projected his subconscious desire for beauty and love onto the image of the lotus flower", and says that "this is what makes the car a symbol of Zhu Ziqing's subconscious desire". The article thus puts forward its own new literary interpretation: the substitution and transformation of the illusionary dream of beauty.

The author believes that Moonlight in a Lotus Pond expresses purely personal feelings, and lays out the following: "This personal feeling has nothing to do with the political background of that era; it has nothing to do with the revolutionary subject of another literary work; it has nothing to do with the expression of chastity through the imagery of the lotus flower, which is so uncontaminated by the mud. It has nothing to do with the revolutionary subject as expressed in other literary works, and nothing to do with the use of the lotus flower as a symbol of chaste sentiment. In a nutshell, "Moonlight in a Lotus Pond" is a manifestation of Zhu Ziqing's subconscious desire. In the description and interpretation of the fantasy dream, the author has unified the fantasy dream with reality. First, the distance between dream and reality is diluted through the communication between the moonlight and human beings. The author has unified the dream and the reality through the creation of the moonlight atmosphere in the darkness of the night and the sleeping dream of his wife and son. Secondly, through the description of the winding path, the integration of dream and reality is achieved and the emotional connection between them is realized. The author uses the path as a symbolic channel to integrate reality and dream. The author uses the path as a symbolic channel to integrate the reality and the dream world. Thirdly, this misplaced depiction of dream and reality is essentially to vent a repressed desire, a potential consciousness. The author has detached this latent desire from the political factors. The author analyzes it in terms of Freud's dream theory as a factor of "deep emotion".

Secondly, the author takes this dreamy wandering in the tranquil moonlight as a kind of sudden desire in the repression of reality. The first one is that the author is not a member of a group of people, but a member of a group of people who are not members of a group of people who are not members of a group of people who are not members of a group of people. This inner hidden consciousness leads to the expression of "symbol of beauty". The author cites the following: "The leaves of the lotus, the leaves of the field, the leaves of the water are very high, like the skirts of the pavilion**".

The lotus flower is, "In the middle of the layers of leaves, there are some white flowers dotted sporadically. The first thing you need to do is to get your hands on a pair of shoes or boots, and then you'll be able to get them to fit in your pocket. The scent of the lotus flower is like a breeze that sends the fragrance of the lotus flower to a distant building, as if it were the sound of a song. The fluttering of the lotus flower is like a flash of lightning when the leaves and flowers are blown by the breeze, and then they go across the pond in a flash. The lotus leaves are covered by the flowing water underneath, but the flow of the water makes the leaves even more graceful.

The author identifies this form of expression as a formalized expression of emotion. The author identifies this form of expression as a formalized expression of emotion, and uses Susan Langer's "Emotion and Form" as the basis for her argument that "art forms are audible forms transformed by emotion". And to second the fresh assertion that the lotus leaf symbolizes beauty. It is argued that Zhu Ziqing is using a hazy symbol to vent his solipsistic feelings for beauty. The interpretation is that the realization of the dream is to show the collapse of the repressed 〃love desire〃. The lotus flower is the disguise of Zhu Ziqing's subconscious.

Replacing "political repression" with "love" is a major breakthrough in Mr. Yang Park's interpretation of "Moonlight in a Lotus Pond" over the past eighty years of its circulation. The degradation of politics and the enhancement of emotion give a new connotation to this interpretation of Moonlight on a Pond. It is a new interpretation of "Moonlight in a Lotus Pond" that gives a new meaning to the dreamer's "moonlight feelings" as a subconscious symbol to satisfy the lack of emotion.

The key to this symbolic reason of "love desire" is the memory reason of "love desire". The author explains this as the problem of the displacement of the desire for love.

On this issue, the author firstly puts the lotus leaf image into the traditional Chinese culture. The author uses the traditional image of the lotus leaf to explain the meaning of Zhu Ziqing's original form. Lotus picking is essentially a cultural ritual, a wild custom and a romantic game. It is a romantic game." It is developed from the ritual of reproduction. The author also emphasizes that "in the end, lotus picking is for love, for ***". In this regard, the author uses the meaning of the Southern Dynasty folk song "Xizhou Qu", the Han Lefu folk song "Jiangnan", and the "Lotus Picking Fugue" as the basis for his argument. In this way, the author realizes the perfect integration of an almost primitive sex and love desire with the dream world. On the issue of the displacement of love and desire, Mr. Yang Park explains how "Moonlight in a Lotus Pond" retains this ancient culture. Mr. Yang Park explains that "Moonlight in a Lotus Pond" is a kind of phantom dream displacement of the image of beauty, in which sex is exchanged for love so that sex is hidden behind the symbol.

The author summarizes the beauty, the desire for love, and the dreaming of illusion in Zhu Ziqing's series of prose works. The emotional interpretation of "Moonlight on a Lotus Pond" is a brand new breakthrough, especially in which Freud's dream and sexual psychology are used to analyze Zhu Ziqing's writing in "Moonlight on a Lotus Pond". This is a kind of reflection of Zhu Ziqing's state of mind, which is compatible with the repressive atmosphere of the society at that time. However, Zhu Ziqing, as a revolutionary writer, attributed all the motives of writing "Moonlight in a Lotus Pond" to a dull *** under the emotion and love, which is biased.

I thought, if this is a political consciousness to emotional repression of the subconscious transposition, perhaps this article will have a greater capacity to think of the political bitterness and emotional instant bitterness, the formation of his writing "Moonlight on a Lotus Pond," which is the cause of the art and thought. If it is said to be purely emotional budding ornaments, in the feelings can be explained, in the reason is not smooth.

In addition, the author believes that Zhu Ziqing's repression of sexuality and love is subject to the constraints of the "moral law", and sees the river trip (the Qinhuai River in the Shadow of the Pulp and Lights) as an unsuccessful release of his emotions.

Finally, the author concludes that "the thematic idea we feel is still the deep regret of unfulfilled desires," which is both a summary of The Qinhuai River in the Shadow of the Pulp and the Light and an overview of the ideas in Moonlight in a Lotus Pond.

This method of locating emotion is necessary, but the all-encompassing affirmation of love and desire with the realistic veto of the impact of the political climate is ill-conceived. As Mr. Yang Park says in his article, "the formation of a serious misdirection to generations of secondary school students" is also a contradiction in this article.