Traditional Culture Encyclopedia - Traditional stories - What does a true picture of ancient Egyptian agriculture look like in a mural at Ai?
What does a true picture of ancient Egyptian agriculture look like in a mural at Ai?
Lord Aris's mausoleum is on a high slope west of the village - that's where the sun goes down. The mausoleum was large, and all the tomb walls were still blank. Aey picked a piece of black paint and began to paint the lord's fertile ground. Then he painted himself bending over the plow-he wished he could cultivate this land for his lord forever. In front he painted the meekest cow in the pen. The whip in Aye's hand struck it, and the muscles in its legs tightened.
An almost naked maid is serving a meal to noblewomen in their finery. The contrasts between the characters are striking, and there is a strong sense of realism.
His wife, Saya, follows, ordering seeds. Behind her is her five-year-old son with a goat, chasing away birds that have stolen the seeds. He's not playing around with a handful of mayflowers in his other hand; he's also on weeding duty.
Aye picked up a piece of yellow paint - his lordship's grain was ripe. And in his own hand was an additional wooden curved-handled scythe with a flint inlaid blade. Saya loaded the cut ears of grain into a vat ready for transportation to the threshing floor. And her youngest son was picking up the ears of grain that had fallen to the ground to make it to the threshing floor.
Not far away, a couple of serfs were driving donkeys to transport the sheaves. They dumped the ears onto the threshing floor and drove the cows and donkeys to trample on them to separate the grains from the husks. Some of the women workers carry long forks in their hands to pick out the straw, while others carry sieves made of reeds and palm leaves to remove the slightly larger stalks and weeds.
The wooden shovels of the grain raisers were flung so high that the kernels flew out and the husks were blown away by the wind. It was time for the clerk to do the rest of the weighing. It was time to draw Master Aris, who was two or three times bigger than the other serfs and the steward, grinning as he listened to the officer in charge of the storehouse reporting back: which would be saved for seed, which to be used to pay off taxes, which to be used as rations for the serfs, and which in turn would be made into bread and beer.
There is still a space on the wall of the tomb that is empty, so let's paint his lordship's vegetable patch, peas, lentils, onions, lettuce, cucumbers ......
The other chamber's wall is also planned by Aey, who is going to paint date palms, figs, grapes and pomegranates. Underneath the trees could be painted cows, sheep, pigs and geese. And, of course, Iy will paint hunting, fishing and ritual scenes.
The murals we can see now in these tombs are a true reflection of ancient Egyptian agriculture.
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