What are the ten most famous paintings in China?

Luoshen Fugu, Qingming Shanghe Tu, Dwelling in the Fuchun Mountains, Spring Dawn in the Han Palace, the Hundred Steeds, the Steps of the Emperor's carriage, the Tang Palace of the ladies, the five oxen, Han Xizai Night Banquet, thousands of miles of rivers and mountains.

1, Luoshen Fugu

Luoshen Fugu is the eastern Jin Dynasty Gu Kaizhi's painting, the original "Luoshen Fugu" volume for the color serigraphy. It is a long scroll composed of several storylines similar to comic strips but integrated, now lost.

The main survivors are four copies from the Song Dynasty, which are housed in the Forbidden City Museum in Beijing (two), the Liaoning Provincial Museum, and the Freer Gallery of Art in the United States.

The first section of the scroll, which begins at the right end, depicts Cao Zhi returning from the capital to his fiefdom at dusk with his entourage, stopping to rest as he passes by the banks of the Luo River. On the calm water surface, the graceful and affectionate Luo Shen, with her flowing clothes and dynamic calmness, comes over the waves.

On the willow bank, Cao Zhi leaned forward slightly and stretched out his hands to block the entourage. The attendants were staring blankly, while Cao Zhi's eyes were burning as he gazed at the beautiful Luo Shen on the water in front of him.

The artist skillfully used this momentary action to not only show Cao Zhi's surprise at seeing the God of Luo, but also to express his inner activity of being y attracted by the beauty of the God of Luo in an extremely vivid way.

Cao Zhi unlocked the jade pendant to express his deep love for Luo Shen, who referred to the subterranean abyss for a period of time, and Cao Zhi was afraid of being cheated and had conflicting feelings. He was afraid of being cheated, and was in a conflicted mood. So he restrained his face and kept his mind on the rituals, and the two of them were entwined in their love for each other.

The God of Luo and the gods and goddesses play, the God of the wind to collect the wind, the God of the river to smooth the water, the God of the water to sound the drum, the female snail dance, the God of Luo in the air, the mountains, the water, the hidden, the sleeves of the song and dance.

Through the lively scenes of joy and playfulness between the goddess and all the gods and immortals, it paves the way for the imminent separation of Luo Shen and Cao Zhi, and sets off the goddess's helpless and contradictory inner state.

The second paragraph depicts the scene when the goddess and human beings have to leave each other with hatred, which is the climax of the storyline. The artist vigorously depicts the formation of Luo Shen when she leaves, and the scene is grand and exciting, lively and extraordinary. The six dragons drive the cloud car, the goddess of the sea sails away in it, and whale voyages rise up from under the water to surround the car.

The six dragons, wenyu and whales are meticulously depicted, and the dynamics are vivid and exuberant. The cloud car and the clouds are made to fly in the sky, and the parting scene is lively and intoxicating.

On the shore, Cao Zhi, supported by his entourage, watched Luo Shen drift away, his eyes expressing endless sorrow and helplessness. Luo Shen kept looking back at Cao Zhi on the shore, her eyes showing reluctance and attachment. The distance between the two is getting farther and farther, setting off the pain of Cao Zhi's and Luo Shen's helpless separation, making the sadness of not being able to keep each other in the picture even stronger.

The last part depicts the departure. It shows Cao Zhi's deep remembrance and longing for Luo Shen after her departure. Cao Zhi took a light boat to catch up with the cloud car, hoping to see Luo Shen's silhouette again. However, he was unable to find any trace of the goddess of the sea, as she was separated from him.

The feelings of longing and sadness were so overwhelming that he couldn't sleep at night and waited by the Luo River until dawn, lingering in the scene. Until his entourage drove on the road, Cao Zhi still kept looking back, and finally embarked on the return journey to his fiefdom with a feeling of reluctance and helplessness.

Cao Zhi's infinite disappointment is vividly presented on the scroll, and the viewer is infected by the sincere feelings between Luo Shen and Cao Zhi.

2, Qingming Riverside

Qingming Riverside, one of the ten most famous paintings in China. For the Northern Song dynasty custom painting, the Northern Song dynasty painter Zhang Zeduan only see the survival of the best, belongs to the national treasures of cultural relics, is now hidden in the Palace Museum in Beijing.

The painting is 24.8 centimeters wide and 528.7 centimeters long, with colors on silk. The work is in the form of a long scroll, using the scattered perspective composition method, vividly recording the cityscape of Tokyo (also known as Bianjing, present-day Kaifeng, Henan Province), the capital of the Northern Song Dynasty in the twelfth century of China, and the living conditions of the people of all social strata at that time, which is a witness to the prosperity of Bianjing, the capital city of the Northern Song Dynasty, in that year, and is also a reflection of the economic conditions of the Northern Song Dynasty city.

This is unique in China and even in the history of world painting. In the five-meter-long scroll, **** painted a huge number of people of all colors, cattle, mules, donkeys and other livestock, cars, sedan chairs, large and small boats, houses, bridges, city buildings, etc. each with their own characteristics, reflecting the characteristics of Song Dynasty architecture.

It has high historical and artistic value. Although the Qingming Riverside Scene is lively, what it shows is not a prosperous cityscape, but a "dangerous picture of the prosperous world" with a sense of worry, and the officials and soldiers are lazy and heavily taxed.

3, Dwelling in the Fuchun Mountains

"Dwelling in the Fuchun Mountains" is the Yuan dynasty painter Huang Gongwang created ink on paper, one of China's top ten heirloom paintings.

"Dwelling in the Fuchun Mountains" was originally painted on six sheets of paper, six sheets of paper framed into a scroll of about 700 centimeters. Huang Gongwang did not necessarily follow the size and width of each sheet of paper to conceptualize the structure, but let his personal freedom of creation in the landscape, which can be viewed from afar.

This browsing, moving, overlapping viewpoints, or wide-angle far, or push close-up, browsing process, the visual way of viewing is extremely free and unrestrained, the angle is also very varied.

4, Han Palace Spring Dawn

"Han Palace Spring Dawn" is the Ming Dynasty painter Qiu Ying created a silk painting of ladies, now collected in the National Palace Museum in Taipei.

The Spring Dawn in the Han Palace is titled "Spring Dawn in the Han Palace", and depicts the beauty of the harem in the form of a long scroll; in the painting, there are one hundred and fifteen concubines, eunuchs, sons of the emperor, eunuchs, and painters, all of whom are dressed in bright colors and different postures, and they are both doing nothing and busy at the same time. Among them, also contains a painter Mao Yanshou for Wang Zhaojun writing the story.

In addition to the group portraits of the ladies, there are also a variety of literati leisure activities: dressing up, watering, bending branches, arranging flowers, feeding, singing, dancing, playing and singing, gathering around the stove, playing chess, reading, fighting with the grass, looking in the mirror, watching paintings, images, playing with babies, delivering food, waving fans, etc. The five ladies, all dressed in bright clothes and with different attitudes, have nothing to do and are busy.

5, the Hundred Steers

The Hundred Steers is a painting created by the Italian-born Qing dynasty court painter Lang Shining, one of the ten most famous heirloom paintings in China. The manuscript of this picture is on paper, and the original works are collected in the Metropolitan Museum of Art, New York, USA (paper manuscript) and the National Palace Museum, Taipei, China (silk copy).

This picture is a long scroll, from right to left, the picture begins with two old sky-high pine trees, through the gap of the pine branches, revealing the simple white tent built by the horse herders, there are three shepherds in Manchu costumes in front of the tent, two tiredly sitting or lying down, and a person with both hands on the lasso pole stood, looking at the horses not far from there, a shepherd dog stretched out from half of the body inside the tent.

6, step in the emperor's carriage

"Step in the emperor's carriage" is one of the masterpieces of the Tang dynasty painter Yan Liben, is one of China's top ten heirloom paintings, is now hidden in the Palace Museum. The work has elegant and gorgeous coloring, smooth and rounded lines, and varied composition, which is a representative work of Tang Dynasty painting. It has precious historical and artistic value.

The right half of the scroll is the Tang Emperor Taizong sitting in the emperor's carriage surrounded by courtesans, and the three people on the left side of the scroll are the ceremonial officials, Ludongzan in the middle, and the interpreter in the back. The image of Emperor Tang Taizong is the focus of the whole picture.

Yan Lipen painstakingly to vivid and detailed portrayal of the painting of the Tang emperor handsome face, deep eyes, dignified, fully revealing a generation of Tang dynasty style and majesty.

Yan Lipen skillfully used contrasting techniques to better emphasize the supreme dignity of Emperor Taizong. First, the court ladies of the petite, tender, with their or fan or carry the carriage, or side or positive, or tend or line of the physical to reflect the Tang Taizong's stout, deep and staid, is the counterpoint.

The second is to Ludongzan's sincerity and humility, and the importance of politeness to set off the Tang Taizong's solemn and calm, amicable attitude, is the positive contrast. The picture does not have a background, the structure from right to left, from close and gradually sparse, focused, rhythmic.

7, Tang Palace Ladies

Tang Palace Ladies

Tang Palace Ladies is a Chinese painting by Zhang Xuan and Zhou Fang, which depicts the beautiful women of the Tang Dynasty. The painting depicts the beautiful women of the Tang Dynasty. It mainly expresses the mood of the life of Tang Dynasty aristocratic women, and became the main artistic feature of Tang Dynasty ladies' paintings. It is known as one of the "Ten Famous Heirloom Paintings of China".

The Tang Dynasty, as the most glorious era of feudal society, was also a prosperous and flourishing stage for the painting of ladies. Ancient Chinese ladies' portraits, "the country looks like a city, and the body is full of sorrows and illnesses".

The Tang Dynasty paintings of ladies were famous for their dignity and magnificence, elegance and grace, among which the most outstanding representatives are Zhang Xuan's "Lady Guo Guo's Spring Tour" and "The Tramp", Zhou Fang's "Hairpin Lady" and "Lady Waving Fans", as well as the Late Tang Dynasty's "Palace Music Picture".

8. Five Bulls

The Five Bulls is a colorful painting on jute paper by Han Hwang of the Tang Dynasty, also known as Five Bulls by Han Hwang of the Tang Dynasty, which is now housed in the Forbidden City Museum in Beijing.

The Five Cattle Picture is on jute paper, 20.8 centimeters longitudinally and 139.8 centimeters horizontally, and depicts five cows on a horizontal scroll with different looks, personalities, and orders of the year. From right to left, the first one is an old brown ox, depicted as biting something while rubbing an itch next to a mixed wood, with a leisurely attitude.

The second is a black-and-white mixed-flower ox, with a big body, a cocked head and a wagging tail, and a steady gait; the third is a dark ochre-colored ox, with a jagged sinew and bones, standing upright and singing, with a white mouth and white eyebrows, and a long, old look.

The fourth is a yellow cow, tall, steep horns, looking back; the fifth cow, standing with its head in the air, thick, gazing thoughtfully, eyes streaming out of the headstrong personality.

9, Han Xizai Night Banquet

Han Xizai Night Banquet is the Five Dynasties and Ten Kingdoms period of the Southern Tang Dynasty painter Gu Ma-tezhong's paintings, the existing Song copy, color on silk, is now hidden in the Palace Museum in Beijing.

The painting is unmarked. Before the water deposit southern song dynasty people residual title "xi zai wind flow clear and open, for the celestial official servant, ......" 20 words. At the beginning of the scroll, there is a seal script inscription of Cheng Nanyun, early Ming Dynasty, "Night Banquet" in three big characters. At the back of the volume, there is a gourd seal of Shi Miyuan "Shaoxun" of the Southern Song Dynasty, and a seal of "Shangqiu Song Brindled Authenticity" inscribed by Song Brindo of the Qing Dynasty.

Toward the end of the line "Han Xizai small biography", after the Yuan-Ban Weizhi Taiding three years (1326) inscribed poem, and Jade Zhai master inscription. After the water Qing - Wang Duo inscription, after the "Dong Lin Jushi", "Weixiao Cao Tang painting record" and other collection of seals. There are also the Qianlong emperor long trekking and the collection of the Qing government seals.

10, thousands of miles of rivers and mountains

Thousands of miles of rivers and mountains is the northern song dynasty wang ximeng silk painting, now in the palace museum in beijing.

The work is in the form of a long scroll, based on tradition, the picture is meticulous, the smoke and waves of the river, the undulating mountains constitute a wonderful landscape map of the south of the Yangtze River, fishing villages, wild markets, water pavilions, thatched huts, water mill bridge and other static scenes interspersed with fishing, sailing, playing, catching the market and other dynamic scenes, the combination of static and dynamic is a good fit.

The characters in this work are extremely fine and subtle, with lifelike gestures, and the birds are gently painted with a little brush, with the attitude of spreading their wings and soaring.

The Thousand Miles of Rivers and Mountains scroll not only represents the milestone of the development of green landscape; moreover, it is a collection of ink landscapes since the Northern Song Dynasty and puts the creator's emotion into the creation. Thousand Miles of Rivers and Mountains" belongs to the work of writing, but there is no lack of work of art, showing that the young painter has a rigorous attitude to life. Thousand Miles of Rivers and Mountains is one of the ten most famous paintings in China.

Baidu Encyclopedia - China's Ten Most Famous Heirloom Paintings