What does Wang Sujun do?

Wang Sujun, a native of Yancheng, Jiangsu Province, studied under Mr. Wang Jule, the flower school qin of Huai Opera, at the Huai Opera Troupe of Jiangsu Province. He is a famous national-level composer and national-level performer. His representative works include the music compositions of Huai Opera "Strange Marriage", "Lanqi Gege", "For Sons and Daughters", Huai Opera movie "Xiaodouzhuang Style", and Huai Opera "The Legend of Shi Nai'an", etc. He is also a master of the Chinese opera "The Legend of Shi Nai'an".

Chinese Name: Wang Su Jun

Nationality: Chinese

Ethnicity: Han

Birthplace: Yancheng, Jiangsu Province

Occupation: Performer

Representative Works: Huaiju Opera "The Story of a Strange Marriage," "Blue Qi Gege," and "For the Sons, For the Daughters"

Artistic Characteristics: Creative and Passionate

Title: National Level Composer

Artistic experience

As early as 1985 in the 1980s, he and Dai Yusheng, Liu Huaming **** with the completion of the Huaiju opera "The Story of a Strange Marriage" music composition, and won the first prize of the National Drama Observatory Composition and emerged; with a strong northern Jiangsu folk style of Huaiju opera opera film "Xiaodouzhuang style"; and with his teacher to complete the "Shishu Naiyan Legend"; a new version of the Huaihua Opera Legend"; the melody of the music of the new Huaiju opera "Blue Qi Gege" depicts a sad and bleak historical picture, no wonder people say that this play is not historical, but it can stand up to the strict scrutiny of the historical perspective. In the new Huaiju modern opera "for the children for the daughter", with a strong Huai tune, interpretation of the ordinary people's parental heart; in addition to the Huaiju opera "Taiping Village Storm" created the music.

In January 2000, Mr. Wang Sujun was the music coordinator of the concert of the famous performers of Huaiju Opera in the north and south of the country, in which Mr. Gülle played the folk music ensemble piece "Huai Shui Yin" which was adapted and composed by his student Wang Sujun, and it was also the last piece Mr. Gülle led in his later years, and Mr. Wang Sujun acted as the conductor of the performance.

Mr. Wang Sujun composed a series of beautiful and melodious music for us in Huaiju opera, and his works greatly enriched the artistic treasury of Huaiju opera music.

Mr. Wang Sujun's composition and music direction for the Dream Sound Chorus have indispensable merits for the success of the Dream Sound Chorus.

According to the notice of Jiangsu Province Human Resources and Social Security Department Su Ren She Fa (2010)_387, he was evaluated as the national level composer.

Artistic features

Mr. Wang Sujun is an extremely talented composer, and his creations are very passionate, such as in the Huaiju Opera "Blue Qi Gege", from the opening soft and lyrical Blue Qi Gege chasing Li in the countryside; to the Blue Qi Gege when she first got married to the "Desert, HUGGIE" music creates an atmosphere such as immersive pathos and bleakness, and then with the music of the "Blue Qi Gege", the music is very beautiful and beautiful, and then with the music of the "Blue Qi Gege", it is a great opportunity for the composer to create a new atmosphere. Pathos and bleak, coupled with Chen Fang's bright singing voice of deep grief, a song "sad far from marriage" a song into a masterpiece; returned to the quasi-Gele grasslands after the melody of the melodic romantic grassland style; to the two armies in front of the magnificent atmosphere of the magnificent war drums; to the music of the symbols rendered the black clouds of the city wants to break the tensions of the tension of the saber-rattling atmosphere.

His many works of Huaiju Opera music, that is, inherited the basic stereotypes of the three main tunes of Huaiju Opera, but also absorbed and fused with other musical elements, such as the essence of the Jiangnan silk and bamboo tune folk music, his works are beautifully enduring and unforgettable. His works are beautiful and memorable. Another example is "Xiao Dou Zhuang Style", which is not a simple repetition of the old tunes of Huai Opera, but a melodious and joyful melody according to the needs of the plot, showing the folk customs with a strong local flavor, strongly rendering the atmosphere and accentuating the feelings of the characters, which greatly strengthened the dramatic effect of "Xiao Dou Zhuang Style". He created the music of Huaiju Opera's "Strange Marriage", insisting on starting from life, starting from the characters, varying from time to time, and varying from situation to situation. As a result, it not only maintains the distinctive characteristics of the genre, but also enhances the strong dramatic effects. For example, the old field ridge of the patriarch representing the feudal patriarchal power is basically adopted in the traditional Huai opera, and different forms of accompaniment such as repetition, chorus, and help singing are used to reveal the inner activities of the characters at multiple levels, to emphasize the atmosphere of the environment, and to enrich the musical expressiveness. Old fans of Huai opera are sure that this is a standard Huai opera, and the young audience is even more touched by its beautiful tunes. In the well-known Huai opera reprise, in the third scene, "Nightmare, Bitter Feelings", performing artist Liu Shaofeng sang the "old Huai opera tune", which fully illustrated the unclear "father-daughter love" and "old man-daughter love". The performance artist Liu Shaofeng sang the "old Huai tune" to vividly express the painful conflict between "father-daughter love" and "old husband and young wife" love.

Behind the Scenes

At the rehearsal hall of the Huaiju opera "Strange Marriage", the artistic adviser Xu Qiping and the director Xia Ying suggested to the scriptwriter that it would be best to let Dahan (played by Liu Shaofeng) and Qubing (played by Liang Guoying) stay on the stage, and to use the side singing and the singing helpers to set the atmosphere and to fully reveal the complex psychological contradictions of the two main characters at this time and in this place. The author readily accepted this suggestion. During the revision process, He Shouguang, who was the author of the play, pointed out that it would be a good idea to try out the long and short phrases of the song, and to make a breakthrough in the traditional syntax of Huai Opera. This idea was immediately supported by the music designers Dai Yusheng and Wang Sujun. It was already midnight when the first draft of the lyrics was written. Mr. Dai Yusheng took a look at the first draft of the lyrics and shouted "yes". Mr. Dai Yusheng took a look at the lyrics, and immediately began to sing in a low voice, exploring the melody and suggesting that the playwrights not sing a single word on the spot, but be accompanied by the accompaniment from behind the scenes. Mr. Wang Sujun, while noting the score, revised it, again and again, they were satisfied, immediately played the piano to everyone, so that everyone can comment on the evaluation and revision. After repeated revisions, the final draft, the eastern sky has been white.

The lyrics and music break through the traditional Huaiju opera two, three, four or three, three, four of the starting sentence, changed to the long and short sentences of the bold creativity of this free and flexible singing, to the actor's performance of the singing to a broader space for play. As expected, the two performing artists, Liu Shaofeng, who played the role of Tian Dahan, and Liang Guoying, who played the role of Qiu Ping, in the chorus singing, through the hand, eyes, body, scheduling and other performance techniques and skills, it is really a silent relative such as a dream, the soundlessness is better than the sound of the inner world of the characters, the two love is deep like the sea, the love of this love is not love, it is hard to love, it is hard to give up the love, it is sympathetic to the refusal of love but also the heart-stopping attachment, Tear-jerking opera efficacy.