School of New National Style Poetry Creation

Modernization, quality, popularization and marketization

The order of the four cannot be reversed.

Only by advancing with the times can we be refined (poems divorced from the life of the times can only be "fakes" and "fakes" and cannot be refined).

Only high-quality products can be popularized (the pursuit of popularization can not only lower the threshold of creation, but also improve the quality of works. Only by creating works that strive for perfection can they be accepted by the public and become masterpieces handed down from generation to generation.

Only popularization can lead to marketization (market and money have always been taboo for poets, but marketization is the inevitable way out for contemporary poetry. Contemporary society is a market economy society. As long as poetry can be accepted by the people, poets can naturally get corresponding market returns. 1, the social background of the new national style.

Popularization of education: the popularization of compulsory education has enabled farmers, workers, vendors and other low-level civilians to receive cultural education (knowing more than 5,000 words), so it is possible to master poetry creation skills;

Media platform: TV, newspapers, magazines and other traditional media have promoted the exchange of social information, broadened the horizons and knowledge of the general public, and the emergence of online media has given the grassroots a platform for daily study and open communication;

Social openness: An open and diversified society presupposes a broad background space for the acquisition and creation of new national styles.

2. The artistic requirements of the new national style

Make the past serve the present. Neither rigidly adhere to the imitation of the past, nor obsessed with innovation.

The meter is rigorous, the language is fluent and the connotation is profound. Strive to achieve "one eye is cute, ten eyes are fun" and "the layman has a taste and the expert has a doorway".

3. Why should the new national style adopt strict traditional poetry forms? Traditional poetry is the most popular form of poetry in China.

Chinese civilization is the only surviving self-source civilization in the world, and Chinese characters are also the only surviving self-source characters in the world, which determines the uniqueness of Chinese and Chinese characters (such as monosyllabic, tetrasyllabic and square characters). The artistic forms of traditional poetry (such as seven-character poems, flat poems, antithetical poems, etc.). ) are all perfect forms refined according to the characteristics of Chinese and Chinese characters. Therefore, poems created in the form of traditional poems are more catchy, easy to remember and more in line with the aesthetic taste of most people in China. The new national style movement pursues the popularization of poetry, so it can only adopt strict traditional poetry forms.

4. Traditional poetry is too difficult. If the new national style takes the form of new poems, is it easier to popularize?

The so-called popularization means public appreciation, not public creation. A "poet" wants to create works that the public likes, but refuses to immerse himself in the basic skills of poetry creation, which will only make a "pear-shaped" joke.

5. Does the "New National Style Movement" adopt the form of traditional poetry, that is, it denies "new poetry"?

There is a mythical animal called "Dragon" in the West, which is translated into "Dragon" in China. In fact, "dragon" and "dragon" in China are not the same kind at all.

There is a literary form in the West called "Poetry", which is translated by China people. In fact, "poetry" is very different from China's "poetry".

The birth of new poetry has a very special historical background. In essence, it is only the study and imitation of "poetry". Therefore, China's traditional "New Poetry" and "Poetry" have the same name, but their essence is different. The "New National Style Movement" tried to revive China's poetry, but it did not completely deny the "new poetry" as an exotic product. In fact, Gao Zhanxiang and Kong Linzi, the founders of the New National Sports Movement, wrote new poems themselves, and any style can learn from each other. Advocating one and knocking down another is by no means the right attitude.

6. Does contemporary society need poetry?

Poetry is the ancestor of literature and the foundation of art. If we still need literature and art, then poetry has the value of existence.

Macroscopically speaking, reviving poetry can carry forward national traditional culture, promote the construction of spiritual civilization and establish national self-confidence. In a word, learning poetry can not only improve aesthetic taste, speaking style and writing ability, but also purify the hearts of authors and readers and sublimate their souls.

7. Does poetry have potential market value?

First of all, it is necessary to establish a correct creative atmosphere (that is, the new national style) and polish excellent works, so as to realize market value. Because poetry is short, easy to remember and rich in aftertaste, this literary genre is very suitable for the fast-paced life of contemporary society. At present, we believe that poetry can be marketized at least in the following ways:

A, make poetry a bestseller and make poetry a portable reading material for contemporary readers;

B. teaching poetry, teaching artistic skills and talking about excellent works;

C, combining with animation, making poetry a popular animation;

D, combining with music (drama) to make poetry a popular lyric (drama);

E, combining with short messages, making poetry a mass short message;

F, combining with calligraphy and painting, making poetry an artistic ornament in various occasions;

G. Combine business cards and inscriptions to create personalized poems for units and individuals;

H, combined with film and television programs, comic sketches and other cultural entertainment; At present, most of the poetry works in various film and television programs lack standards, which makes people laugh. )

I stick poems on various daily necessities, such as teacups, pencil boxes and calendars, so that poems can penetrate into all aspects of life.

J, combined with advertising, make poetry a compulsory course for copywriting;

………………

There are countless business opportunities that can be realized through poetry, but the poetry market is still a virgin land, which needs to be gradually reclaimed and excavated.

8. Does the new national style advocate the marketization of poetry, which will lead to the vulgarization of poetry and even Chinese studies?

Any talent and skill need to have its own market, otherwise this talent is "the art of killing dragons" and has no value. China was an imperial society in ancient times, so the ancients "learned written martial arts and tasted the imperial family". Contemporary China is a civilian society, so we should point the poetry market to the general public.

The marketization of poetry is to let people and readers test the quality of poetry works. Marketization is the best way to improve the level of poetry creation. On the other hand, it can't be marketized, and the quality of poetry has to be decided by senior officials and "authority". Some poets who were not high-ranking officials and "authoritative" originally could only establish their "authority" and status by cliques and mutual flattery, which directly led to the low quality of their works and the corruption of their poetic style. Many "poets" refuse marketization because they need to safeguard their own interests in a small circle and dare not accept the test of the public readers. The frog in the well refuses to face the ocean because it can't stand the stormy waves!

Of course, the marketization of poetry should also have a certain bottom line. Fashion is not vulgar, kitsch or mercenary. This also requires the poet to consciously grasp when creating. Selected works of Gao Zhanxiang

Main spring

There are no accidents in the world, and you don't have to ask the gods about your future.

Hold the timeline in the palm of your hand and drag the spring to your eyes.

Wisdom and courage

As brave as the accelerator pedal and as smart as the steering wheel.

A brave man without a wise man will be crippled!

Ungrateful; People who don't know how to be grateful

The goodness of life is the heart, don't be a heartless baiwenhang.

If the world becomes a wolf's world, you will tear me to pieces.

rumour

Keep the right path in mind and regard the next step as a dangerous road.

Gossip is like an evil ghost. If you don't believe it, it's natural.

Grass in the crevice

Why do you need fertile soil? You can survive in the cracks.

Look coldly at the changes of cliff clouds and firmly grasp the roots.

Yongniu

Although there is infinite power, blind date is only the grassroots.

The ocean is near the shallow valley, silent and desolate.

Gone with the wind, the color of self-cultivation is faint.

One snowy night, negative charcoal entered Chai Men.

airship

If lightning lasts for nine days, why take the moon by cloud?

Only the mountains and rivers in the sky are small, and the universe is wide when you look around.

terraced fields

With a hoe on his iron shoulder, he plowed straight to the top of the mountain.

Terraced fields are like Tian Tong Road, with infinite fragrance.

Go home often.

Spring exists vaguely in the past, so why only fly in the future?

Flowers will bear fruit after withering, and the height of trees will never forget the roots.

It's just that the scenery is busy, but the frost and snow.

Filial piety in life must be on the same day, so don't wait for him to remember his old kindness in the new year.

The way of family harmony

You don't have to care too much about your own gains and losses.

If you are happy, you are happy, and if you are confused, you are confused.

Rap is never a smart woman, and pretending to be deaf is not necessarily a fool.

A pot of wine, the whole family drunk, do not compete with others.

Selected works of Zhao que

Valentine's day

Sitting alone under the west window, the coffee is half cold.

The sweet things in life are like chewing gum.

Beat a woman's youngest son to death

Under the proud brick shed, why bother aunt?

Tear off the yellow cardboard and cut it into small machine guns.

Chug lowered his voice and glared angrily.

I met him upstairs, aiming at my chest.

There is a doll.

Spring grass is green, and there is a cow doll in the stream. Dad, mom, pick me up in the city next year and live in a tall building.

Mowing grass, dancing sickle, stretching to the sun. My friend went swimming, and my grandfather praised me for being the most hardworking.

The soup is cooked, the meat is stewed, the moon on the treetops is round, my uncle goes home to collect rice, and my cousin carries a schoolbag.

Move the bench, stick grilles. The days are getting shorter and shorter. Dad and grandma wrote letters and won't go home this Spring Festival.

Minus the magnolia in the subway station.

Light box tour, a sea of people floating in the south exit. Hot light, light dust, cold tentacles.

Silent footsteps, imagine a heartbeat street dance. Rolling traffic, the night extends the black lens.

Selected works of Kong Linzi

Reflections on New Year's Eve

The vicissitudes of life have forgotten the joys and sorrows several times, and firecrackers remind the one-year-old disabled.

The next generation has cultivated good fruit, so why steal the elixir of life?

The day after the wind and frost are gone, it will be very warm, and the road for fireworks to disappear will be wider.

Don't talk about fame and fortune tonight, I wish you peace silently.

Thoughts after Wenchuan disaster

The ruins of the ruins have actually been worn down, and the wind and rain continue to play an elegy.

Tears are hard to welcome the new year, and old mountains and rivers are hard to reunite.

There are many trivial matters about flood discharge and epidemic prevention.

After the robbery, all people have the same understanding. Don't waste time because life is limited.

Selected works of centaur

My daughter is one year old.

When the cutie grows to 18 years old, it is too late to learn to speak like a toddler.

How to blow the cake from the end to burn the red candle is still unknown.

Face-saving projects

Jade phoenix tree is cut in one color, and yellow flowers are planted by the roadside.

In the past, the convenience of the people was a poverty alleviation county, and they often came here to inspect.

Selected works of Chen Zuyin

Virus advertisement

Come uninvited because of the wind

A full-screen icon appears and the window opens at any time.

I often talk nonsense and occasionally show off my wealth.

Chatters are boring, why not hate guest disasters? The New National Style Traditional Culture Promotion Association was incorporated in Hong Kong in 2008. It is a non-profit organization with the mission of reviving traditional culture.

Chairman: Wen

General Counsel: Gao Zhanxiang.

Chairman: Kong Linzi.

Executive Vice President: Lin Jinglan

Xinguofeng literature Shi

The New National Style Literature Room is the window of the "New National Style Editorial Department", the organizer of the National Youth Writers Network, which is divided into two parts: "Media Report" and "Graphic Exhibition Hall". Among them, "media reports" include the original reports of the editorial department of New Guofeng by the People's Daily, Guangming Daily, China Culture News and other media; The "Graphic Exhibition Hall" exhibited pictures and related graphic materials of various activities organized by the editorial department of New Country Style, including famous writer Wei Wei, famous poet, former Standing Committee member of the Central Commission for Discipline Inspection, and general Yue Xuanyi, editor-in-chief of New Country Style. The editorial department of "New National Style" is a national authoritative literary editing institution headed by the Chinese Writers Association, sponsored by the Xiao Jun Research Association of China, assisted by the Literature Research Association of China Liberated Area (the first president is the famous writer Wei Wei, directly under the China Academy of Social Sciences) and the Chinese Music and Literature Society of the Ministry of Culture (the president is the famous ci writers Qiao Yu). The organizer "China Xiao Jun Research Association" is a national first-class literary and art group declared by the Chinese Writers Association, approved by Publicity Department of the Communist Party of China and officially registered by the Ministry of Civil Affairs. Named after Comrade Xiao Jun, a famous revolutionary writer, pioneer of anti-Japanese war literature and loyal disciple of Mr. Lu Xun. Zhang, member of the Standing Committee of the National People's Congress and vice-chairman of the Central Committee, is the president of the China Junior Research Association, and former navy political commissar General Li is the consultant of the China Junior Research Association.

Xin Guofeng (Chinese Society Academic Group)

In May 2008, Wang Zesheng, a member of the China Institution, defined "New National Style" as a vocabulary of Chinese studies. "New national style", as its name implies, is relative to national style. The national style is the essence of The Book of Songs, and the folk songs of the Zhou Dynasty reflect the real life of the working people and the people's ideal of pursuing a better life, which is the source of China's realistic poems. Therefore, the new national style comes from a specific concept in traditional culture, which is compatible to some extent, that is, it can generally refer to the article style-the traceability phenomenon of literature, the innovation trend of Chinese studies, the return of traditional culture and a series of human objective existence. The coverage of the concept of new national style has greatly broken through the shackles of the traditional narrow poetry theme genre. The New National Style is a "great literary classic", which has created new forms and new contents of China's classical literature in contemporary times.

The "atavism" between China traditional culture and classical literature formed by the new national style is the direct product of the development and continuation of China civilization. The main body of Chinese civilization is Chinese culture, which is a classical civilization materialized by Chinese culture. The realistic characteristics of the national style have given inspiration and strength to the literary reformers of past dynasties. As early as May 4, 2007, Wang Zesheng and Jiang Hongyan, the academic groups of the Chinese Society, published the famous programmatic document "China Declaration on the Innovation Movement of Ci and Fu", which broke out and created a brilliant road for the Chinese Society. In mid-September, 2007, Mr. Jiang Hongyan, a diplomat of China Institution, attended the World Conference on Chinese Poetry in Beijing. At sunrise, he drafted three important documents, namely Outline of Sinology System, Declaration of Parallel Prose Reform and Declaration of Chinese Poetry Innovation Movement, and submitted them to the Presidium of the Conference. At this point, the academic outline of Chinese studies and new ancient prose in contemporary ci and fu has been formed. It is an inevitable literary law that the innovation of ci and fu leaps into the field of classical poetry. Therefore, this has prepared an important theoretical source for the "New National Style Theory".

The new national style is a signal of China, an ancient oriental country, in the cultural field. The new national style is the "road to revival" of classical poetry. After accepting the elements of modern civilization, classical poetry is like a product of the times with multi-gene characteristics, which spans the east and the west, classical and modern. The new national style not only advocates the new rhyme of the ancient style, but also transcends the ancient style, creating a new national style, a new context and a new poetic soul in the new era. The new national style is a literary ideal. The Theory of "Source" and "Flow" in the "New Ancient Prose Movement" Life is the source of all literature and the most vivid source of poetry and prose. Therefore, the theoretical essence of the "New National Style Movement" is an activity of inheriting and innovating China's classical literature, which is a leap in literary productivity. At this point, Liang Sibo, a writer of ci and fu, also supports the innovation of ci and fu, and Qian, a famous poet, also talks about the innovation of ci and fu. Poetry and Fu have been related since ancient times. Recently, China News Agency released the new national wind declaration again. This is another practical source of the new national style thought. Xin Guofeng. com

A website of traditional Chinese literature advocating the new rhyme of ancient style.

Xin Guofeng Huaxia. com

The slogan of this website is "carry forward the culture of the motherland, inherit the Chinese spirit and promote the great rejuvenation of the Chinese nation", which has nothing to do with the New National Style Poetry School, the New National Style School and the New National Style Traditional Culture Promotion Association. Poetry magazine "New National Style"

The name of New Poetry magazine was founded before 1990s. The editorial department of the Chinese Writers Association is located in Beijing. The "World Chinese Poet Creation Award" is an excellent product selected from recent Chinese poems by China famous poets, poetry critics and songwriters organized by the World Chinese Poet Promotion Association, Huaxia New Poetry Research Association, Huaxia Poetry Development Research Association and New National Style Editorial Department, and it is authoritative in China poetry circles. New National Style Poetry Magazine is a popular literary publication edited by Ding Kairan and inscribed by He Jingzhi and Xu Fang.

Attached:

He Huoren, a researcher at the Institute of Literature of China Academy of Social Sciences, is also the president of New National Style Poetry Journal.

The new national style, a poetry publication sponsored by China Mao Zedong Poetry Research Association, has Shi Yan as honorary deputy editor.

Book title, New National Style Poetry Journal

Author: Liu Zhang

Press: China International Broadcasting Press.

Category: literature

Publication date: April 0, 20041

Publication date: April 0, 20041

Date of submission: 6 April 2007

Page number: 32

Pages: 190 pages

New national wind magazine

New national style, popular poetry magazine "New National Style" (mainly publishing new poems).

Author: editor-in-chief Ding Kairan

Press: China Radio and Television Press

Category: literature

Page number: 24

Pages: 1 16 pages

Wang Enyu, 1998+0 retired in June, participated in the establishment, served as the editor-in-chief of the popular poetry magazine "New Country Style" and the president of the "Huaxia New Poetry Research Association". Wang Enyu, the first generation working-class poet in New China, was the former editor-in-chief of the literary department of Workers Daily. 195/kloc-0 was born in Mengjin County, Henan Province on April 27th, and published his first work. 1956 graduated from Shaanxi Xianyang Machine Building School and was assigned to Beijing No.1 Machine Tool Plant as a technician and assistant engineer. Entered Workers' Daily 1979 in June. 1980 joined the Chinese Writers Association, 1993 joined the China * * * Production Party, and 1996 attended the Fifth Congress of China Writers. He died of illness on the evening of February 6, 2006 at the age of 69. He has successively published the Voice of Beijing, Selected Poems of Wang Enyu, Love Flute, Moonlight Kissing the Window Screen, Affectionate Rain Moistening the New Green, Heart Springs Collection and other influential poetry collections. His three poems, Dedicated to the Motherland, I am a contemporary of New China, and Descendants of Martyrs, were selected in Selected Poems of Contemporary China edited by Ke Yan, an outstanding poet, and Hu Jian, a famous poet. Comrade Wang Enyu's "Commemorative Seminar" was jointly organized by the editorial department of New National Style magazine, Huaxia New Poetry Research Association and Beijing Writers Association, and was presided over by Ding Jiran, the executive editor and a famous poet. Comrade Wang Enyu was one of the first working-class poets in New China who wrote industrial poems and created industrial themes. His life eulogized the achievements of the working class and socialist industrial construction, and made outstanding contributions to the literary career of the working class in New China. Name: Xinmin Folk Music Album

Producer: Beijing Nanhai Audio & Video Publishing House

MAER production: Germany STOCKFISH record company

Chief planner: Liu Zepeng

Producer: Liu Zepeng

Chief producer: Liu Beixian

Producer: Liu Hongtao

Producer: Tian Xinxin, Wei Qun

Artistic Director: Huang Xiaoqiu

National Wind: A Great Classic of China's Music Literature. New national wind: China's new music, spanning east and west, classical and modern, is beautiful. For the first time in history, we collected the melodies of 30 popular folk songs and 30 popular songs in China. For the first time in history, China's classical music was comprehensively innovated and interpreted by orchestra+pop band+characteristic instruments. For the first time in history, China's top musicians joined German record companies. Songs are fans' favorites, and songs are the most treasured music treasures! This record not only surpasses classical pop musically, but also enriches the music in various regions. (famous music critic Dai Fang).

Album collection

The album's four records * * * contain 60 China classics. The first album "In that Far Away Place" and the second album "Jasmine" perfectly combine China's classic folk songs with the essence of music from all over the world; Album Ⅲ "The Moon Represents My Heart" and Album Ⅳ "Unforgettable Tonight" boldly innovate the moving melodies of popular songs in three places across the Taiwan Straits.

music style

Aesthetic, fresh, romantic and joyful. The melody and rhythm of classic songs are both familiar and innovative, and the unique rhythm is aroused by fashionable arrangement. The strings are romantic and elegant, as beautiful as nature; Wind music rings occasionally, full of youthful dreams; Percussion is lively and cheerful; The rhythm of the guitar is exciting; Characteristic musical instruments ripple out unique customs.