What are the characteristics of Jiangnan Silk Bamboo?

The most important characteristic of Jiangnan Silk Bamboo is the fine style of playing, in the ensemble of each instrument voice is full of individuality and harmony with each other, and the branching polyphonic weaving is very characteristic. Most of the music comes from the customary music of Chinese folk weddings, funerals, celebrations and temple festivals, and some of them are classical compositions that have been passed down in Chinese folklore for a long time.

The traditional technique of Jiangnan Silk Bamboo has the techniques of "you complicated and I simple, you high and I low, adding flowers and variations, embedded blocking and improvisation, etc., and has gradually formed the style characteristics of "small, fine, light and elegant". This technique and style contains profound social and cultural connotations such as mutual humility between people and coordination and innovation.

Silk bamboo music comes from the folk, rooted in the folk, simple and easy to implement, suitable for promotion, has an important folk cultural value. Jiangnan silk and bamboo music is rich in repertoire, and the traditional music includes "Six Boards of Medium Flowers", "Three Sixes", "Walking Street", "Four Harmonies" and "Cloud Celebration", etc. The music of Jiangnan Silk and Bamboo Music is also a good example of a traditional music.

Expanded Information:

Jiangnan silk bamboo music. p>The musical structure of Jiangnan silk bamboo is mainly composed of two types, namely, plate change and song-board linkage, with plate change being the most distinctive technique. It tends to take one song as the mother song, and develops into several independent music pieces by slowing down and adding flowers or speeding up and reducing words. Such as folk instrumental music plate "old six board" evolved into five pieces of music, commonly known as "five generations of the same hall".

It evolved from fast to slow, from simple to complex program. The first song "old six boards", running board, melody simple; the second song "fast six boards", running board, melody vivid and fast; the third song "in six boards", a board, a board, the melody is light, relatively smooth; the fourth song "in the flower of the six boards", a board, three eyes, melodic and smooth, moderate speed, in the five songs for the most famous.

The 5th piece "slow six boards", a board seven eyes, melody elegant and slow. These five pieces of music can be played independently, or according to the opposite direction of the performance program, such as from the 5th song "slow six panels", from slow to fast, from complex to simple sequential joint performance.

Jiangnan silk and bamboo melody is lyrical and beautiful, and the style is fresh and smooth. The flute focuses on the use of breath, the soprano voice is melodious and clear, the bass voice is subtle and gentle, the tone is mellow and mellow, and it is often used to embellish the melody by playing, leaning on the tone, granting the tone, vibrating the tone, trilling the tone, and other techniques. The erhu bowing technique is full and soft, with delicate changes in strength.

The left hand usually uses the translucent tone, the band tone, the left side tone and the hook tone, especially with various gliding techniques, which constitutes the delicate, clear and bright personality of the Jiangnan Silk Bamboo. Instrumental music popular in southern Jiangsu, Shanghai, western Zhejiang, the band to the silk strings and bamboo wind instruments, so called silk bamboo music, at least in the Qing Dynasty before 1860 has been popular in the folk.

Baidu Encyclopedia - Jiangnan Silk and Bamboo