In the history of Chinese painting, the earliest creation of pima chafing is Dong Yuan.

In the history of Chinese painting, the earliest creation of Phi Ma Chou is Dong Yuan.

One of the landscape painting chapping, also known as "hemp skin chapping", by the Five Dynasties Dong Yuan founded, such as the Yuan - Listen to his "painting appreciation" said: Dong Yuan "landscape has two kinds: a kind of ink alum head, sparse forests and wild trees, far away from the depths of the mountains and rocks for hemp skin chapping. " Its shape is like hemp scattered and staggered interlocking, so it is called "Pima chapped". Dong Yuan in the "Xiaoxiang map" in the use of hemp chafing to express the southern beautiful and colorful landscape scenery.

Introduction:

Pizza chapped with a combination of flexible center line to express the structure and texture of the rocks. This method is good at showing the gentle and fine texture of the mountains in Jiangnan, Dong Yuan more short Phi Ma Chou, Ju Ran like to use the long Phi Ma Chou, Dong, the giant created by the Jiangnan Landscape Painting School that is Phi Ma Chou as one of the salient features.

Pizza is divided into long pima, short pima two kinds.

Types:

Long Phi Ma Chou.

This method is good at showing the gentle and fine texture of the Jiangnan mountains, the center brush, round and no angle, as bent as painting orchids, a gas in the end, the line is strong, can not be arranged to have the difference between the tight, point method, such as the word "one" or "mixed point". It is suitable to show the earth and stone hills in Jiangnan. It was created in the Five Dynasties by Dong Yuan, Ju Ran, Zhao Mengfu, Huang Gongwang and many other painters, all of whom were mainly practicing Phi Ma. Ming Chen Jiru "on chapping" as "hemp skin chapping", craft painting is also used.

Short pima chapped.

Short Phi Ma's line is shorter, also for the center of the pen and continuous out of the potential and long Phi Ma similar. Characterized by the structure of the rich and moist, landscape painters throughout the ages with short and long Phi Ma **** with the performance of the southern landscape features, for the depiction of the foot of the slope of the mountain for the most. This painting method is the most demanding of the rise and fall of the pen, ink and ink thickness and the line of the staggered, only long-term contact and careful observation of nature to figure out, can be used flexibly. Huang Gongwang in the Yuan Dynasty, Shen Zhou in the Ming Dynasty, etc. used this method.