What beauty does costume culture belong to?

Clothing beauty belongs to an aesthetic culture.

Analysis of the cultural coverage of clothing can be divided into surface layer and deep layer.

Its style, color and tone (including pattern), fabric and processing technology belong to shallow cultural structure, also known as tangible culture, which has symbolic characteristics, while the cultural intention, values and even the implication of philosophy, sociology, psychology and aesthetics hidden behind the form belong to deep cultural structure, also known as intangible culture.

The two are unified with each other. The former is the external expression of the latter, and the latter is the internal regulation and soul of the former. Therefore, the beauty of clothing is an aesthetic culture.

Introduction of salient features:

Clothing is a plastic art. The so-called modeling means that clothing always presents a geometric shape. Today we call this geometry a style.

According to the specific practical aesthetic needs and size requirements, the fabric is cut into points, lines and surfaces (strips), and according to the characteristics of color, tone, pattern and pattern, it is spliced into a specific style with a specific sewing technology or process. Although this kind of modeling is ever-changing, it is not arbitrary, it is the product of human specific cultural circle.

Therefore, it is also a summer dress, because the national and regional cultural circles are different, and the styles are different.

2. Clothing is the art of reorganization. That is to say, clothing, as an aesthetic object, cannot be an independent aesthetic object in itself, and it must be recombined with the wearer to show its beauty and brilliance.

In other words, the clothing and the human body using it are reconstructed to form a new aesthetic object, which shows its bright and brand-new visual image integrated with the main body and gives people a sense of beauty. The reorganization here has four basic levels that must be paid attention to:

The first is color reorganization. Clothing is colorful, however, it must follow the formation rules of primary colors, intermediate colors, complex colors and complementary colors, pay attention to hue, lightness and purity, handle color contrast well, grasp the changes of theme, theme and foil, realize coordination and integrity, and reflect the sense of movement and layering.

The second is the reorganization between costumes. In the process of long-term social life, people of all ethnic groups and regions have formed traditional collocation forms, and then formed certain norms, paying attention to the proportional relationship of collar, sleeve, measurement, lapel, swing and buckle. At the same time, certain clothing also needs certain shoes and hats, towels and socks and other corresponding clothing to match it.

Nowadays, the mix of high heels and casual clothes, just like wearing sneakers in a suit, always looks less pleasing to the eye. That's the reason.

The third is the reorganization of clothing and environment. People always live in a specific environment, and clothing does not match the environment, which disturbs the harmonious relationship between man and nature and between people. There seems to be a feeling of spoiling the scenery. So the so-called environment here is the space where people dress, live and work, including natural environment and human environment.