Traditional Culture Encyclopedia - Traditional stories - China Haiyan explained
China Haiyan explained
This is a prose poem, which combines the descriptive characteristics of prose with the expressive characteristics of poetry. It depicts the heroic fighting spirit of Haiyan, a brave man, profoundly reflects the rapidly developing revolutionary situation before the 190 1 Russian revolution, praises the immortal image and fearless fighting spirit of the Russian proletarian revolutionary pioneers, and calls on the broad masses of working people to take active actions to meet the great revolutionary struggle. Let's learn how the full text uses various artistic techniques to express the theme of the article. First, the use of symbols, relying on things, first of all, let's clarify the concept of symbols. Symbols are an artistic technique to express similar or similar concepts, thoughts and feelings through concrete and easy-to-associate concrete images, that is, to express some abstract meaning with concrete images. As far as this article is concerned, in a specific historical period, although the Russian revolutionary movement is constantly rising, the reactionary rule of the tsar is still relatively strong and the people's speech is still not free, so the author struggles with the ruling class in this way. Everything in the text has symbolic meaning, which is only contained in the image and not revealed. Haiyan symbolizes a strong, fearless, brave and fighting proletarian revolutionary pioneer; The sea and waves symbolize the strength of the broad masses of the people at the height of the revolution; The storm symbolizes the revolutionary wave storm that swept through all reactionary and decadent forces; The sun symbolizes a bright future; Strong winds, dark clouds and thunder and lightning symbolize the ugly and hypocritical reactionary forces of the tsar; Seagulls, sea ducks and penguins symbolize all kinds of pseudo-revolutionaries and non-revolutionaries who are afraid that the revolution will destroy their comfort zones. At the same time, these symbolic meanings gradually deepen with the development of the image. Among them, the image of Haiyan is more and more complete, and it is more and more prominent with the development of the plot; Dark clouds and strong winds are the last desperate struggle. In this way, the work dynamically presents the development trend of the situation in Russia in the early 20th century, and the scene of the sea extinguishing lightning strongly indicates the final outcome of the reactionary forces-that is, extinction. The ideological connotation that the author wants to express is thus revealed. In order to show Haiyan's heroic fighting attitude and longing for the storm, this paper describes in detail three sea scenes before the storm, when the storm is approaching and when the storm is coming, and writes out the harsh fighting environment at that time, which sets off Haiyan's heroic image. The image of Haiyan is in sharp contrast with the groaning, flying and fear of seagulls, sea ducks and penguins, which sets off Haiyan's courage and optimism. In addition, wind, clouds, thunder and electricity jointly attacked Haiyan and sounded the horn of the battle, which was heroic, passionate and inspiring. Third, the language is beautiful and the momentum is enhanced. Prose poetry has its own uniqueness, because it has the characteristics of both prose and poetry. The sentence does not rhyme, but it is concise, vivid and beautiful. This paper describes the voice of Haiyan-from "shouting" to "laughing"; Form-"black lightning"; A series of actions, such as "flying", "wearing" and "sweeping", depict Haiyan's quickness and agility, as well as her agility and bravery in "rushing straight into the dark clouds". The use of various rhetorical devices, such as metaphor exaggeration, enhances the expression effect and makes the image more vivid. The language of the poem is full of passion and inspiring, especially the ending "Let the storm come more violently" is not only the expectation and call for the revolutionary storm, but also the call for the broad masses of the people to fight. The situation at that time determined that it was difficult to publish such articles full of fighting passion in newspapers and periodicals. It was the symbolism used throughout the article and the negligence of the censors at that time that made the article Haiyan finally published in the April issue 190 1 of Life magazine in Petersburg, and it was also for this reason that Life magazine was closed down. The Melody of Spring and the Declaration of Revolution —— Haiyan (Lu Qiyuan) Appreciation of Gorky's Haiyan is a pioneering work of proletarian literature. It is like the melody of spring, the overture of the times and the declaration of revolution. Gorky vividly depicts the objective scene of the coming storm of nature with high-spirited romantic passion and magnificent artistic brushwork in his works, and profoundly reflects the scene of 190 1 the "rain is coming" on the eve of the Russian revolution, implying that the revolutionary storm is coming, the czar's autocratic rule will inevitably collapse and the revolutionary cause will inevitably win. The work gives the most sincere and enthusiastic praise to Haiyan, the vanguard of the proletariat who is not afraid of violence, dares to struggle and dares to win. Haiyan's basic artistic method is to express his feelings in the scenery and through the scenery. As Gorky said, "You can say what you want to say conveniently and concisely in the form of symbols" and "You can inject a lot of thoughts into symbols". According to his own aesthetic choice, the author endows the natural landscape in his works with different symbolic meanings, and with the help of artistic means such as metaphor, personification and contrast, the subject and object of the symbol achieve a seamless natural harmony. Although the reader sees all the scenes before The Sea Storm, what he sees through the back of the paper is clearly a picture of revolution and counter-revolution struggle. In the works, dark clouds, strong winds and thunder and lightning symbolize the autocratic rule of the tsar and represent the dark reactionary forces. "In the boundless sea, the wind gathers dark clouds", "The dark clouds are getting darker and lower, pressing against the sea" and "burning in the bottomless sea like a blue flame". These words clearly describe the natural meteorological changes before the storm warning, suggesting the collusion of the dark forces, the cruel suppression of the revolutionary movement and the final dying struggle. With the upsurge of the revolutionary situation, the enemy's repression has become more and more rampant, but the historical trend is irreversible. When the revolutionary storm came, the reactionaries perished. At the same time, seagulls, sea ducks and penguins symbolize short-sighted bourgeois social classes and all kinds of opportunists who are afraid of revolution. Facing the coming storm, seagulls "fear" and "groan", trying to escape and "hide in the depths of the sea"; The sea duck groaned and was frightened by the thunder. Penguins are also extremely "stupid" and "shrinking", thinking that "hiding their fat bodies under the cliff" can escape the impact of the storm. The panic-stricken mentality of these animals is a true portrayal of the mentality of the bourgeoisie and reformists who are afraid of revolution, covet comfort and just want to preserve themselves, and truly reflects the attitude of the Russian bourgeoisie towards the proletarian revolution around 1905. Between the lines, it is the author's ruthless ridicule and contempt. In the works, the roaring sea symbolizes the awakening of the people's revolutionary forces, the storm symbolizes the coming revolutionary red storm, the sun symbolizes the victory of the proletarian revolution, and Haiyan symbolizes the glorious image of the proletarian vanguard. The author is full of enthusiasm and praises the sea and petrels. In the sinister environment where dark clouds are rolling and white terror is rampant, in sharp contrast to the cowardice and panic of seagulls, the sea turns up "foam", rolls up "spray", sings, "rushes into the clouds to meet thunder" with a heroic attitude, and "extinguishes lightning like a golden arrow" in its own abyss; "Haiyan flies proudly like black lightning", "One moment its wings touch the waves, the other moment it flies into the sky like an arrow", brave, enthusiastic, angry and happy, "full of longing for the storm" and "convinced that dark clouds can't cover the sun". The initiative of the sea, the thunder and lightning fighting, and Haiyan's excitement and enthusiasm for the coming of the storm are vivid manifestations of the revolutionary firmness and revolutionary optimism of the revolutionary people and proletarian pioneers. . Gorky used the contrast and contrast of images to suppress evil and promote good, lash out at evil and ugliness and praise good, and created the artistic image of "Haiyan" full of strength and beauty, which profoundly reflected the characteristics of the times, thus blowing the horn of marching into a bright era, awakening the people and inspiring them to bravely join the liberation struggle. As far as overall aesthetics is concerned, Haiyan is not only a colorful lyric poem, but also an oil painting with musical rhythm and fluidity. It combines the characteristics of poetry and prose, and shows the beauty of music and painting of poetry. The style of writing is rough and bold, magnificent, colorful and emotional, which gives people a strong artistic appeal.
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