What are the classic arias of Erjiaxian?

Er Jia Xian's classic arias include "Yuanyang Pu" and "Mo Chou Nu".

The two pinched strings are also called the "big five tones" by the masses.

One of the traditional Chinese opera types.

It is a local opera that is mainly popular in eastern Shandong, eastern and northern Henan, northern Jiangsu, and northern Anhui Province.

Because its accompaniment instrument Sihu (four-stringed huqin) is played with a ponytail between two strings, the people in its popular areas call it "two strings, big five tones" according to their dialect habits. It is closely related to its popularity in

The "Four Genxian" (also known as "Yi Gou Gou", "Hexi Liu", "Ha Toa Bing") in Liaocheng, Dezhou and Binzhou areas north of the Yellow River are closely related by blood. Appreciation of Liang Jia Xian's classic works.

The basic singing tunes of Xian are Daban and Erban. In addition, there are accompaniment instruments such as Sanban, Beici, Wawa, Shanshanyang, Nianzi, Zanzi, Beheading Paddle, Zaiban, and Weimeizi, with Sihu and Liuyeqin as the main instruments.

The main part is supplemented by erhu, banhu, sanxian, transverse flute, etc. The traditional habit of liangjiaxian is that singing is more important than performance, so its singing style is the core of the drama's layout.

In singing, the red-faced and colorful-faced singers all use Erbenqiang (false voice). In terms of singing, except for Laosheng who is influenced by the high-pitched bangzi and uses "Erbenqiang" (false voice), Xiaosheng, Dan, Chou and Jing all use their real voices.

After the 1920s and 1930s, Liangjiaxian developed rapidly, with a complete range of roles, and the music and singing style were basically formed.

From this period onwards, the Liangxian singing style became basically fixed.