The Relationship between Chinese Painting and Dance

First, the origin and dance of China's painting.

The origin of Chinese painting should be that productive labor gave birth to art, and those patterns in the Neolithic Age are the best proof. Although the paintings in this period did not have the characteristics of later Chinese paintings, those lines and patterns such as curves, straight lines and waterlines were all Chinese paintings with lines as shapes. Dance art also originated from life, and the Tang Dynasty was the period when China's paintings came to maturity. In the Tang Dynasty, China dance also got unprecedented development, especially the fusion of China dance and Buddhist culture, which promoted the development of dance. With the development and changes of the times, a large number of western painters and China traditional painters have emerged in China's paintings, and the ways of expression of painting are also increasing. After the founding of New China, part of China's dance language came from China's painting art, especially the western region culture, China classical dance and Han and Tang dances.

Second, the characteristics of China's painting and dancing language.

The aesthetic principles in China's classical dance are interlinked with the inner strength of China's landscape painting. China's paintings pay attention to artistic conception as a whole, while China's dance is also an art that pays attention to artistic conception. However, the embodiment of this artistic conception often echoes the literary accomplishment and ideological realm of the director. To create a dance work with the unity of goodness and beauty, it is required that the choreographer is a noble person, and all the paintings are moral, and the virtue of dancing is the virtue of art. At the same time, China's thoughts of Confucianism, Buddhism and Taoism are fully integrated into all aspects of China's painting art. The characteristics of China's painting have evolved with the development of art, and so has China's dance. The development of dance language gradually absorbed other artistic factors from the early line modeling, and today it has new aesthetic characteristics. The characteristics of China's paintings are also applicable to the characteristics of China's dance vocabulary. The development of history makes them inseparable and reflect each other.

Third, the language of painting and dance.

From the aesthetic point of view of Chinese painting, Chinese painting pays attention to harmony and unity, vivid charm, interesting charm, beautiful artistic conception, novel conception and unique style in the creation process. Classical dance and Chinese painting only embody artistic conception and aesthetic feeling in different ways in the same art category. The language composition of China classical dance, including Han and Tang dances, is the painting art from China, which fully shows that the development of painting promotes the development of dance and enriches and perfects the diversity of dance language.

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