Traditional Culture Encyclopedia - Traditional stories - What are the distinctive features of traditional Chinese patterns of dots, lines and surfaces, please explain!
What are the distinctive features of traditional Chinese patterns of dots, lines and surfaces, please explain!
The main themes in auspicious patterns are directly or indirectly taken from nature and civilian life of common plants and animals, utensils, appliances, etc. These figurative things are not subject to the limitations of concrete images in modeling, and often obey the visual pleasure and break through the mundane. These figurative things, auspicious motifs in the modeling is not subject to the limitations of the specific image, often obey the visual pleasure, and break through the cage of ordinary, reflecting the artistic beauty of abstract forms.
2. Symmetry and balance is the usual method of composition
Auspicious motifs often have a central line (or center point), in its left and right, up and down, or all around (three, four, more than one side) configuration of the same shape, the same color, the same amount of different shapes (colors) or the same amount of the pattern, but the same amount of the pattern, the composition of this form of symmetry and balance is called the composition. Among them, symmetry and asymmetry is based on the sample pattern occupies the space position of the situation, it explains the layout of the organizational unit of auspicious patterns; and balanced and unbalanced refers to the distribution of the power of each part of the pattern of the distribution of the situation, which determines the balance of the auspicious pattern of the aesthetics, through the symmetry and balance of the composition, auspicious patterns show the general depiction of the different visual effects of the pattern, more organizational, which is precisely auspicious pattern The important premise of decorative properties.
3. Complexity of change, order in chaos
Traditional patterns of complexity is a major feature of modern art, but the complexity of traditional auspicious patterns is different from the modern application of a major feature of fine arts patterns, but the complexity of traditional auspicious patterns is by no means a simple list of simple repetitions, which pay more attention to the complexity in the embodiment of the rhythm and rhyme, contrast and harmony, will be sparse and dense, large and small, Primary and secondary, real and imaginary, static and dynamic, gathering and dispersing, etc. to do a coordinated organization, to achieve overall unity, local changes, local changes to obey the whole, that is, "chaotic order", "flat in the pursuit of odd". This increases the level and connotation of auspicious patterns, but from the point of view of decorative applications, it is clear that the requirements of the processing technology is relatively harsh. /question/338432676.html
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