The ancient kiln village, which was ruined and forgotten by the world, was completely changed after artistic transformation.

The ancient kiln village, which was ruined and forgotten by the world, took the opportunity of the integration of literature and tourism, was reborn after artistic transformation and returned to people's field of vision again. During the National Day holiday, Guyao Village, located in Boshan District, Zibo City, Shandong Province, which was originally ruined and forgotten by the world, was reborn after artistic transformation and returned to people's vision again. During the National Day holiday, the ancient town of Tamia Liu, located in Boshan District of Zibo City, Shandong Province, was opened to the public for the first time. Boshan Tamia Liu Art Season? Boshan Glass Biennale 2020? To attract tourists.

Walking along the mottled hutong into the ancient town of Tamia Liu, there are courtyard walls made of bluestone, red brick, blue brick and refractory brick on both sides, which have accumulated the smell of kiln fire for thousands of years. Located in the center of the ancient town of Tamia Liu is the fifth workshop of the former Boshan Ceramics Factory. The appearance of the workshop with red bricks and gray tiles remains, but there is a hole inside. The tunnel kiln decades ago was equipped with newly arranged lighting effects, which made people seem to see the production scene at that time through time and space.

I took a slender iron pipe and picked out a group of soft glass raw materials from a fire of several thousand degrees. Before solidification, it was shaped by blowing, rotating, laying, pulling and grinding. After dozens of processes, a unique and beautiful glass work was born in the hands of Gong Kehai, a master of arts and crafts in Zibo. In the ancient town, a live performance of pottery and jade crafts was specially held, and the audience was amazed by the perfect production skills of several pottery and jade craftsmen.

? As a Boshan person, I have seen many glass handicrafts, but the firing process is the first time, which is really an eye-opener. As a business card of China traditional culture, Tao Liu deserves more attention and protection, and will be carried forward in the inheritance. ? Mr. Chen, a citizen of Boshan who walked into the ancient town for the first time, said.

During the National Day holiday, more than ten activities, such as Tao Liu Masters Exhibition, Tao Liu Skills Live Performance, and Ancient Kiln Traditional Village Cultural Tour, were staged one after another, attracting many tourists to experience.

Just a few months ago, it was an abandoned factory building, and several old round kilns left over from the Republic of China and even the Ming and Qing Dynasties were scattered among them.

Boshan is one of the important cradles of Tamia Liu culture in China, and its glaze skills are unique. Historically, Boshan began to produce ceramics in the late Tang Dynasty. During the Song and Yuan Dynasties, the production of glass began to take shape. In the mid-Ming Dynasty, Boshan had become the national glass production and sales center. The ancient town of Tamia Liu is a master of this industry. At the most prosperous time, there were 170 round kilns. Today, there are 65,438+03 ancient round kilns in the ancient town of Tamia Liu and its surrounding areas, and there are more than 65,438+000 enterprises in Tamia Liu.

In this regard, Boshan District cooperated with Xiamen Langxiang Investment Co., Ltd., relying on the existing industrial remains of Tamia Liu ancient town and its surrounding areas, and in accordance with the principle of repairing the old as the old, the remaining 13 ancient kiln, old factory building and traditional historical block were upgraded and transformed, giving Tamia Liu ancient town new cultural tourism functions and opening the organic integration of industrial remains and cultural tourism industry.

Since February this year, the Tamia Liu ancient town has been rebuilt on a large scale, and now the core part has been completed and opened to guests. Here, architectural art and glass art complement each other, and ancient and modern coexist.