Chinese opera culture is lukewarm, how do you think we should preserve and develop it?

One, the leading role of star actors. Star performers here do not only mean "actors", but also people who are well known and influential in the entertainment circle and even in the public welfare sector outside of the opera world. Wang Peiyu, for example, not only acts seriously, but also spreads Peking Opera in entertainment programs such as "Odd Man Out" and "King of Cross-Border Singers," and has gained a lot of young viewers because of his personal charisma.

Two, education popularization. At present, the Chinese Academy of Opera, a professional institution of domestic opera education, has taken the lead in carrying out the "Gao Sen Xiao" project, the so-called "Gao Sen Xiao", that is, professional students of the Academy of Opera go to elementary school in Beijing to carry out some popularization of opera, in addition to recounting some general knowledge of opera, will also physically teach children how to play, and will also teach children to play. In addition to teaching some general knowledge of opera, they will also physically teach the children some classic opera clips, so that the children can feel and experience opera, which is a successful implementation and practice of the long advocated "opera should start from the children".

Three, environmental guidance. Every thing has its own development trajectory, we should not deny that the opera is now weak, and do not be blindly confident that the opera will "return to the earth". Should be appropriate in the cultural environment, the media channels to penetrate some elements of opera.

Fourth, the media influence. On the words of the spread of opera, whether it is the network or television, can do a write opera-related columns, such as Beijing TV's "Heritage China" and the next CCTV to broadcast the "Chinese Opera Congress" are good columns, knowledge of the form of these columns should be more lively. Previously, the World Museum Day with the "Shake" platform launched a H5, on the social platform to burst.

Fifth, the price of concessions, so that the people can see the theater. Economic market performances speak price, but must start from the people's reality, more for the people to provide preferential prices, so that more people and theater fans into the theater to watch performances, can not get a vote for the audience, the opera market without the masses is a castle in the air. The development of opera depends on the people, as long as everyone *** with efforts to actively promote opera, think of ways and pay the action, the opera tomorrow will be more exciting.