Traditional Culture Encyclopedia - Traditional stories - Tibetan Dance Characteristic Style
Tibetan Dance Characteristic Style
The style of Tibetan dance is characterized by continuous, small and fast elastic movements of the knee joints of the legs and sometimes the elastic movements are replaced by continuous and flexible flexion and extension movements.
Tibetan dance trembling or flexion and extension steps with the body's center of gravity to move, move at the same time to drive the body to relax the upper limbs, the arm should be with the dance action to produce a fluttering sensation, they can not intentionally go to move the body's upper limbs, the body of the Tibetan dance upper limbs can not have the slightest initiative to perform behavior.
Tibetan dance focuses on the portrayal of the dance image and the melodic characteristics of the accompanying tunes, there is a sense of coordination of the beauty of the formation of labor movements, Tibetan dance in the dance, very much emphasis on the feet, knees, waist, chest, hands, shoulders, head, eyes, and other parts of the body to cooperate with the male and female dancers with the movements of the dancers to give a strange and beautiful feeling.
Overview of Tibetan Dance:
Tibetan folk dances can be divided into two categories: "Harmony" and "Zhuo". "Harmony" is mainly a form of collective song and dance circulating in Tibetan folklore, which is divided into four kinds: "fruit harmony", "fruit Zhuo", "heap harmony" and "harmony".
Later added simple upper limb movements, in situ rotation and formation changes, and became a male and female alternating, singing and dancing labor song and dance form. This labor song and dance has been brought to the stage as a reminder of the art of labor throughout history.
Tibet is a vast country with a scattered population. Due to the geographical environment, mode of production and different objects of labor in each region, especially the difference in geographical conditions and the influence of religious culture, towns and villages, rural and pastoral areas, pastoral areas and forest areas have formed their own different dance forms and physical movements.
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